Back

HASSEL SMITH (1915-2007)

ARTIST BIO INQUIREDOWNLOAD PDFEXHIBITIONSSIMILAR ARTWORKS
 
HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in.
HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in.
Untitled199168 x 48 in. acrylic on canvas
Provenance
Estate of Hassel Smith

60,000

Back
Inquire

Similar Artworks

SAM FRANCIS - Coral Trails - acrylic on canvas - 78 x 108 in.

SAM FRANCIS

JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in.

JULIAN SCHNABEL

DEBORAH BUTTERFIELD - Yellow River - steel - 26 x 96 x 56 in.

DEBORAH BUTTERFIELD

In the late 1970s, Richard Prince began taking photographs of photographs, appropriation art in line with the readymades of Marcel Duchamp. Untitled (Portrait)(Boy) was included in the sensational 2014 Gagosian exhibition, New Portraits. For this series, Prince himself commented on each of the Instagram images and appropriated them for this body of work, creating a precise snapshot of our time. This work challenges ideas of authorship, capturing a sense of immediacy within the apparatus of social media.

RICHARD PRINCE

Contemporary American artist George Condo coined the term “artificial realism” to characterize the figures that appear in his work – often described as a combination of European Old Master painting and American Pop art. Condo has defined the term as the “realistic representation of that which is artificial.” Known for figures that are often grotesque or fractured, Condo creates art that is both Contemporary and rooted in art historical tradition, drawing inspiration from Cubism or, in this case, reaching back to ancient Greece. In an uncommon work of sculpture, Condo imparts his distinctive style to the face of a Mycenaean archetype, the goddess figure.

GEORGE CONDO

TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in.

TIM HAWKINSON

WILLIAM MORRIS - Artifact Pouch - blown glass - 20 x 20 x 20 in.

WILLIAM MORRIS

DANIEL SPRICK - Interior Still Life - oil on masonite - 48 x 40 in.

DANIEL SPRICK

HASSEL SMITH - Untitled - acrylic on canvas - 84 x 108 1/4 in.

HASSEL SMITH

HASSEL SMITH - I Dreamt I Dwelt in Marble Halls - acrylic on canvas - 68 x 68 in.

HASSEL SMITH

ROBERT MAPPLETHORPE - Orchids - dye-transfer print - 22 1/2 x 21 1/2 in.

ROBERT MAPPLETHORPE

HASSEL SMITH - Untitled - acrylic on canvas - 68 x 68 in.

HASSEL SMITH

LARI PITTMAN - Untitled - oil and acrylic on canvas - 95 x 65 in.

LARI PITTMAN

JACK JEFFERSON - Mission #20 - oil on canvas - 77 x 50 in.

JACK JEFFERSON

KEITH HARING - Untitled - ink on illustration board - 4 5/8 x 5 1/2 in.

KEITH HARING

Sandra Mendelsohn Rubin - Valley View: Late Summer - oil on polyester - 4 x 7 1/8 in.

Sandra Mendelsohn Rubin

JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in.

JOHN FRAME

PAUL JENKINS - Phenomena Violet Scent - oil on canvas - 14 x 18 in.

PAUL JENKINS

WILLIAM GLEN CROOKS - Night and Day Café - oil on canvas - 48 x 36 in.

WILLIAM GLEN CROOKS

WILLIAM WEGMAN - Alder - Polaroid Polacolor print, mtnd - 26 x 20 3/4 in

WILLIAM WEGMAN

GUSTAVE HEINZE - Store Front #122 - acrylic on masonite - 40 x 40 in.

GUSTAVE HEINZE

TATIANA BOTTON - Taking Control - archival pigment print - 40 x 60 in.

TATIANA BOTTON

CHINA ADAMS - Glass Box #25 - artist's burdensome possessions - 15 x 15 1/2 x 15 1/2 in.

CHINA ADAMS

WILLIAM WEGMAN - Marigolds, Petunias, Meimaraners, etc. - photograph on paper - 6 3/4 x 13 in.

WILLIAM WEGMAN

WILLIAM WEGMAN - Dog Cabin - silver gelatin print - 7 1/4 x 6 3/4 in.

WILLIAM WEGMAN

ROGER THOMAS - Grenelle Arm Chairs - Black Lacquer Finish and Gold Cord on Muslin with Original Drawings; Unique - 38 x 24 x 24 in.

ROGER THOMAS

WILLIAM T. WILEY - It's Only a Pay Per Moon - lithograph and woodcut additions on chamois - 47 3/4 x 38 in.

WILLIAM T. WILEY

TSENG KWONG CHI - Lake Louise, Canada - silver gelatin print - 16 x 20 in.

TSENG KWONG CHI