Back

BARBARA KRUGER (b. 1945)

 
BARBARA KRUGER - Picture/Readings - text and photograph - 16 3/8 x 39 in. BARBARA KRUGER - Picture/Readings - text and photograph - 16 3/8 x 39 in. BARBARA KRUGER - Picture/Readings - text and photograph - 16 3/8 x 39 in. BARBARA KRUGER - Picture/Readings - text and photograph - 16 3/8 x 39 in. BARBARA KRUGER - Picture/Readings - text and photograph - 16 3/8 x 39 in.
Picture/Readings197816 3/8 x 39 in. text and photograph

60,000

Inquire

Similar Artworks

The stands are: The 32 H x 19-3/4 W x 19-3/4 D in.
<br>
<br>Rat: 27 7/8 x 12 7/8 x 20 7/8 in.
<br>Ox: 29 1/8 x 20 1/8 x 16 7/8
<br>Tiger: 25 7/8 x 14 7/8 x 16 7/8
<br>Rabbit: 27 7/8 x 9 7/8 x 18 7/8
<br>Dragon: 35 7/8 x 18 1/8 x 25 7/8
<br>Snake: 27 7/8 x 14 1/8 x 6 3/4
<br>Horse: 29 1/8 x 12 1/4 x 22
<br>Ram: 25 1/4 x 20 7/8 x 16 1/8
<br>Monkey: 27 1/8 x 12 7/8 x 14 7/8
<br>Rooster: 24 x 9 x 16 7/8
<br>Dog: 25 1/4 x 14 7/8 x 18 7/8
<br>Boar: 27 1/8 x 16 1/8 x 20 7/8

AI WEIWEI

Blood Cinema is an elegant and interactive masterwork of steel and acrylic by Anish Kapoor. The artist’s most notable works are grand-scale public installations that explore perception, captivating and challenging viewers worldwide with iconic public installations such as Chicago’s Cloud Gate (2006) and in his well-known glass and mirror pieces. Resting on the floor like an oversized lens, Blood Cinema warps the viewer’s perspective and distorts its environment through ethereal shades of red, epitomizing Kapoor's capacity for viewer immersion.

ANISH KAPOOR

Nectarine (c. 1976) is an example of the large-scale steel sculpture for which Anthony Caro is best known. Considered to be a major influence in the development of modern sculpture, Caro was once a studio assistant to Henry Moore and sought inspiration from American sculptor David Smith. Often recognized for the revolutionary contribution of removing sculpture from pedestals and installing them directly on the ground, Caro places his work directly in the viewer’s space.

ANTHONY CARO

Not Vital - Tongue - stainless steel - 307 x 67 x 59 in.

Not Vital

JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in.

JULIAN SCHNABEL

Julian Schnabel is an American painter whose style is associated with the Neo-Expressionist movement of the 1980s. Pascin Pig Passin Time is part of Schnabel’s broken plate series of paintings, inspired by the trencadís, or broken tile mosaic, of architect Antoni Gaudí. With a humorous title and depicting his first wife, Jacqueline Beaurang, the broken ceramics give Schnabel an assertive and textural surface in which to create large-scale works that captured the brash and audacious period of the 1980s.

JULIAN SCHNABEL

DAMIEN HIRST - Overwhelming Love - household gloss, butterflies - 36 x 60 in

DAMIEN HIRST

GARY HUME - Seabird - gloss paint on aluminum in four panels - 87 x 48 1/2 x 1 1/4 in. ea.

GARY HUME

AARON CURRY - Yellow Bird Boy - powder-coated aluminum and steel - 114 x 97 x 60 in.

AARON CURRY

STERLING RUBY - Big Grid / Solo Tear - welded brass - 84 x 84 x 36 in.

STERLING RUBY

MATT JOHNSON - Pieta - cast bronze - 65 x 58 x 40 in.

MATT JOHNSON

More than an artist, Theaster Gates also works as curator, urban planner, and project facilitator. From sculpture to painting, installation to public projects, Gates’s works are hubs in which to question labor and commodity while also bringing to the fore people and things that are often unseen and unheard. Convex Concave takes custom-made bricks that Gates had previously used for Black Vessel for a Saint at the Walker Art Center and repurposes it into a painting-like sculpture that references minimalist artist like Sol LeWitt, the labor of making bricks, and the original context of the bricks for the installation at the Walker.

THEASTER GATES

Contemporary American artist George Condo coined the term “artificial realism” to characterize the figures that appear in his work – often described as a combination of European Old Master painting and American Pop art. Condo has defined the term as the “realistic representation of that which is artificial.” Known for figures that are often grotesque or fractured, Condo creates art that is both Contemporary and rooted in art historical tradition, drawing inspiration from Cubism or, in this case, reaching back to ancient Greece. In an uncommon work of sculpture, Condo imparts his distinctive style to the face of a Mycenaean archetype, the goddess figure.

GEORGE CONDO

Donald Sultan’s Black and Blue from 2008 fits comfortably within both Pop art and Minimalism. The work is a sly reference to Warhol as if a polarized negative image of the Pop artist’s iconic Flower series. Working with unconventional use and application of paint, Sultan vacillates between abstraction and representational art, but always maintaining strong contrasts and powerful, simple statements. Sultan describes his work as "heavy structure, holding fragile meaning." Sultan’s work is represented in the permanent collections of many major museums in the United States and abroad, including the Metropolitan Museum of Art, the Los Angeles County Museum of Art, and the Whitney Museum of American Art.

DONALD SULTAN

KATHARINA GROSSE - Untitled 2015 - acrylic aluminum - 41 1/2 x 40 x 18 in.

KATHARINA GROSSE

THEASTER GATES - Lathe Black Box - wood, glass and lathe - 50 1/4 x 53 x 6 7/8 in.

THEASTER GATES

LEANDRO ERLICH - Rain - steel frame, wood wall board, sliding glass window and casting, faux brick interior, water circulati - 73 3/8 x 96 3/4  x 26 1/4 in.

LEANDRO ERLICH

TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in.

TIM HAWKINSON

YAYOI KUSAMA - Soaring Spirit - stainless steel balls and wire - 19 x 18 x 14 in.

YAYOI KUSAMA

SERGEJ JENSEN - Men with Hats - canvas collage on canvas - 71 x 51 1/2 in

SERGEJ JENSEN

Contemporary Chinese artist Zhang Huan is best known for his provocative and challenging performance art. The detailed insects in this painting recall the artist's striking performance piece, 12 Square Meters (1994), in which he sat covered in honey and fish oil in an unkept public toilet, attracting flies and other insects. Here, canvas replaces flesh, allowing bugs to explore this human terrain. Earth Life No. 19 (2007) is meant to be a meditation on the ability of mind and spirit to overcome physical discomfort.

ZHANG HUAN

ALEX KATZ - Untitled - oil on masonite - 11 7/8 x 15 3/4 in.

ALEX KATZ

MARTIN CREED - Work No. 2147 - acrylic on canvas - 16 x 20 in.

MARTIN CREED

THEASTER GATES - Untitled (flooring) - white cement, debris, flooring - 35 x 35 x 3 in.

THEASTER GATES

GUILLERMO KUITCA - Untitled - oil on plywood - 18 1/4 x 25 5/8 in.

GUILLERMO KUITCA

KEITH HARING - Untitled - ink on illustration board - 4 5/8 x 5 1/2 in.

KEITH HARING

JEFF KOONS - Train (blue) - screenprint with digital inkjet on Somerset paper - 32 x 25 1/4 in.

JEFF KOONS

AMY SILLMAN - Untitled #7 - gouache, chalk, and pencil on etching on paper - 31 x 28 in.

AMY SILLMAN

LOUISE BOURGEOIS - Untitled - glass hologram - 10 3/4 x 13 3/4 in.

LOUISE BOURGEOIS