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SIDDHARTH PARASNIS (b. 1977)

 
SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in.
Cityscape200848 x 48 in. oil on canvas
Provenance
Private Collection, Carlsbad, California

14,500

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In the 1970s, Butterfield made her first horses from plaster, papier-mâché, and mud and sticks. In 1980, she traveled to Israel on a John Simon Guggenheim grant, and worked with steel and other detritus of wars, and determined the material held emotional content. This set her on a course of making horses with found and welded steel, fused aluminum, copper, and wood — materials that also have a history. Butterfield’s “Yellow River,” c. 1984, is an uncommon example of the artist’s work as the subject is in repose with an experimental minimalist aesthetic. Created using scrap metal from a school bus, the painted steel elements seem to combine organically. Butterfield is widely recognized for her materials-oriented approach to sculpture. 
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<br>Deborah Butterfield's work is included in numerous museum collections, including the Honolulu Museum of Art, the Rockwell Museum, the Whitney Museum of American Art, the Metropolitan Museum of Art, the Delaware Art Museum, the Boise Art Museum, the Albrecht-Kemper Museum of Art, the Neuberger Museum of Art, and the Rockford Art Museum among many others.

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Alex Katz is a pivotal figure in American figurative art. His colorful, stylized, flat portraiture and paintings stand in stark contrast to the Abstract Expressionism in which he came of age. Not quite minimalist, his deadpan figures have qualities that also lends comparisons to pop culture and commercial design. This painting of a man playing the ukulele highlights the sort of gatherings of young people that would interest Katz giving both the sense of cool detachment but also cool hipness.

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Sculptural work by Theaster Gates is anchored in the artist’s long-standing commitment to social action and responsibility, rooted in his home city of Chicago. The wooden frame of "Lathe Black Box" from 2012 is made of wood from The Dorchester Project, one of his best-known pieces. The project transformed a dilapidated building in Chicago’s South Side into a community gathering place and a celebration of local culture. Gates has described this project as part of a “circular ecological system,” selling sculptural works from the material of these projects to finance the ongoing building renovations. In recent years, his creative efforts do not only consist of making fine art from construction materials, but also extend to creating construction materials as fine art. 
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<br>Much of Gates’s work deals with history, memory, and renewal. The mirrored glass at the center of "Lathe Black Box" creates an ambiguous effect, confronting the viewer with their own reflection.

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