Frederic Remington's The Cheyenne (1901, later cast 1912) came at a pivotal moment in his brief but transformative career as a sculptor. Already famous as a painter and illustrator of the American West, Remington turned to bronze only in 1895, debuting with The Broncho Buster. The Cheyenne was his sixth sculpture and only his second to depict a Native American subject, and it stands as his most daring design, the first he conceived expressly for casting at Roman Bronze Works.

The bronze captures a Cheyenne warrior at full gallop, spear leveled and hair streaming as his horse leaps across a rocky outcropping. His bare torso twists forward with the animal's momentum, a shield slung across his back, every line held in taut alertness. The lost-wax process let Remington texture the surface freely, and the brown patina catches light across the horse's straining flanks, giving the group a sense of suspended, breathless motion.

Before The Cheyenne, sculpted horses had almost always stood still; this leaping pose reset the standard for motion in American bronze. Copyrighted in 1901, only about twenty casts were made in Remington's lifetime, with roughly seventy more produced posthumously; this example dates to 1912. Original casts reside at the Denver Art Museum, The Metropolitan Museum of Art, and the Amon Carter Museum of American Art, placing it within a well-documented lineage of one of Remington's most ambitious works.