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伊莱因·德·库宁恩（1918-1989）

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A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color. <br><br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

无题(图腾柱)c.196097 x 12 3/8 x 12 3/8 英寸（246.38 x 31.43 x 31.43 厘米）。(246.38 x 31.43 x 31.43厘米)画布油彩，纸筒拉丝

种源

伊莱恩·德·库宁家族

展会信息

佛罗里达州西棕榈滩，安-诺顿雕塑公园，发现创造力：美国艺术大师，2024 年 1 月 10 日至 3 月 17 日

"绘画对我来说主要是一个动词，而不是名词--首先是一个事件，其次才是一个形象。"- Elaine de Kooning

历程

玛丽-加布里埃尔对那些站在后面然后和他们的男性同行画上等号的女性的精彩描述，不得不在某个时候结束这个故事。毕竟，《第九街女人》长达700页。但它的最后一章，恰如其分地以"尾声"为题，总结了纽约画派和抽象表现主义的下一阶段，仿佛它在1960年弗兰克-斯特拉用黑色家常漆严谨地画出的油画让艺术界闻风丧胆。的确，曼哈顿的空气不仅仅是季节性的变化，但对于三位女性--琼-米切尔、海伦-弗兰肯塔勒和伊莱恩-德-库宁来说，没有什么比这更离谱的了。她们最好的作品大多会在未来几十年内出现。至于伊莱恩，到1957年，她已经赢得了一场艰难的战斗，实现了自给自足。她摆脱了Willem的束缚，有了自己的车，并且仿佛是为了强调既成事实，她向西旅行，体验了风景的色彩和广阔，并在墨西哥华雷斯市的纪念广场品尝了戏剧性的色彩和走廊。她的绘画和素描的灵感来自于她所参加的十几次斗牛比赛。它们是这种经历的转化，是色彩的漩涡和心跳的动作。她对画布或纸面支撑的狂热攻击永远地改变了。突然间，这里有一位艺术家实现了哈罗德-罗森伯格的理想，他称"行动绘画的诞生......是一个可以行动的舞台"，并表示出现在画布上的"不是一幅画，而是一个事件"。

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伊莱恩-德-库宁在她的纽约工作室的圆柱形雕塑上作画，1961年。
Elaine de Kooning，1961年，Frank W. McDarrah。
格雷厄姆画廊16幅悬空圆柱画展，1961年4月。
Elaine在她的工作室，1963年
"无题（柱子）"1961年，地毯管上的油画，107¼ x 12英寸，阿马里洛艺术博物馆

"灵感对我的工作是不可或缺的，但它很难得。要么有，要么没有，它是上天的恩赐。"- Elaine de Kooning

市场情报

"红野牛/蓝马"（1985-86），布面油画和木炭，77¾×108¼英寸，纽约佳士得拍卖会：2021年3月9日以56.25万美元成交，创下艺术家拍卖新纪录。
"无题"(约20世纪50年代末)，油彩在梅森石上，48×60英寸。在纽约多伊尔拍卖行：2021年3月17日以428,400美元成交，创下艺术家第二高的拍卖价格。

在2021年3月刚刚创下了Elaine de Kooning画作在拍卖会上的两个最高成交价，预示着Elaine的作品价值不断攀升。
2021年3月9日，2021年3月9日的拍卖会上，"红色野牛/蓝马"创下了艺术家的新纪录，以56.25万美元成交。
一周后，Elaine de Kooning一幅上世纪50年代末的斗牛画以42.84万美元的价格成交，创下该艺术家的第二高拍卖价格。
我们看到历史上被低估的艺术家如Elaine de Kooning的艺术作品不断增值。

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