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גרהרד ריכטר (נולד ב-1932)

 
Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.
Abstraktes Bild 758-2199224 1/2 x 32 1/4 אינץ'(62.23 x 81.92 ס"מ) שמן על בד
מקור ומקור
חוות דעת על Galerie Fred Jahn , מינכן
Galleri Faurschou , קופנהגן
חוות דעת על Private Collection , אאכן
אוסף פרטי, אסן
פיליפס, ניו יורק, 16 במאי 2003
אוסף פרטי, ניו יורק
גלריה מישל רוזנפלד, ניו יורק
תערוכה
גרהרד ריכטר. Malerier, Galleri Faurschou, קופנהגן 1996
גרהרד ריכטר. Werke aus Aachener Sammlungen, Ehemalige Reichsabtei, אאכן-קורנלימונסטר 1999
 
ספרות
Elger, D (2011), גרהרד ריכטר: קטלוג Raisonné, Hatje/Cantz. כרך ד', צבע חולה. מס' 758-2, עמ' 434
בוכלו,
... עוד... B. H. D., Gidal, P., Pelzer, B., & Musée d'art moderne de la ville de Paris (1993), גרהרד ריכטר, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland. כרך ג', צבע חולה. מס' 758-2
Ehemalige Reichsabtei (1999), גרהרד ריכטר, Werke aus Aachener Sammlungen [חתול], אאכן-קורנלימונסטר. צבע חולה. עמ' 59
פיליפס (ניו יורק, 16 במאי 2003), אמנות עכשווית, חלק ב' [קטלוג מכירה פומבית], פריט 142, צבע חולה. ע"ש. 4
... פחות...
לברר

 

"אפור הוא הצבע... החשוב מכל... ללא דעה, שום דבר, לא/לא." - גרהרד ריכטר

היסטוריה

מוכר באופן נרחב כאחד האמנים המשמעותיים ביותר של זמננו, הקריירה של גרהרד ריכטר עכשיו מתחרה בזו של פיקאסו במונחים של פרודוקטיביות וגאונות. הנושא הרב-גוני, החל מציורי שמן צילומיים מעט לא ממוקדים, דרך ציורי רשת בסגנון קלי ועד לעבודותיו ה"סוחטות", ריכטר לעולם אינו מסתפק בחזרה על אותה מחשבה, אלא מפתח ללא הרף את חזונו. ריכטר זכה לתערוכות רטרוספקטיביות חשובות, כולל התערוכה המרכזית משנת 2002, "גרהרד ריכטר: ארבעים שנות ציור", במוזיאון לאמנות מודרנית, ניו יורק.

אברקטס בילד 758-2 (1992) מגיע מתקופה מופשטת לחלוטין ביצירתו של ריכטר. ריכטר העביר את המסר שלו באמצעות סגנון ציור פיזי באמת, והיה מעוות את צבע השכבות שלו בעזרת כלי עץ "Squeegee", ובכך חושף את השכבות התחתונות ואת שילובי הצבעים הייחודיים שלהן. בפיסול הצבע ככזה, הוא היה מעורב במידה מסוימת של "אמנות במקרה". ריכטר היה מגיב למחוות אלה, ממשיך להוסיף, למרוח ולהחסיר צבע, ויוצר משטח טקסטואלי עם תחושה של מרחב ותנועה.

ריכטר נכלל במוזיאונים ואוספים בולטים ברחבי העולם, ביניהם טייט, לונדון, המוזיאון לאמנות מודרנית, ניו יורק, מוזיאון סן פרנסיסקו לאמנות מודרנית, בין רבים אחרים.

  • ריכטר 1
  • ריכטר 2
  • ריכטר 3
  • ריכטר 4
  • ריכטר 5
"עכשיו, כשאין לנו יותר כמרים ופילוסופים, אמנים הם האנשים החשובים ביותר בעולם." - גרהרד ריכטר

תובנות שוק

  • ריכטר AMR 12.1977-6.2023
  • לגרהרד ריכטר יש היסטוריה חזקה של מכירות פומביות ומכירות, עם עבודות גדולות שלעתים קרובות עולות על הערכות המכירות הפומביות המוקדמות.
  • יש שיעור צמיחה שנתי מורכב של 17.6% עבור גרהרד ריכטר.
  • גרהרד ריכטר הוא אחד האמנים החשובים ביותר של זמננו. ריכטר הציג מספר תערוכות רטרוספקטיביות, והוא אחד האמנים המבוקשים ביותר במאהה -20 / 21.

תוצאות מובילות במכירה פומבית

"Abstraktes Bild" (1986), שמן על בד, 118X99 אינץ' נמכר בסותבי'ס לונדון: 10 בפברואר 2015 תמורת $46,353,000.
"Domplatz, Mailand" (1968), שמן על בד, 108X114 אינץ' נמכר בסותבי'ס ניו יורק: 14 במאי 2013 תמורת $37,125,000.
"Abstraktes Bild" (1994), שמן על בד, 89X78 אינץ' נמכר בכריסטי'ס ניו יורק: 10 במאי 2022 תמורת $36,500,000.
"A B, Still" (1986), שמן על בד, 89X79 אינץ' נמכר בסותבי'ס ניו יורק: 17 בנובמבר 2016 תמורת $36,500,000.

ציורים דומים שנמכרו במכירה פומבית

"גשם (2)" (1988), שמן על בד, 26 וחצי x 36 אינץ' נמכר בסותבי'ס ניו יורק: 9 בנובמבר 2011 תמורת $3,218,500.
  • צויר בערך באותו זמן שריכטר צייר את Abstraktes Bild 758-2
  • פלטת צבעים דומה
  • עוד תקציר אופקי
  • נמכר כמעט פי 4 מהאומדן
"Abstraktes Bild" (1997), שמן על בד, 26 1/2 x 37 אינץ' נמכר בסותבי'ס ניו יורק: 12 באוקטובר 2012 תמורת $3,126,908.
  • צויר בערך באותו זמן שריכטר צייר את Abstraktes Bild 758-2
  • לוח צבעים דומה
  • עוד סולם אופקי מופשט, בר השוואה
"Abstraktes Bild" (1988), שמן על בד, 28 וחצי x 40 אינץ' נמכר בסותבי'ס ניו יורק: 15 בנובמבר 2019 תמורת $2,540,000.
  • צויר בערך באותו זמן שריכטר צייר את Abstraktes Bild 758-2
  • לוח צבעים דומה
  • עוד סולם אופקי מופשט, בר השוואה

ציורים באוספי מוזיאונים

"קרח (3)" (1989), שמן על בד, 80X64 אינץ', המכון לאמנות, שיקגו
"סנט ג'ון" (1988), שמן על בד, 79X102 אינץ', The Tate, לונדון
"Abstraktes Bild" (1993), שמן על בד, 94 1/2 x 94 1/2 אינץ', מוזיאון סיאטל לאמנות, סיאטל
"Abstraktes Bild (825-7)" (1995), שמן על בד, 16X14 אינץ', המוזיאון לאמנות, בוסטון
"אמנות טובה באופן כללי שואפת למשהו, כמו שציור טוב שואף למשהו, כמעט רוחני או קדוש." - גרהרד ריכטר

אימות

פורסם ב Elger, D (2011), Gerhard Richter: Catalogue Raisonné, Hatje/Cantz. כרך ד', צבע חולה. מס' 758-2, עמ' 434

משאבים נוספים

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לברר

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