Galerie virtuelle 3D de Jackson Hole - Août 2019

PUBLIÉ DANS : Visites de galeries

Faites une visite virtuelle de Heather James Jackson Hole. Située dans la beauté sauvage de Jackson Hole, dans le Wyoming, avec les parcs nationaux en toile de fond, Heather James Jackson a apporté des œuvres d'art et des services du plus haut calibre à l'Intermountain West depuis plus d'une décennie.

IRVING NORMAN - How Come - huile sur toile - 90 x 60 in.

IRVING NORMAN (EN)

Irving Norman was born in 1906 in Vilna, then part of the Russian Empire, now Lithuania. Norman's immigration to New York City in 1923 was short-lived, as he would return to Europe to fight as part of the Abraham Lincoln battalion against the Spanish dictator Francisco Franco. After the War, Norman would eventually settle in Half Moon Bay, California, where he embarked on a prolific studio practice. <br><br>Norman's work portrays the horrors of war and his firsthand knowledge of totalitarian dictatorships. Norman's work has been described as "Social Surrealism," and his grand scenes are immediate and arresting. The large-scale works of Norman truly capture the power of his lived experiences; they are as much a visual record as they are a warning for the future, intended to inspire change.

IRVING NORMAN (EN)

<div><font face=Calibri size=3 color=black>Harry Bertoia’s “Sonambient” sculptures are a mesmerizing blend of art, sound, and science, and this 36-tine piece is a quintessential example of his innovative genius. Meticulously crafted with 36 rods aligned in a precise six-by-six configuration on a square base, this 77-inch-tall work embodies the harmonious intersection of visual beauty and auditory wonder.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>Made from beryllium copper, a material favored by Bertoia for its superior acoustic properties and aesthetic appeal, the rods have developed a rich walnut-like patina over time. This patina adds to the sculpture’s visual allure, enhancing its historical and artistic value, and reflects a natural aging process that the artist himself, a naturalist, would have admired. When activated by touch or the movement of air, the rods produce a perceptible, fixed note accompanied by a range of ethereal tones, transforming the sculpture from a static object into a dynamic, multisensory experience. The long, swaying motion of the tall rods, reminiscent of the undulating desert grasses that inspired the artist initially, adds a captivating visual dimension. The cattail-like finials further evoke natural forms, underscoring Bertoia’s inspiration derived from the natural world.</font></div><br><br><div> </div><br><br><div><font face=Calibri size=3 color=black>Bertoia’s 36-tine “Sonambient” sculpture is more than a visual masterpiece; it profoundly explores sound, material, and participatory interaction. It exemplifies Bertoia’s belief in art as an immersive and evolving experience, where each encounter offers discoveries and sensations. Through this work, Bertoia has created a timeless piece that continues to captivate and inspire, highlighting his artistic vision's enduring power and deep connection to nature’s spiritual qualities.</font></div>

BERTOIA HARRY

IRVING NORMAN - Instantanés - huile sur toile - 40 x 90 in.

IRVING NORMAN (EN)

Les figures existentielles d'Oliveira véhiculent un malaise qui rappelle le style de Giacometti, une caractéristique qui a persisté tout au long de la longue carrière d'Oliveira. Mais il a également exploré l'essence intrinsèque des oiseaux et des animaux et s'est penché sur la nature fugace de la perception, où la mémoire reconstruit des expériences éphémères. Dans les dernières années de sa vie, il s'est concentré sur les peintures de sites et les monographies, évoquant les noms oubliés d'anciennes civilisations ou tribus, comme s'ils avaient été mis au jour lors d'une fouille archéologique. Avec Mask, l'énigmatique forme d'œuf, surélevée comme si elle était placée sur une plate-forme funéraire, et sa palette de terre cuite douce et tamisée évoquent des associations tribales et peuvent refléter son intérêt en tant que collectionneur de masques indigènes, principalement du Mexique.

NATHAN OLIVEIRA (EN)

Irving Norman was born in 1906 in Vilna, then part of the Russian Empire, now Lithuania. Norman's immigration to New York City in 1923 was short-lived, as he would return to Europe to fight as part of the Abraham Lincoln battalion against the Spanish dictator Francisco Franco. After the War, Norman would eventually settle in Half Moon Bay, California, where he embarked on a prolific studio practice. <br><br>Norman's work portrays the horrors of war and his firsthand knowledge of totalitarian dictatorships. Norman's work has been described as "Social Surrealism," and his grand scenes are immediate and arresting. The large-scale works of Norman truly capture the power of his lived experiences; they are as much a visual record as they are a warning for the future, intended to inspire change.

IRVING NORMAN (EN)

IRVING NORMAN - L'homme et le temps - huile sur toile - 58 x 30 in.

IRVING NORMAN (EN)

NATHAN OLIVEIRA - Stelae n° 5 - huile sur toile - 66 x 54 1/8 in.

NATHAN OLIVEIRA (EN)

GREGORY SUMIDA - Brook's Bend - aquarelle - 10 1/2 x 14 1/2 in

GRÉGOIRE SUMIDA

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