استعلمتاريخرؤى السوقأعلى النتائج في المزاداتلوحات مماثلة تباع في المزاداتلوحات في مجموعات المتحفالمصادقهمصادر إضافيةمعرض الصورقد يعجبك أيضا
العودة

غيرهارد ريختر (مواليد 1932)

$1,750,000

الفنان بيو الاستفسار
 
<div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div> <div><font face=Lato size=3>Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.    "Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.    Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.</font></div>
أبستراكتس بيلد 758-2199224 1/2 × 32 1/4 بوصة.(62.23 × 81.92 سم) زيت على قماش
الاصل
غاليري فريد جان، ميونيخ
غاليري فورشو، كوبنهاغن
مجموعة خاصة، آخن
مجموعة خاصة، إيسن
فيليبس، نيويورك، 16 أيار/مايو 2003
مجموعة خاصة، نيويورك
معرض ميشيل روزنفيلد ، نيويورك
معرض
غيرهارد ريختر. ماليرييه، غاليري فورشو، كوبنهاغن 1996
غيرهارد ريختر. Werke aus Aachener Sammlungen ، Ehemalige Reichsabtei ، آخن - كورنيليمونستر 1999
 
الادب
إلجير ، د (2011) ، غيرهارد ريختر: كتالوج رايسونيه ، هاتجي / كانتس. المجلد الرابع ، لون مريض. رقم 758-2 ، ص. 434
بوشلوه,... اكثر... B. H. D., Gidal, P., Pelzer, B., and Musée d'art moderne de la ville de Paris (1993), Gerhard Richter, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland. المجلد الثالث ، لون مريض. رقم 758-2
Ehemalige Reichsabtei (1999) ، غيرهارد ريختر ، Werke aus Aachener Sammlungen [cat.] ، آخن كورنيليمونستر. لون مريض. ص. 59
فيليبس (نيويورك ، 16 مايو 2003) ، الفن المعاصر ، الجزء الثاني [قطة المزاد] ، قطعة 142 ، لون مريض. ب. 4
... اقل...
العودة
الاستفسار

 

"الرمادي هو اللون ... الأهم من ذلك كله ... غياب الرأي ، لا شيء ، لا / ولا ". - غيرهارد ريختر

التاريخ

معترف به على نطاق واسع كواحد من أكثر الفنانين أهمية في عصرنا ، مهنة جيرهارد ريخترز تنافس الآن مهنة بيكاسو من حيث الإنتاجية والعبقرية. الموضوع متعدد الأوجه ، بدءا من اللوحات الزيتية الفوتوغرافية خارج التركيز قليلا إلى اللوحات الشبكية كيلي إلى أعماله "الممسحة" ، لا يستقر ريختر أبدا على تكرار نفس الفكرة ولكنه يطور رؤيته باستمرار. تم تكريم ريختر بمعارض استعادية كبيرة ، بما في ذلك المعرض المحوري لعام 2002 ، "غيرهارد ريختر: أربعون عاما من الرسم" ، في متحف الفن الحديث ، نيويورك.

أبستراكتس بيلد 758-2 (1992) يأتي من فترة مجردة بحتة في عمل ريختر. من خلال نقل رسالته باستخدام أسلوب رسم مادي حقيقي ، كان ريختر يشوه طلاءه متعدد الطبقات بأداة "Squeegee" الخشبية ، وبالتالي يكشف عن الطبقات السفلية ومجموعات ألوانها الفريدة. في نحت الطلاء على هذا النحو ، شارك في درجة من "الفن بالصدفة". كان ريختر يتفاعل مع هذه الإيماءات ، ويستمر في إضافة الطلاء وتشويهه وطرحه ، مما يخلق سطحا تركيبيا مع إحساس بالمساحة والحركة.

تم تضمين ريختر في المتاحف والمجموعات البارزة في جميع أنحاء العالم ، بما في ذلك تيت ، لندن ، متحف الفن الحديث ، نيويورك ، ومتحف سان فرانسيسكو للفن الحديث ، من بين العديد من المتاحف الأخرى.

ريختر 1
ريختر 2
ريختر 3
ريختر 4
ريختر 5
"الآن بعد أن لم يعد لدينا كهنة وفلاسفة ، فإن الفنانين هم أهم الناس في العالم." - غيرهارد ريختر

رؤى السوق

ريختر عمرو 12.1977-6.2023
  • يتمتع جيرهارد ريختر بتاريخ قوي في المزادات والمبيعات ، حيث تتجاوز الأعمال الرئيسية في كثير من الأحيان تقديرات مزاد ما قبل البيع.
  • هناك معدل نمو سنوي مركب يبلغ 17.6٪ لجيرهارد ريختر.
  • غيرهارد ريختر هو واحد من أكثر الفنانين أهمية في عصرنا. أقام ريختر العديد من المعارض الاستعادية ، وهو واحد من أكثر الفنانين رواجا في القرن 20/ 21.

أفضل النتائج في المزاد

"Abstraktes Bild" (1986) ، زيت على قماش ، 118 × 99 بوصة. بيعت في سوذبيز لندن: 10 فبراير 2015 مقابل 46,353,000 دولار.
"Abstraktes Bild" (1986) ، زيت على قماش ، 118 × 99 بوصة. بيعت في سوذبيز لندن: 10 فبراير 2015 مقابل 46,353,000 دولار.
"Domplatz ، Mailand" (1968) ، زيت على قماش ، 108 × 114 بوصة. بيعت في سوذبيز نيويورك: 14 مايو 2013 مقابل 37,125,000 دولار.
"Domplatz ، Mailand" (1968) ، زيت على قماش ، 108 × 114 بوصة. بيعت في سوذبيز نيويورك: 14 مايو 2013 مقابل 37,125,000 دولار.
"Abstraktes Bild" (1994) ، زيت على قماش ، 89 × 78 بوصة. بيعت في كريستيز نيويورك: 10 مايو 2022 مقابل 36,500,000 دولار.
"Abstraktes Bild" (1994) ، زيت على قماش ، 89 × 78 بوصة. بيعت في كريستيز نيويورك: 10 مايو 2022 مقابل 36,500,000 دولار.
"A B ، Still" (1986) ، زيت على قماش ، 89 × 79 بوصة. بيعت في سوذبيز نيويورك: 17 نوفمبر 2016 مقابل 36,500,000 دولار.
"A B ، Still" (1986) ، زيت على قماش ، 89 × 79 بوصة. بيعت في سوذبيز نيويورك: 17 نوفمبر 2016 مقابل 36,500,000 دولار.

لوحات مماثلة تباع في مزاد علني

"المطر (2)" (1988) ، زيت على قماش ، 26 1/2 × 36 بوصة. بيعت في سوذبيز نيويورك: 9 نوفمبر 2011 مقابل 3,218,500 دولار.
"المطر (2)" (1988) ، زيت على قماش ، 26 1/2 × 36 بوصة. بيعت في سوذبيز نيويورك: 9 نوفمبر 2011 مقابل 3,218,500 دولار.
  • رسمت في نفس الوقت تقريبا الذي رسم فيه ريختر Abstraktes Bild 758-2
  • لوحة ألوان مماثلة
  • ملخص أفقي آخر
  • تباع بما يقرب من 4 أضعاف التقدير
"Abstraktes Bild" (1997) ، زيت على قماش ، 26 1/2 × 37 بوصة. بيعت في سوذبيز نيويورك: 12 أكتوبر 2012 مقابل 3,126,908 دولار.
"Abstraktes Bild" (1997) ، زيت على قماش ، 26 1/2 × 37 بوصة. بيعت في سوذبيز نيويورك: 12 أكتوبر 2012 مقابل 3,126,908 دولار.
  • رسمت في نفس الوقت تقريبا الذي رسم فيه ريختر Abstraktes Bild 758-2
  • لوحة ألوان قابلة للمقارنة
  • ملخص أفقي آخر ، مقياس قابل للمقارنة
"Abstraktes Bild" (1988) ، زيت على قماش ، 28 1/2 × 40 بوصة. بيعت في سوذبيز نيويورك: 15 نوفمبر 2019 مقابل 2,540,000 دولار.
"Abstraktes Bild" (1988) ، زيت على قماش ، 28 1/2 × 40 بوصة. بيعت في سوذبيز نيويورك: 15 نوفمبر 2019 مقابل 2,540,000 دولار.
  • رسمت في نفس الوقت تقريبا الذي رسم فيه ريختر Abstraktes Bild 758-2
  • لوحة ألوان قابلة للمقارنة
  • ملخص أفقي آخر ، مقياس قابل للمقارنة

لوحات في مجموعات المتحف

"الجليد (3)" (1989) ، زيت على قماش ، 80 × 64 بوصة ، معهد الفنون ، شيكاغو
"الجليد (3)" (1989) ، زيت على قماش ، 80 × 64 بوصة ، معهد الفنون ، شيكاغو
"سانت جون" (1988) ، زيت على قماش ، 79 × 102 بوصة ، تيت ، لندن
"سانت جون" (1988) ، زيت على قماش ، 79 × 102 بوصة ، تيت ، لندن
"Abstraktes Bild" (1993) ، زيت على قماش ، 94 1/2 × 94 1/2 بوصة ، متحف سياتل للفنون ، سياتل
"Abstraktes Bild" (1993) ، زيت على قماش ، 94 1/2 × 94 1/2 بوصة ، متحف سياتل للفنون ، سياتل
"Abstraktes Bild (825-7)" (1995) ، زيت على قماش ، 16 × 14 بوصة ، متحف الفنون الجميلة ، بوسطن
"Abstraktes Bild (825-7)" (1995) ، زيت على قماش ، 16 × 14 بوصة ، متحف الفنون الجميلة ، بوسطن
"الفن الجيد بشكل عام يطمح إلى شيء ما ، كما تطمح اللوحة الجيدة إلى شيء ما ، روحي أو مقدس تقريبا." - غيرهارد ريختر

المصادقه

نشرت في Elger، D (2011) ، غيرهارد ريختر: كتالوج Raisonné ، Hatje / Cantz. المجلد الرابع ، لون مريض. رقم 758-2 ، ص. 434

ريختر 44573 CR

موارد إضافية

معرض الصور

44573_detail1
44573_detail1
44573_detail8
44573_detail2
44573_detail3
44573_detail4

الاستفسار

الاستعلام - الفن واحد

قد تحب أيضا