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JOHN FRAME

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JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in.
JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in.
Untitled53 x 40 x 6 3/4 in. wood and mixed media
Provenance
Private Collection, Chicago

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Julian Schnabel is an American painter whose style is associated with the Neo-Expressionist movement of the 1980s. Pascin Pig Passin Time is part of Schnabel’s broken plate series of paintings, inspired by the trencadís, or broken tile mosaic, of architect Antoni Gaudí. With a humorous title and depicting his first wife, Jacqueline Beaurang, the broken ceramics give Schnabel an assertive and textural surface in which to create large-scale works that captured the brash and audacious period of the 1980s.

JULIAN SCHNABEL

In the 1970s, Butterfield made her first horses from plaster, papier-mâché, and mud and sticks. In 1980, she traveled to Israel on a John Simon Guggenheim grant, and worked with steel and other detritus of wars, and determined the material held emotional content. This set her on a course of making horses with found and welded steel, fused aluminum, copper, and wood — materials that also have a history. Butterfield’s “Yellow River,” c. 1984, is an uncommon example of the artist’s work as the subject is in repose with an experimental minimalist aesthetic. Created using scrap metal from a school bus, the painted steel elements seem to combine organically. Butterfield is widely recognized for her materials-oriented approach to sculpture. <br> <br>Deborah Butterfield's work is included in numerous museum collections, including the Honolulu Museum of Art, the Rockwell Museum, the Whitney Museum of American Art, the Metropolitan Museum of Art, the Delaware Art Museum, the Boise Art Museum, the Albrecht-Kemper Museum of Art, the Neuberger Museum of Art, and the Rockford Art Museum among many others.

DEBORAH BUTTERFIELD

Richard Prince is one of the most influential names in contemporary art. Prince is part of The Pictures Generation, a loosely associated group of artists who appropriated mass media imagery to examine and question issues of stereotypes, cultural tropes, and the constructed narrative of images. Prince and The Pictures Generation helped to usher in post-modernism in art. <br> <br>In the late 1970s, Richard Prince began taking photographs of photographs, appropriation art in line with the readymades of Marcel Duchamp. "Untitled (Portrait)(Boy)" was included in the sensational 2014 Gagosian exhibition, New Portraits. For this series, Prince himself commented on each of the Instagram images and appropriated them for this body of work, creating a precise snapshot of our time. This work and series ask us to question the meaning within the proliferation of “selfies” and how people use these images to create and to project a narrative of themselves. It also challenges ideas of authorship, both constructing and deconstructing the nature of images while capturing a sense of immediacy within the apparatus of social media.

RICHARD PRINCE

Donald Sultan’s Black and Blue from 2008 fits comfortably within both Pop art and Minimalism. The work is a sly reference to Warhol as if a polarized negative image of the Pop artist’s iconic Flower series. Working with unconventional use and application of paint, Sultan vacillates between abstraction and representational art, but always maintaining strong contrasts and powerful, simple statements. Sultan describes his work as "heavy structure, holding fragile meaning." Sultan’s work is represented in the permanent collections of many major museums in the United States and abroad, including the Metropolitan Museum of Art, the Los Angeles County Museum of Art, and the Whitney Museum of American Art.

DONALD SULTAN

DANIEL SPRICK - Interior Still Life - oil on masonite - 48 x 40 in.

DANIEL SPRICK

HASSEL SMITH - Untitled - acrylic on canvas - 84 x 108 1/4 in.

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PETER SHELTON - Whitebagbone - mixed media - 86 x 22 x 18 in.

PETER SHELTON

THEASTER GATES - Untitled (flooring) - white cement, debris, flooring - 35 x 35 x 3 in.

THEASTER GATES

KEITH HARING - Untitled - ink on illustration board - 4 5/8 x 5 1/2 in.

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JEFF KOONS - Train (blue) - screenprint with digital inkjet on Somerset paper - 32 x 25 1/4 in.

JEFF KOONS

Sandra Mendelsohn Rubin - Valley View: Late Summer - oil on polyester - 4 x 7 1/8 in.

Sandra Mendelsohn Rubin

THOMAS WILLIAM JONES - Skagit Yellow - watercolor - 13 x 20 in.

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PETER D. GERAKARIS - Daphne III (Slap That Bass) - oil on canvas - 72 x 36 in.

PETER D. GERAKARIS

WILLIAM GLEN CROOKS - Night and Day Café - oil on canvas - 48 x 36 in.

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WILLIAM WEGMAN - Alder - Polaroid Polacolor print, mtnd - 26 x 20 3/4 in

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THOMAS WILLIAM JONES - Along Springhetti Road - watercolor - 9 1/2 x 14 3/4 in.

THOMAS WILLIAM JONES

Provenance: <br>Imago Galleries, CA <br>Private collection, CA (acquired from above)

STEVEN MCCALLUM

GUSTAVE HEINZE - Store Front #122 - acrylic on masonite - 40 x 40 in.

GUSTAVE HEINZE

Conflating, collapsing, augmenting historical and bodily narratives through a satirical point of view.

EDGAR SERRANO

Provenance: <br>Black Dragon Society, Los Angeles, CA <br>Private Collection, Los Angeles, CA

ELISA JOHNS

STEPHEN P. CURRY - Cardinal (Pomegranates) - oil on canvas - 39 1/4 x 50 in.

STEPHEN P. CURRY

Ann Craven - Red Crescent Moon - oil painting - 14 1/8 x 14 1/8 in.

Ann Craven

TATIANA BOTTON - Taking Control - archival pigment print - 40 x 60 in.

TATIANA BOTTON

TATIANA BOTTON - Tree of Life #9 - metal backing with metal clips with acrylic front - 60 x 40 in.

TATIANA BOTTON

LAWRENCE LEE - There by Flight - India Ink, graphite, tea stains, pen and watercolor on paper - 32 x 32 in.

LAWRENCE LEE