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MARK DI SUVERO (b. 1933)

 
Renowned for his monumental outdoor sculptures made of industrial metals, Mark di Suvero created “Whale’s Cry” in 1988. Constructed with stainless steel and cor-ten steel, it demonstrates the imposing and expansive qualities that characterize di Suvero’s work. Often towering over the landscape and incorporating kinetic elements, these works both interrupt and participate in their environments. His sculptural structures have been associated with the Abstract Expressionist movement, in the same vein as David Smith and Alexander Calder, due to their emphasis on materiality and expressive form. Renowned for his monumental outdoor sculptures made of industrial metals, Mark di Suvero created “Whale’s Cry” in 1988. Constructed with stainless steel and cor-ten steel, it demonstrates the imposing and expansive qualities that characterize di Suvero’s work. Often towering over the landscape and incorporating kinetic elements, these works both interrupt and participate in their environments. His sculptural structures have been associated with the Abstract Expressionist movement, in the same vein as David Smith and Alexander Calder, due to their emphasis on materiality and expressive form. Renowned for his monumental outdoor sculptures made of industrial metals, Mark di Suvero created “Whale’s Cry” in 1988. Constructed with stainless steel and cor-ten steel, it demonstrates the imposing and expansive qualities that characterize di Suvero’s work. Often towering over the landscape and incorporating kinetic elements, these works both interrupt and participate in their environments. His sculptural structures have been associated with the Abstract Expressionist movement, in the same vein as David Smith and Alexander Calder, due to their emphasis on materiality and expressive form. Renowned for his monumental outdoor sculptures made of industrial metals, Mark di Suvero created “Whale’s Cry” in 1988. Constructed with stainless steel and cor-ten steel, it demonstrates the imposing and expansive qualities that characterize di Suvero’s work. Often towering over the landscape and incorporating kinetic elements, these works both interrupt and participate in their environments. His sculptural structures have been associated with the Abstract Expressionist movement, in the same vein as David Smith and Alexander Calder, due to their emphasis on materiality and expressive form. Renowned for his monumental outdoor sculptures made of industrial metals, Mark di Suvero created “Whale’s Cry” in 1988. Constructed with stainless steel and cor-ten steel, it demonstrates the imposing and expansive qualities that characterize di Suvero’s work. Often towering over the landscape and incorporating kinetic elements, these works both interrupt and participate in their environments. His sculptural structures have been associated with the Abstract Expressionist movement, in the same vein as David Smith and Alexander Calder, due to their emphasis on materiality and expressive form. Renowned for his monumental outdoor sculptures made of industrial metals, Mark di Suvero created “Whale’s Cry” in 1988. Constructed with stainless steel and cor-ten steel, it demonstrates the imposing and expansive qualities that characterize di Suvero’s work. Often towering over the landscape and incorporating kinetic elements, these works both interrupt and participate in their environments. His sculptural structures have been associated with the Abstract Expressionist movement, in the same vein as David Smith and Alexander Calder, due to their emphasis on materiality and expressive form.
Whale's Cry1988312 x 288 in. stainless steel and cor-ten steel
Provenance
Maria Teresa di Survero, San Francisco
Eugene V. Klein, Rancho Santa Fe, California
Paule Anglim Gallery, San Francisco, 1992
Private Collection, California
Renowned for his monumental outdoor sculptures made of industrial metals, Mark di Suvero created “Whale’s Cry” in 1988. Constructed with stainless steel and cor-ten steel, it demonstrates the imposing and expansive qualities that characterize di Suvero’s work. Often towering over the landscape and incorporating kinetic elements, these works both interrupt and participate in their environments. His sculptural structures have been associated with the Abstract Expressionist movement, in the same vein as David Smith and Alexander Calder, due to their emphasis on materiality and expressive form.
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