Back

SIDDHARTH PARASNIS (b. 1977)

 
SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in. SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in.
Cityscape200848 x 48 in. oil on canvas
Provenance
Private Collection, Carlsbad, California

14,500

Inquire

Similar Artworks

In the 1970s, Butterfield made her first horses from plaster, papier-mâché, and mud and sticks. In 1980, she traveled to Israel on a John Simon Guggenheim grant, and worked with steel and other detritus of wars, and determined the material held emotional content. This set her on a course of making horses with found and welded steel, fused aluminum, copper, and wood — materials that also have a history. Butterfield’s “Yellow River,” c. 1984, is an uncommon example of the artist’s work as the subject is in repose with an experimental minimalist aesthetic. Created using scrap metal from a school bus, the painted steel elements seem to combine organically. Butterfield is widely recognized for her materials-oriented approach to sculpture. 
<br>
<br>Deborah Butterfield's work is included in numerous museum collections, including the Honolulu Museum of Art, the Rockwell Museum, the Whitney Museum of American Art, the Metropolitan Museum of Art, the Delaware Art Museum, the Boise Art Museum, the Albrecht-Kemper Museum of Art, the Neuberger Museum of Art, and the Rockford Art Museum among many others.

DEBORAH BUTTERFIELD

Alex Katz is a pivotal figure in American figurative art. His colorful, stylized, flat portraiture and paintings stand in stark contrast to the Abstract Expressionism in which he came of age. Not quite minimalist, his deadpan figures have qualities that also lends comparisons to pop culture and commercial design. This painting of a man playing the ukulele highlights the sort of gatherings of young people that would interest Katz giving both the sense of cool detachment but also cool hipness.

ALEX KATZ

Sculptural work by Theaster Gates is anchored in the artist’s long-standing commitment to social action and responsibility, rooted in his home city of Chicago. The wooden frame of "Lathe Black Box" from 2012 is made of wood from The Dorchester Project, one of his best-known pieces. The project transformed a dilapidated building in Chicago’s South Side into a community gathering place and a celebration of local culture. Gates has described this project as part of a “circular ecological system,” selling sculptural works from the material of these projects to finance the ongoing building renovations. In recent years, his creative efforts do not only consist of making fine art from construction materials, but also extend to creating construction materials as fine art. 
<br>
<br>Much of Gates’s work deals with history, memory, and renewal. The mirrored glass at the center of "Lathe Black Box" creates an ambiguous effect, confronting the viewer with their own reflection.

THEASTER GATES

TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in.

TIM HAWKINSON

HASSEL SMITH - Untitled - acrylic on canvas - 84 x 108 1/4 in.

HASSEL SMITH

HASSEL SMITH - I Dreamt I Dwelt in Marble Halls - acrylic on canvas - 68 x 68 in.

HASSEL SMITH

ALEX KATZ - Untitled - oil on masonite - 11 7/8 x 15 3/4 in.

ALEX KATZ

HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in.

HASSEL SMITH

PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in.

PETER SHELTON

LARI PITTMAN - Untitled - oil and acrylic on canvas - 95 x 65 in.

LARI PITTMAN

THOMAS WILLIAM JONES - Skagit Yellow - watercolor - 13 x 20 in.

THOMAS WILLIAM JONES

AMY SILLMAN - Untitled #7 - gouache, chalk, and pencil on etching on paper - 31 x 28 in.

AMY SILLMAN

ROBERT FRAME - Still Life on Green Table - oil on canvas - 30 x 40 in.

ROBERT FRAME

PETER D. GERAKARIS - Daphne I - oil on canvas - 72 x 36 in.

PETER D. GERAKARIS

Provenance: 
<br>Imago Galleries, CA
<br>Private collection, CA (acquired from above)

STEVEN MCCALLUM

ERIC JON HOLSWADE - For Forgetting - acrylic on panel - 42 3/4 x 32 5/8 in.

ERIC JON HOLSWADE

GUSTAVE HEINZE - Store Front #122 - acrylic on masonite - 40 x 40 in.

GUSTAVE HEINZE

Provenance:
<br>Black Dragon Society, Los Angeles, CA
<br>Private Collection, Los Angeles, CA

ELISA JOHNS

STEPHEN P. CURRY - Cardinal (Pomegranates) - oil on canvas - 39 1/4 x 50 in.

STEPHEN P. CURRY

ROBERT FRAME - River Bluff - oil on canvas - 20 x 24 in.

ROBERT FRAME

WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in.

WILLIAM WEGMAN

PENELOPE GOTTLIEB - Hibiscadelphus wilderianus - ballpoint pen and graphite on paper - 59 1/4 x 39 1/4 in.

PENELOPE GOTTLIEB

CARLOS LUNA - Bimbam - oil on canvas - 14 x 12 in.

CARLOS LUNA

WILLIAM WEGMAN - Dog Cabin - silver gelatin print - 7 1/4 x 6 3/4 in.

WILLIAM WEGMAN

CHRIS TRUEMAN - ZS - acrylic and acrylic spray paint on canvas - 36 x 38 3/4 in.

CHRIS TRUEMAN

WILLIAM WEGMAN - Three Dolls - Silver gelatin print - 7 1/4 x 6 3/4 in.

WILLIAM WEGMAN

WILLIAM T. WILEY - It's Only a Pay Per Moon - lithograph and woodcut additions on chamois - 47 3/4 x 38 in.

WILLIAM T. WILEY

MARINO MARINI - Untitled (From Shakespeare I) - lithograph - 29 1/2 x 22 in.

MARINO MARINI