العودة

هاري BERTOIA & nbsp(1915-1978)

الفنان بيو الاستفسارحميل PDF
 
<div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div> <div><font face=Calibri size=3 color=black>Art enthusiasts celebrate Harry Bertoia’s “Sonambient” sculptures for their ability to transcend the traditional boundaries of visual art. Rising 56 inches, this sculpture of sixteen tines, topped with cattail-like finials crafted from beryllium copper and aged to a unique patina, suggests a powdery effect reminiscent of cattails in their natural state. This richly mottled patina enhances its visual appeal and historical significance, reflecting the natural aging process that Bertoia, a naturalist, would have deeply admired. The large surface area of the finials allows the patina to express itself differently, adding texture and depth to the sculpture’s appearance. The effect gives the piece an organic quality, further connecting it to the natural world that inspired Bertoia.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>When activated by touch or the movement of air, the rods produce a continuous sound akin to an old church chime. This haunting, melodic tone transforms the sculpture from a static object into a dynamic auditory experience, evoking the serene and spiritual atmosphere of ancient places of worship. Bertoia always retained an awareness of the irony of using metal to produce the sounds of nature and organic forms. The sound resonates with a timeless quality, drawing listeners into a meditative state and highlighting the spiritual dimensions of Bertoia’s work.</font></div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 56-inch “Sonambient” sculpture exemplifies his belief in art as an immersive, evolving experience. It invites viewers to engage with it physically and emotionally, discovering new layers of beauty and meaning with each interaction. Through this piece, Bertoia continues to captivate and inspire, celebrating the profound connection between art, nature, and spirituality.</font></div>
بدون عنوان (منحوتة صوتية بلا عنوان)c. 1970s56 1/4 × 10 × 10 × 10 بوصة.(142.88 × 25.4 × 25.4 سم)
الاصل
مجموعه خاصه

125,000

يحتفي عشاق الفن بمنحوتات هاري بيرتويا "سونامبينت" لقدرتها على تجاوز الحدود التقليدية للفن البصري. ترتفع هذه المنحوتة التي يبلغ ارتفاعها 56 بوصة وتتألف من ستة عشر سنبلة تعلوها زخارف تشبه شجر القطايف مصنوعة من نحاس البريليوم ومعتقة بلمسة زنجار فريدة من نوعها، مما يوحي بتأثير مسحوق يذكرنا بقطائف القطايف في حالتها الطبيعية. ويعزز هذا الزنجار المرقش من جاذبيته البصرية وأهميته التاريخية، مما يعكس عملية التقادم الطبيعية التي كان برتويا، وهو عالم طبيعي، معجباً بها بشدة. تسمح المساحة الكبيرة لسطح الزخارف الزنجار بالتعبير عن نفسها بشكل مختلف، مما يضيف ملمساً وعمقاً لمظهر المنحوتة. ويضفي هذا التأثير على القطعة طابعاً عضوياً، مما يربطها أكثر بالعالم الطبيعي الذي ألهم برتويا.





عندما يتم تنشيطها باللمس أو بحركة الهواء، تُصدر القضبان صوتاً مستمراً يشبه رنين الكنيسة القديم. وتحول هذه النغمة الشجية المؤرقة المنحوتة من كائن ثابت إلى تجربة سمعية ديناميكية تستحضر الأجواء الروحانية الهادئة لأماكن العبادة القديمة. لطالما احتفظ برتويا بإدراكه لمفارقة استخدام المعدن لإنتاج أصوات الطبيعة والأشكال العضوية. يتردد صدى الصوت بجودة خالدة تجذب المستمعين إلى حالة من التأمل وتسلط الضوء على الأبعاد الروحية لأعمال بيرتويا.


تجسد منحوتة "سونامبينت" التي يبلغ طولها 56 بوصة للفنان بيرتويا إيمانه بالفن كتجربة غامرة ومتطورة. فهي تدعو المشاهدين إلى التفاعل معها جسدياً وعاطفياً، واكتشاف طبقات جديدة من الجمال والمعنى مع كل تفاعل. يواصل برتويا من خلال هذه القطعة الفنية إبهار وإلهام المشاهدين محتفياً بالعلاقة العميقة بين الفن والطبيعة والروحانية.
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