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PETER SHELTON

ARTIST BIO INQUIREDOWNLOAD PDFSIMILAR ARTWORKS
 
PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in.
PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in.
onelongsleeve1987 - 9029 1/2 x 47 3/4 x 10 1/2 in. metal
Provenance
Private Collection, Chicago

75,000

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Deborah Butterfield is an American sculptor, best known for her sculptures of horses made of objects ranging from wood, metal, and other found objects. The 1981 piece, Untitled (Horse), is comprised of sticks and paper on wire armature. The impressive scale of this piece creates a remarkable effect in person, presenting a striking example of Butterfield's celebrated subject matter. Butterfield originally created the horses from wood and other materials found on her property in Bozeman, Montana and saw the horses as a metaphorical self-portrait, mining the emotional resonance of these forms.

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Richard Prince is one of the most influential names in contemporary art. Prince is part of The Pictures Generation, a loosely associated group of artists who appropriated mass media imagery to examine and question issues of stereotypes, cultural tropes, and the constructed narrative of images. Prince and The Pictures Generation helped to usher in post-modernism in art. <br> <br>In the late 1970s, Richard Prince began taking photographs of photographs, appropriation art in line with the readymades of Marcel Duchamp. "Untitled (Portrait)(Boy)" was included in the sensational 2014 Gagosian exhibition, New Portraits. For this series, Prince himself commented on each of the Instagram images and appropriated them for this body of work, creating a precise snapshot of our time. This work and series ask us to question the meaning within the proliferation of “selfies” and how people use these images to create and to project a narrative of themselves. It also challenges ideas of authorship, both constructing and deconstructing the nature of images while capturing a sense of immediacy within the apparatus of social media.

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Ed Moses was a prominent figure in the Los Angeles art scene for nearly 70 years. He first exhibited in 1949 and was part of the original group of artists from the Ferus Gallery in 1957 – fellow Cool School artist Ed Ruscha also had his first solo exhibition there in 1963. The large scale and tryptic formation of “Franco-Del #1 & #3” from 2006 is rare for Moses. The piece is executed in earth tones of browns, grey, black, rust and pine green. Always working with process and experimenting with materials as a painter, Moses has been critically lauded for his bold composition and innovation.

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Provenance: <br>Black Dragon Society, Los Angeles, CA <br>Private Collection, Los Angeles, CA

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