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PETER SHELTON

 
PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in. PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in.
noarm.1985-8645 x 15 3/4 x 8 in. plastic and acrylic

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Deborah Butterfield is an American sculptor, best known for her sculptures of horses made of objects ranging from wood, metal, and other found objects. The 1981 piece, Untitled (Horse), is comprised of sticks and paper on wire armature. The impressive scale of this piece creates a remarkable effect in person, presenting a striking example of Butterfield's celebrated subject matter. Butterfield originally created the horses from wood and other materials found on her property in Bozeman, Montana and saw the horses as a metaphorical self-portrait, mining the emotional resonance of these forms.

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<br>In the late 1970s, Richard Prince began taking photographs of photographs, appropriation art in line with the readymades of Marcel Duchamp. "Untitled (Portrait)(Boy)" was included in the sensational 2014 Gagosian exhibition, New Portraits. For this series, Prince himself commented on each of the Instagram images and appropriated them for this body of work, creating a precise snapshot of our time. This work and series ask us to question the meaning within the proliferation of “selfies” and how people use these images to create and to project a narrative of themselves. It also challenges ideas of authorship, both constructing and deconstructing the nature of images while capturing a sense of immediacy within the apparatus of social media.

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