العودة

جورج ريكي & nbsp(1907-2002)

الفنان بيو الاستفسارحميل PDF
 
<div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div> <div><font face=Calibri size=3 color=black>George Rickey's "Two Up One Down Staggered" exemplifies his ability to marry minimalist aesthetics with complex mechanical motion. Ninety-seven inches tall and meticulously crafted from stainless steel, the sculpture reflects this synthesis beautifully. It explores the intersection between the precise movements of machinery and the organic, unpredictable motions found in nature. It features two elongated stainless-steel arms (Rickey called 'blades) extending upwards, balanced by a single element pointing downwards; all arranged staggered. This staggered configuration creates a dynamic visual rhythm, emphasizing the interplay between balance and imbalance and enhancing the sculpture's kinetic properties. The title succinctly encapsulates the components' structural arrangement and dynamic interaction, providing insight into Rickey's thoughtful design and his exploration of geometric and kinetic relationships.<br><br><br><br>Stainless steel gives the sculpture a sleek, modern appearance and ensures its durability, allowing it to withstand outdoor conditions. This material choice underscores Rickey's intention for his works to engage directly with natural forces like wind and gravity. The components move gently with the slightest breeze, transforming static metal into a fluid, ever-changing form. A close inspection of Rickey’s solution for its fastening structure offers an appreciation for its precise engineering and a tribute to his attention to detail and craftsmanship. These fastening elements also show an artisanal touch, with visible welds, rivets, and sheet metal 'shaving' that emphasizes the handcrafted nature of the piece. These details reveal the manual labor and meticulous skill involved in the sculpture's creation while adding an element of authenticity and rawness to the artwork.<br><br><br><br>The simplicity of the design belies the complexity of "Two Up One Down Staggered.” Rickey's precision in engineering these delicate movements ensures that each component interacts seamlessly, inviting contemplation and highlighting the beauty of kinetic art. This interplay of balance and motion captures the viewer's attention, transforming the act of observing into an engaging experience, and his work continues to inspire and challenge our perceptions of art, mechanics, and the natural world, making him a pivotal figure in the evolution of kinetic sculpture.</font></div>
ثلاثة خطوط كونترابونتال196797 × 52 × 8 بوصة.(246.38 × 132.08 × 20.32 سم) فولاذ مقاوم للصدأ
الاصل
دار سوذبيز للمزادات، 8 أكتوبر 1988
مجموعة خاصة، تم اقتناؤها من المجموعة المذكورة أعلاه
مجموعة خاصة

120,000

تجسّد منحوتة جورج ريكي "اثنان لأعلى وواحد لأسفل متداخلة" قدرته على المزج بين الجماليات البسيطة والحركة الميكانيكية المعقدة. تعكس المنحوتة التي يبلغ طولها سبعة وتسعين بوصة والمصنوعة بدقة من الفولاذ المقاوم للصدأ، هذا التوليف بشكل جميل. تستكشف المنحوتة التقاطع بين الحركات الدقيقة للآلات والحركات العضوية غير المتوقعة الموجودة في الطبيعة. تتميز المنحوتة بذراعين ممدودين من الفولاذ المقاوم للصدأ (يطلق عليهما ريكي اسم "الشفرات") يمتدان إلى أعلى، ويوازنهما عنصر واحد يتجه إلى الأسفل؛ وكلها مرتبة بشكل متداخل. يخلق هذا التكوين المتداخل إيقاعاً بصرياً ديناميكياً يبرز التفاعل بين التوازن وعدم التوازن ويعزز الخصائص الحركية للمنحوتة. ويلخّص العنوان بإيجاز الترتيب الهيكلي للمكونات والتفاعل الديناميكي بينها، مما يوفر نظرة ثاقبة على تصميم ريكي المدروس واستكشافه للعلاقات الهندسية والحركية.



الفولاذ المقاوم للصدأ الذي يمنح المنحوتة مظهراً أنيقاً وعصرياً ويضمن متانتها، مما يسمح لها بتحمل الظروف الخارجية. يؤكد اختيار هذه المادة على نية ريكي في أن تتفاعل أعماله مباشرة مع القوى الطبيعية مثل الرياح والجاذبية. تتحرك المكونات برفق مع أدنى نسمة هواء، محولةً المعدن الساكن إلى شكل انسيابي دائم التغير. يُظهر الفحص الدقيق للحل الذي ابتكره ريكي لهيكل التثبيت تقديراً لهندسته الدقيقة وإشادة باهتمامه بالتفاصيل والحرفية. تُظهر عناصر التثبيت هذه أيضاً لمسة حرفية من خلال اللحامات والمسامير و"حلاقة" الصفائح المعدنية المرئية التي تؤكد على الطبيعة اليدوية للقطعة. وتكشف هذه التفاصيل عن العمل اليدوي والمهارة الدقيقة التي ينطوي عليها إنشاء المنحوتة مع إضافة عنصر الأصالة والخشونة إلى العمل الفني.



بساطة التصميم تخفي تعقيد "اثنان لأعلى وواحد لأسفل متداخلة". تضمن دقة ريكي في هندسة هذه الحركات الدقيقة أن يتفاعل كل عنصر بسلاسة مما يدعو إلى التأمل وإبراز جمال الفن الحركي. يأسر هذا التفاعل بين التوازن والحركة انتباه المشاهد، ويحول فعل المشاهدة إلى تجربة جذابة، وتستمر أعماله في إلهامنا وتحدي تصوراتنا عن الفن والميكانيكا والعالم الطبيعي، مما يجعله شخصية محورية في تطور النحت الحركي.
العودة
الاستفسار