Back

JOHN FRAME

ARTIST BIO INQUIREDOWNLOAD PDFSIMILAR ARTWORKS
 
JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in. JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in.
JOHN FRAME - Untitled - wood and mixed media - 53 x 40 x 6 3/4 in.
Untitled53 x 40 x 6 3/4 in. wood and mixed media
Provenance
Private Collection, Chicago

30,000

Back
Inquire

Similar Artworks

This painting has remained in the same private collection since its creation. Along with its companion work, "Untitled" (1991) was on display in the lobby of Chicago's Heller International Building at 500 West Monroe Street from the building's opening in 1992 until its renovation in 2015. <br> <br>The November 2018 sale of Schnabel's "Large Rose Painting, (Near Van Gogh's Grave)" for $1.2 million at auction demonstrates a strong demand for the artist's work. This major sale was only the second-highest price paid for a Schnabel at auction: the record was set in November of 2017 when "Ethnic Type #14" sold for $1.4 million. <br> <br>A recent 2018 museum exhibition, "Julian Schnabel: Symbols of Actual Life" at the Legion of Honor, Fine Arts Museums of San Francisco, featured several of Schnabel's large-scale paintings.

JULIAN SCHNABEL

Julian Schnabel is an American painter whose style is associated with the Neo-Expressionist movement of the 1980s. Pascin Pig Passin Time is part of Schnabel’s broken plate series of paintings, inspired by the trencadís, or broken tile mosaic, of architect Antoni Gaudí. With a humorous title and depicting his first wife, Jacqueline Beaurang, the broken ceramics give Schnabel an assertive and textural surface in which to create large-scale works that captured the brash and audacious period of the 1980s.

JULIAN SCHNABEL

More than an artist, Theaster Gates also works as curator, urban planner, and project facilitator. From sculpture to painting, installation to public projects, Gates’s works are hubs in which to question labor and commodity while also bringing to the fore people and things that are often unseen and unheard. Convex Concave takes custom-made bricks that Gates had previously used for Black Vessel for a Saint at the Walker Art Center and repurposes it into a painting-like sculpture that references minimalist artist like Sol LeWitt, the labor of making bricks, and the original context of the bricks for the installation at the Walker.

THEASTER GATES

Ed Moses was a prominent figure in the Los Angeles art scene for nearly 70 years. He first exhibited in 1949 and was part of the original group of artists from the Ferus Gallery in 1957 – fellow Cool School artist Ed Ruscha also had his first solo exhibition there in 1963. The large scale and tryptic formation of “Franco-Del #1 & #3” from 2006 is rare for Moses. The piece is executed in earth tones of browns, grey, black, rust and pine green. Always working with process and experimenting with materials as a painter, Moses has been critically lauded for his bold composition and innovation.

ED MOSES

WILLIAM MORRIS - Fallow Deer Situla - blown glass - 16 x 23 1/2 x 13 in.

WILLIAM MORRIS

Donald Sultan’s Black and Blue from 2008 fits comfortably within both Pop art and Minimalism. The work is a sly reference to Warhol as if a polarized negative image of the Pop artist’s iconic Flower series. Working with unconventional use and application of paint, Sultan vacillates between abstraction and representational art, but always maintaining strong contrasts and powerful, simple statements. Sultan describes his work as "heavy structure, holding fragile meaning." Sultan’s work is represented in the permanent collections of many major museums in the United States and abroad, including the Metropolitan Museum of Art, the Los Angeles County Museum of Art, and the Whitney Museum of American Art.

DONALD SULTAN

GEORGE CONDO - Girl With Bow Tie - oil on canvas - 39 1/4 x 28 3/4 in

GEORGE CONDO

ROBERT MAPPLETHORPE - Orchids - dye-transfer print - 22 1/2 x 21 1/2 in.

ROBERT MAPPLETHORPE

PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in.

PETER SHELTON

HASSEL SMITH - More and More about 9 - acrylic on canvas - 68 x 68 in.

HASSEL SMITH

KENNETH NOLAND - Winds 82-23 - painted monotype on handmade paper - 86 1/2 x 31 3/8 in.

KENNETH NOLAND

KENNETH NOLAND - Winds 82-08 - painted monotype on handmade paper - 86 x 32 in.

KENNETH NOLAND

SYLVIA PLIMACK MANGOLD - Gray Winter Glaze - oil on canvas - 30 x 40 in.

SYLVIA PLIMACK MANGOLD

Sandra Mendelsohn Rubin - Valley View: Late Summer - oil on polyester - 4 x 7 1/8 in.

Sandra Mendelsohn Rubin

JEFF KOONS - Girl with Lobster - color digital ditone print - 29 1/4 x 24 in.

JEFF KOONS

WILLARD DIXON - On the Way to Lake Isabelle - oil on canvas - 48 x 72 in.

WILLARD DIXON

PETER D. GERAKARIS - Daphne III (Slap That Bass) - oil on canvas - 72 x 36 in.

PETER D. GERAKARIS

ERIC JON HOLSWADE - Bird's Eye View - oil, flashe & gouache on cardboard - 65 x 78 in.

ERIC JON HOLSWADE

THOMAS WILLIAM JONES - Along Springhetti Road - watercolor - 9 1/2 x 14 3/4 in.

THOMAS WILLIAM JONES

PETER D. GERAKARIS - Caribou Mask Remix - acrylic, iridescent pigments, & mixed-media on canvas - 32 x 32 in.

PETER D. GERAKARIS

Ann Craven - Full Moon with Clouds - oil on canvas - 14 x 14 in.

Ann Craven

WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper - 26 x 20 3/4 in.

WILLIAM WEGMAN

PENELOPE GOTTLIEB - Hibiscadelphus wilderianus - ballpoint pen and graphite on paper - 59 1/4 x 39 1/4 in.

PENELOPE GOTTLIEB

TATIANA BOTTON - Water and Ice Details - metal backing with metal clips with acrylic front - 40 x 60 in.

TATIANA BOTTON

RONALD DAVIS - Dark Tube - proprietary pixel dust on aluminum - 20 x 20 in.

RONALD DAVIS

ROGER THOMAS - Perfected World 3 Candlestick - pastel on Dieu Donné handmade archival rag - 60 x 40 in.

ROGER THOMAS

MARINO MARINI - Untitled (From Shakespeare I) - lithograph - 29 1/2 x 22 in.

MARINO MARINI

RONALD DAVIS - A Cube - render on glass - 11 x 11 x 1/4 in.

RONALD DAVIS