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亚历山大·卡尔德·卡尔德·恩茨(1898-1976)

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Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others.
噬人者的前奏194559 x 42 x 18 英寸（149.86 x 106.68 x 45.72 厘米(149.86 x 106.68 x 45.72 厘米）金属板、金属丝、油漆
种源
艺术家遗产
M.纽约 Knoedler & Co.
米兰国际画廊
纽约 Arnold Herstand & Co.
纽约 Meshulam Riklis
纽约克里斯蒂拍卖行，1997 年 5 月，拍号 127
私人收藏，购自上述拍卖
纽约克里斯蒂拍卖行，2001 年 6 月，拍 卖品号：1103
私人收藏
纽约米歇尔-罗森菲尔德画廊
私人收藏
展会信息
纽约，布霍尔茨画廊，亚历山大-考尔德，1945 年 11 月至 12 月
底特律，底特律美术学院，现代雕塑的起源...更。。。1946年1月至3月
纽约，M. Knoedler & Co.，Alexander Calder / Fernand Leger，1979 年 10 月，第 9 页，No.5（有插图）
纽约，M. Knoedler & Co.，《亚历山大-考尔德站立移动装置》，1980 年 12 月至 1981 年 1 月
西班牙巴塞罗那，Fundacio Joan Miro，《考尔德》，1997 年 11 月-1998 年 2 月，编号 73
加利福尼亚比佛利山，高古轩画廊，亚历山大-考尔德，2003 年 5 月至 6 月
加利福尼亚州洛杉矶，L&M 艺术馆，亚历山大-考尔德，2012 年 4 月至 6 月
2013年3月至5月，纽约米歇尔-罗森菲尔德画廊，春季群展
...少。。。
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"当一切顺利时，移动电话就是一首诗，在生命的喜悦和惊喜中翩翩起舞！"亚历山大-考尔德

历程

亚历山大-考尔德（Alexander Calder）是抽象雕塑发展史上的关键人物，因其在动感艺术方面的开创性工作而闻名于世；他是 20 世纪最具影响力的艺术家之一。食人者的前奏》是一件平衡精巧的立式雕塑，它能对气流做出反应，创造出一种不断变化、充满活力的视觉体验。

考尔德的站立移动装置是他不断尝试材料、形式和平衡的结果。1945 年，纽约现代艺术博物馆首任馆长阿尔弗雷德-巴尔委托考尔德创作一件新的站立移动作品。本作品是对该委托作品《带旆食人》的正式研究。与纽约现代艺术博物馆的雕塑作品一样，《食人者前奏曲》也是为多角度观赏而设计的，鼓励观众走动并与之互动。在这两件作品中，不同的金属部件围绕着中心柱移动。模型和研究在考尔德的创作实践中发挥着至关重要的作用，因为这让他有机会在放大作品之前了解比例和平衡。通常情况下，这些小尺寸的模型在放大之前已经存在了几十年，或者仅仅存在于它们的尺寸中，从未被制作成更大的作品。在《前奏曲》中，我们可以看到考尔德与纽约现代艺术博物馆的最终作品相比，更加注重垂直方向的思考。

食人者前奏曲》在考尔德的预备画中也有体现、 移动装置草图：食人鱼前奏曲；海星；章鱼哈佛福格博物馆永久收藏。

  • 1956 年考尔德罗马
    1956 年，亚历山大-考尔德在罗马 Galleria Dell'Obelisco 美术馆举行的他的移动画展开幕式上 (© Getty)
  • 考尔德与根
    考尔德与根（1947 年），纽约布赫霍尔茨画廊/科特-瓦伦汀，1947 年 © 2018 考尔德基金会，纽约/伦敦 DACS
  • 考尔德工作室 1941 年
    考尔德的罗克斯伯里工作室，1941 年 赫伯特-马特 © 2018 考尔德基金会，纽约 / DACS 伦敦
  • 莫马
    装置展：亚历山大-考尔德"纽约现代艺术博物馆："手持旗帜的食人者
"就像一个人可以创作色彩或形式一样，一个人也可以创作动作"。亚历山大-考尔德

市场情报

  • 考尔德 AMR 1.1976-6.2023
  • 亚历山大-考尔德（Alexander Calder）以其很少出售的移动电话和稳定器而闻名。
  • 自 1976 年以来，考尔德市场的年复合增长率为 8%。
  • 机构对考尔德作品的兴趣日益高涨，新的亚洲和中东博物馆都在寻求拥有 20 世纪 30 年代和 40 年代的作品。

拍卖会上的顶级手机和常备手机拍卖结果

"Poisson Volant"（1957 年），彩绘金属板、杆和金属丝，24 x 89 英寸。于 2014 年 7 月 13 日在纽约佳士得拍卖行以 2,592.5 万美元的价格售出。© 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"Poisson Volant"（1957 年），彩绘金属板、杆和金属丝，24 x 89 英寸。于 2014 年 7 月 13 日在纽约佳士得拍卖行以 2592.5 万美元售出。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"无题"（1949 年），彩绘金属板和金属丝，128 x 168 英寸。纽约苏富比拍卖行：2021 年 11 月 16 日，19,682,000 美元售出。© 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"无题"（1949 年），彩绘金属板和金属丝，128 x 168 英寸。于 2021 年 11 月 16 日在纽约苏富比拍卖行以 1968.2 万美元售出。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"力之百合"（1945 年），彩绘金属板、杆和金属丝，92 x 81 英寸。2012年5月8日在纽约佳士得拍卖行以18,562,500美元售出。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"力之百合"（1945 年），彩绘金属板、金属棒和金属丝，92 x 81 英寸。2012年5月8日在纽约佳士得拍卖行以18,562,500美元售出。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约

拍卖会上售出的同类移动电话和站立式移动电话

"无题"（1942年），彩绘金属板、玻璃、金属丝和绳子，33 x 23英寸，于2016年5月11日在纽约苏富比拍卖行以831.4万美元售出。 © 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York
"无题"（1942 年），彩绘金属板、玻璃、金属丝和绳子，33 x 23 英寸。 于 2016 年 5 月 11 日在纽约苏富比拍卖行以 831.4 万美元售出。 © 2023 考尔德基金会，纽约 / 艺术家权利协会（ARS），纽约
  • 小于《噬人者前奏曲
  • 类似的稳定构图和格式
  • 可比执行日期
"黑色二号"（1949年），彩绘金属板和金属丝，40 x 33英寸，2014年11月12日在纽约佳士得拍卖行以430.9万美元售出。
"黑色 II"（1949 年），彩绘金属板和金属丝，40 x 33 英寸。 2014 年 11 月 12 日在纽约佳士得拍卖行以 430.9 万美元售出。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
  • 与《噬人者前奏曲》大小相当
  • 类似的稳定构图和格式
  • 可比执行日期
"Stabile with Mobile Element"（1940年），彩绘金属板和绳索，24 x 24英寸，于2015年11月10日在纽约佳士得拍卖行以408.5万美元售出。
"Stabile with Mobile Element"（1940 年），彩绘金属板和绳索，24 x 24 英寸。 于 2015 年 11 月 10 日在纽约佳士得拍卖行以 4,085,000 美元售出。 © 2023 考尔德基金会，纽约 / 艺术家权利协会（ARS），纽约
  • 小于《噬人者前奏曲
  • 类似的稳定构图和格式
  • 可比执行日期

博物馆收藏的摇椅和立式摇椅

"带彩旗的食人者"（1945 年），彩绘钢棒和铁板，直径 168 x 约 360 英寸，纽约现代艺术博物馆。
"带彩旗的食人者"（1945 年），彩绘钢棒和铁板，直径 168 x 约 360 英寸，纽约现代艺术博物馆。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"蜘蛛"（1939），彩绘铝板、钢棒和钢丝，80 1/2 x 88 1/2 x 36 1/2 英寸，纽约现代艺术博物馆。
"蜘蛛"（1939 年），涂漆铝板、钢棒和钢丝，80 1/2 x 88 1/2 x 36 1/2 英寸，纽约现代艺术博物馆。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"无题"（1937 年），彩钢，89 3/4 x 80 x 102 英寸，泰特美术馆，伦敦。© 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"无题"（1937 年），彩钢，89 3/4 x 80 x 102 英寸，伦敦泰特美术馆。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"Yucca" (1941)，彩绘金属板和金属丝，73 1/2 x 23 x 20 英寸，纽约古根海姆博物馆© 2023 Calder 基金会，纽约/艺术家权利协会（ARS），纽约
"Yucca" (1941)，彩绘金属板和金属丝，73 1/2 x 23 x 20 英寸，纽约古根海姆博物馆。 © 2023 考尔德基金会，纽约/艺术家权利协会（ARS），纽约
"对大多数人来说，移动电话不过是一系列会动的平面物体。但对少数人来说，它可能就是诗"。亚历山大-考尔德

图片库

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