抽象:当代之工具

July 1, 2025October 31, 2025Virtual
Abstraction: A Tool for Today
Abstraction has shaped art history by liberating form from representation, allowing artists to distill essence from reality. But art always begins from lived experience. Pablo Picasso echoed this in saying, “There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.” Not only does abstraction begin in our perception of the world, but it also cultivates the acuity of our perception.

The Post-War and Contemporary prints and paintings in this show celebrates abstraction as a historical and ongoing tool training us to explore reality, uncovering the underlying essence and structure of our world. Seen together, these works call to mind David Hockney’s assertion, “All painting, no matter what you’re painting, is abstract in that it’s got to be organized.” The painter’s role is an interpretive one, inventing upon what they understand about the world, and conveying it in two-dimensions through form and color.

From Abstract Expressionism’s emotive gestures to the Cool School’s restraint, Pattern and Decoration’s intricate grids, and Gutai’s material experiments, these works span lyrical and geometric modes.


Valerie Jaudon’s "Palmyra" (1982), oil on canvas, 84 x 114 in.
1 / 4

Valerie Jaudon’s "Palmyra" (1982), oil on canvas, 84 x 114 in.

赫伯·阿尔珀特的《海啸》传达了抒情抽象主义,其融合的色彩如元素力量般涌动,邀请观者感知自然的力量。托尼·德洛斯·雷耶斯的《边界压缩 #1》运用接缝唤起边界意识,促使人们在破碎的世界中反思连接。瓦莱丽·乔多的《帕尔米拉》植根于图案与装饰运动,编织建筑韵律,从复杂中创造秩序。保罗·詹金斯的《现象游行瀑布》驾驭姿态能量,其奔放的色彩池回应抽象表现主义的情感深度。元永定正的《无题》强调具体派对物质性的关注,促使观者思考物理属性如何支配运动。朱利安·施纳贝尔的《无题》将大胆姿态与结构意图融为一体。
Fiona Rae, "Untitled (yellow, red + brown)" (1993), oil on canvas, 72 x 78 in.
1 / 3

Fiona Rae, "Untitled (yellow, red + brown)" (1993), oil on canvas, 72 x 78 in.

从历史来看,抽象艺术打破了现实主义的束缚,使艺术家能够通过形式与色彩探索普世真理。如今,它依然至关重要,训练我们超越表象去观察,在复杂的世界中鼓励想象的灵活性。通过将现实提炼为有序的形式——无论是阿尔珀特流动的激流还是乔多严谨的图案——这些作品揭示了我们环境之下的结构,从文化边界到情感涌流,确证了抽象重构我们感知和理解现实的力量。
所有绘画,无论你画什么,本质上都是抽象的,因为它必须经过组织。

David Hockney