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JULIAN SCHNABEL (b. 1951)

 
JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in. JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in.
Untitled199196 x 120 in. oil, resin, gesso, fabric and leather on seamed dropcloth
Provenance
Private Collection, Chicago
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The stands are: The 32 H x 19-3/4 W x 19-3/4 D in.
<br>
<br>Rat: 27 7/8 x 12 7/8 x 20 7/8 in.
<br>Ox: 29 1/8 x 20 1/8 x 16 7/8
<br>Tiger: 25 7/8 x 14 7/8 x 16 7/8
<br>Rabbit: 27 7/8 x 9 7/8 x 18 7/8
<br>Dragon: 35 7/8 x 18 1/8 x 25 7/8
<br>Snake: 27 7/8 x 14 1/8 x 6 3/4
<br>Horse: 29 1/8 x 12 1/4 x 22
<br>Ram: 25 1/4 x 20 7/8 x 16 1/8
<br>Monkey: 27 1/8 x 12 7/8 x 14 7/8
<br>Rooster: 24 x 9 x 16 7/8
<br>Dog: 25 1/4 x 14 7/8 x 18 7/8
<br>Boar: 27 1/8 x 16 1/8 x 20 7/8

AI WEIWEI

ALEXANDER CALDER - The Palm Tree - oil on canvas - 39 ½ x 29 ¾ in.

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San Loretto (2008) references a story from the Catholic faith, in which the house of the Holy Family was miraculously transported out of Nazareth for protection during the Crusades. The story appeals to Anselm Kiefer's distinctive visual themes of ruin and renewal, depicting the great effort of carrying the structure to Italy while speaking to the destruction of the Crusades. The buildup of fragments and rubble on San Loretto coalesces into an image of a bird, which combined with the title and its layers of meaning, suggests the figure of a dove and even the Holy Spirit.

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Not Vital - Tongue - stainless steel - 307 x 67 x 59 in.

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Julian Schnabel is an American painter whose style is associated with the Neo-Expressionist movement of the 1980s. Pascin Pig Passin Time is part of Schnabel’s broken plate series of paintings, inspired by the trencadís, or broken tile mosaic, of architect Antoni Gaudí. With a humorous title and depicting his first wife, Jacqueline Beaurang, the broken ceramics give Schnabel an assertive and textural surface in which to create large-scale works that captured the brash and audacious period of the 1980s.

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DAMIEN HIRST - Overwhelming Love - household gloss, butterflies - 36 x 60 in

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PETER SHELTON - Whitebagbone - mixed media - 86 x 22 x 18 in.

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Celebrated Hassel Smith moved through different styles over his long career including Abstract Expressionism, his “Measured” series, and Gestural Abstraction. This painting comes from his “Measured” period in which paintings encompassed geometric shapes and numbers on grids. Smith finds rhythms in the paintings through the intervals and sizes of the shapes. Among his friends were Clyfford Still and Mark Rothko. Smith lived in the Bay Area of California before moving to the UK, settling in Cornwall and Bristol. Heather James is proud to represent the estate of Hassel Smith.

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