Buste de femme au corsage vert (Bust of a Woman with a Green Bodice)

Pierre-Auguste Renoir

Buste de femme au corsage vert (Bust of a Woman with a Green Bodice), 1908

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Buste de femme au corsage vert (Bust of a Woman with a Green Bodice) detail 1
Buste de femme au corsage vert (Bust of a Woman with a Green Bodice) detail 2
Buste de femme au corsage vert (Bust of a Woman with a Green Bodice) scale

Artwork Details

ArtistPierre-Auguste Renoir
TitleBuste de femme au corsage vert (Bust of a Woman with a Green Bodice)
Year of creation1908
Techniqueoil on canvas
Dimensions18 3/8 x 13 in.
Marks & InscriptionsSigned upper right, "Renoir"
Provenance

On consignment with Paul Cassirer, Berlin (October 17, 1913)

Paul Cassirer, Berlin (March 13, 1917)

Wilhelm Theodor Moll, Brzeg, acquired from above (March 13, 1917)

Charles Allen, New York (1957)

Sotheby & Co., London, July 6, 1960, no. 108 (ill, as "Portrait de Gabriele en veste verte,"

dated c. 1908) Bought-in

Private Collection, France

Private Collection, France, by descent from the above, 1998

Private Collection, by descent from above, 2008

Private Collection, Rancho Mirage, California

Heather James

Buste de femme au corsage vert (Bust of a Woman with a Green Bodice) unframed

Rendered with the soft luminosity and intimate charm that define Pierre-Auguste Renoir’s late portraiture, Buste de femme au corsage vert depicts Gabrielle Renard — the artist’s beloved model and cousin of his wife, Aline Charigot. Gabrielle was a central figure in Renoir’s domestic and artistic life for nearly two decades and appears in nearly 200 of his works, more than any other sitter. Her familiar presence inspired some of Renoir’s most tender portrayals of femininity and grace, as seen here in the delicate modeling of flesh tones and the gentle harmony of greens and rose hues. 


This painting carries distinguished provenance, first owned by the influential Berlin art dealer Paul Cassirer, a key promoter of French Impressionism and Post-Impressionism in Germany. The work is certified by the Wildenstein Plattner Institute and registered with the Art Loss Register, with a signed letter from Sotheby’s confirming inclusion in the forthcoming Renoir Catalogue Raisonné. Comparable examples of Gabrielle portraits are held in major museum collections, including The Metropolitan Museum of Art, Harvard Art Museums, and the Musée de l’Orangerie. 


Buste de femme au corsage vert exemplifies Renoir’s enduring devotion to beauty and the human form, rendered with a late-career refinement that bridges sensuality and serenity. It stands as an evocative example of the artist’s lifelong exploration of intimacy, and a rare opportunity to acquire a work linked to one of Impressionism’s most personal and storied muses.



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