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PABLO PICASSO (1881-1973)

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The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming. The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming.
Le Bain196811 1/2 in x 19 in(29.21 x 48.26 cm) pencil on paper
Provenance
Sotheby's New York: Impressionist & Modern Day Sale, Thursday, May 4, 2006, Lot 00447
Private Collection
Literature
Feld, Charles & René Char, 1969,  [CF.69] Picasso, His Recent Drawings, 1966-1968, New
York, H.N. Abrams, (344)
Feld, Charles & René Char, 1969,  [CF.69] Picasso, Dessins 27.3.66-15.3.68, Paris: Éditions Cercle d'Art, (344)
Mallen, Enrique, ed. 1997-2022, (OPP), Online Picasso Project. Sam Houston State
University, (68:357)
Wofsy, Alan, ed. 1995-2016, (PP),  Picasso's Paintings, Watercolor...More...s, Drawings & Sculpture: A Comprehensive Illustrated Catalogue, 1885-1973, 28 Volumes, San Francisco, Alan Wofsy Fine Arts, 2003, pg 8, no. 68-026
Zervos, Christian, 1932-1978, (Z), Pablo Picasso: Catalogue de l'Oeuvre, 33 Volumes, Paris: Cahiers d'Arts, (XXVII:194)
Harry N. Abrams, Inc., Picasso: His Recent Drawings 1966-1968, New York, no. 344
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The figures of Nues are freely developed around a central odalisque figure in a manner that suggests a theme that occupied Picasso as early as 1906 that of female indulgences within a harem setting. In describing his late drawings, Picasso noted that, “one never knows what’s going to come out, but as soon as the drawing gets underway, a story or an idea is born… I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to… It’s great fun, believe me.” Nues is evocative of that appraisal, a freewheeling frolic as only Picasso can achieve. Among the many poses, the abbreviated figure swimming in the pool is particularly charming.
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