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ANDY WARHOL (1928-1987)

BIO DEL ARTISTA CONSULTAR
 
<div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div>
<div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div>
Campbell's Soup I: Sopa de verduras196835 x 23 pulg.(88,9 x 58,42 cm) serigrafía sobre papel
Procedencia
Colección privada
Literatura
Feldman, F. & Schellmann, J., 1985, Andy Warhol Prints: a catalogue raisonné, R. Feldman Fine Arts, II.48
Campbell's Soup I: Vegetable Soup (1968) de Andy Warhol forma parte de su primera carpeta de serigrafías dedicada a las icónicas latas de sopa, producida en una edición de 250 ejemplares con pruebas de artista adicionales. Esta impresión, numerada 198/250, traduce uno de los temas pintados más famosos de Warhol al medio que definiría su carrera.





La rapidez con la que el mundo del arte acogió a Warhol fue notable: en julio de 1962, sus treinta y dos pinturas de latas de sopa Campbell debutaron en la Ferus Gallery de Los Ángeles, cimentando rápidamente su reputación. Aquellos primeros lienzos, entre sus últimas obras pintadas a mano, parecían producidos casi mecánicamente, pero Warhol pronto abandonó el pincel en favor de la serigrafía, un proceso comercial que permitía tanto la repetición infinita como variaciones sorprendentes de los temas elegidos.





Vegetable Soup fue una de las treinta y dos variedades originales y sigue siendo un fenómeno de la cultura pop, que reaparece continuamente en todo tipo de objetos, desde platos y tazas hasta camisetas, corbatas e incluso tablas de surf. La transformación por Warhol de un producto cotidiano del supermercado en un icono perdurable subraya su genio para elevar lo ordinario al reino del arte. Con sus contornos nítidos y su precisión industrial, Vegetable Soup encarna la contribución más radical del artista: la fusión de la cultura de consumo con las bellas artes.
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