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ED MOSES (1926-2018)

BIO DEL ARTISTA CONSULTARDESCARGAR PDF
 
<div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div>
<div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div>
Franco-Del nº 1 y nº 3200679 1/2 x 110 1/2 pulg.(201,93 x 280,67 cm) acrílico sobre lienzo

110,000

Franco-Del No. 1 & No. 3, un sorprendente tríptico de acrílico sobre lienzo de 2006 de Ed Moses, mide 79 1/2 x 110 1/2 pulgadas y ejemplifica el innovador enfoque de la abstracción del artista. Esta amplia obra se compone de tres paneles distintos pero armoniosamente integrados, cada uno de los cuales contribuye a una dinámica narrativa visual. El panel de la izquierda presenta una audaz extensión de verde pino intenso, y el negro sólido del panel central añade más profundidad. Estos dos paneles marcan el ritmo del panel derecho, que estalla en vigorosas y amplias pinceladas de gris, negro y blanco. La pincelada texturizada, casi escultórica, sugiere movimiento y profundidad, y su energía gestual está puntuada por dos líneas negras verticales y un sutil acento verde, que añaden tensión estructural, reforzada por el borde naranja óxido.





Moses, conocido por sus técnicas experimentales, emplea acrílico para lograr una superficie rica y táctil que invita a una inspección minuciosa. La gran escala de la obra amplifica su impacto emocional, envolviendo al espectador en un diálogo meditativo pero enérgico entre el orden y el caos. Creada en 2006, esta obra refleja la maestría de Moses en los últimos años de su carrera, combinando la espontaneidad con una composición deliberada.
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