استعلمتاريخأعلى النتائج في المزاداتالأعمال المماثلة المباعة في المزادأعمال مماثلة في مجموعات المتاحفمعرض الصورأعمال قد تعجبك أيضامصادر إضافية
العودة

توم [وسّلمنّ] (1931-2004)

الفنان بيو الاستفسارحميل PDF
 
Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.   Tom Wesselmann was a leader of the Pop Art movement. He is best remembered for large-scale works, including his Great American Nude series, in which Wesselmann combined sensual imagery with everyday objects depicted in bold and vibrant colors. As he developed in his practice, Wesselmann grew beyond the traditional canvas format and began creating shaped canvases and aluminum cut-outs that often functioned as sculptural drawings. Continuing his interest in playing with scale, Wesselmann began focusing more closely on the body parts that make up his nudes. He created his Mouth series and his Bedroom series in which particular elements, rather than the entire sitter, become the focus.<br> <br>Bedroom Breast (2004) combines these techniques, using vivid hues painted on cut-out aluminum. The work was a special commission for a private collector's residence, and the idea of a bedroom breast piece in oil on 3-D cut-out aluminum was one Wesselmann had been working with for many years prior to this work's creation. The current owner of the piece believed in Wesselmann's vision and loved the idea of bringing the subject to his home.<br><br>It's one of, if not the last, piece Wesselmann completed before he passed away. The present work is the only piece of its kind - there has never been an oil on aluminum in 3D at this scale or of this iconography.  
غرفة نوم الثدي200480 × 76 × 10 بوصة.(203.2 × 193.04 × 25.4 سم) زيت على ألومنيوم مقطوع
الاصل
مجموعه خاصه ، تكساس
معرض
روما ، متحف الفن المعاصر ، توم ويسلمان ، 8 يونيو - 18 سبتمبر 2005
الادب
كتالوج المعرض ، توم ويسلمان ، روما ، متحف الفن المعاصر ، 8 يونيو - 18 سبتمبر 2005
العودة
الاستفسار

"أجد أحيانا أنني متحمس جدا للعمل ، خاصة عند بدء أفكار جديدة. أشعر بالحماس الشديد لدرجة أنني أشعر بعدم الارتياح. يكاد يكون الأمر خطيرا ، كما لو كنت أغازل شيئا خطيرا. "- توم ويسلمان

التاريخ

كان توم ويسلمان قائدا لحركة فن البوب. من الأفضل تذكره لأعماله واسعة النطاق ، بما في ذلك سلسلة Great American Nude ، حيث جمع Wesselmann بين الصور الحسية والأشياء اليومية المصورة بألوان جريئة ونابضة بالحياة. مع تطوره في ممارسته ، نما Wesselmann إلى ما وراء تنسيق القماش التقليدي وبدأ في إنشاء لوحات قماشية على شكل وقواطع من الألومنيوم غالبا ما كانت تعمل كرسومات نحتية. استمرارا لاهتمامه باللعب بالمقياس ، بدأ Wesselmann في التركيز بشكل أوثق على أجزاء الجسم التي تشكل صوره العارية. ابتكر سلسلة Mouth وسلسلة غرفة نومه حيث تصبح عناصر معينة ، بدلا من الحاضنة بأكملها ، هي التركيز.

 

يجمع صدر غرفة النوم (2004) بين هذه التقنيات ، باستخدام ألوان زاهية مطلية على الألومنيوم المقطوع. كان العمل عبارة عن عمولة خاصة لسكن جامع خاص ، وكانت فكرة قطعة صدر غرفة النوم بالزيت على الألومنيوم المقطوع 3-D واحدة كان Wesselmann يعمل معها لسنوات عديدة قبل إنشاء هذا العمل. آمن المالك الحالي للقطعة برؤية Wesselmann وأحب فكرة إحضار الموضوع إلى منزله.

 

إنها واحدة من ، إن لم تكن الأخيرة ، التي أكملها ويسلمان قبل وفاته. العمل الحالي هو القطعة الوحيدة من نوعها - لم يكن هناك زيت على الألومنيوم في 3D على هذا النطاق أو من هذا الأيقونات.  

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    توم ويسلمان يخلق "غرفة نوم الثدي" (1967)
  • دراسة لغرفة نوم الثدي
    توم ويسلمان "دراسة لثدي غرفة النوم" (1967) ، قلم رصاص ورسم على ورق ، 4 × 3 3/4 بوصة.
  • ماكيت لغرفة نوم الثدي
    توم ويسلمان "دراسة لغرفة نوم الثدي" (1967) ، Liquitex على لوحة بريستول ، 3 3/4 × 3 3/4 × 1/4 بوصة.
"لسنوات عديدة ، كان الرسم ، خاصة من العراة ، محاولة يائسة لالتقاط شيء مهم من جمال المرأة التي واجهتها. كان الأمر محبطا دائما لأن جمال المرأة بعيد المنال." - توم ويسلمان

أفضل النتائج في المزاد

زيت وكولاج على قماش، أكريليك، وكولاج على متن الطائرة، رادياتير مطلي بالمينا وتجميع، 84 × 106 بوصة. بيعت في دار سوذبيز نيويورك: 14 مايو 2008.

"Great American Nude No. 48" (1963) بيعت مقابل 10,681,000 دولار.

زيت وكولاج على قماش، أكريليك، وكولاج على متن الطائرة، رادياتير مطلي بالمينا وتجميع، 84 × 106 بوصة. بيعت في دار سوذبيز نيويورك: 14 مايو 2008.
أكريليك على كتان ، 83 × 89 1/2 بوصة. تباع في كريستيز نيويورك: 13 مايو 2008.

"المدخن # 9" (1973) بيعت مقابل 6،761،000 دولار.

أكريليك على كتان ، 83 × 89 1/2 بوصة. تباع في كريستيز نيويورك: 13 مايو 2008.
زيت على قماش على شكل قماش، 96 × 131 بوصة. يباع في دار سوذبيز نيويورك: 15 مايو 2007.

"المدخن # 17" (1973) بيعت مقابل 5،864،000 دولار.

زيت على قماش على شكل قماش، 96 × 131 بوصة. يباع في دار سوذبيز نيويورك: 15 مايو 2007.

أعمال مماثلة تباع في المزاد

"Great American Nude no. 48" (1963) ، زيت وكولاج على قماش ، أكريليك وكولاج على متن الطائرة ، مشعاع وتجميع مطلي بالمينا ، 84 × 106 بوصة. بيعت في سوذبيز نيويورك: 14 مايو 2008 مقابل 10,681,000 دولار.
"Great American Nude no. 48" (1963) ، زيت وكولاج على قماش ، أكريليك وكولاج على متن الطائرة ، مشعاع وتجميع مطلي بالمينا ، 84 × 106 بوصة. بيعت في سوذبيز نيويورك: 14 مايو 2008 مقابل 10,681,000 دولار.
  • السعر القياسي المدفوع في المزاد هو أيضا عارية
  • مشهد من النوع الداخلي ، على نطاق واسع مثل غرفة نوم الثدي
"المدخن رقم 17" (1973) ، زيت على قماش على شكل ، 96 × 131 بوصة. بيعت في سوذبيز نيويورك: 15 مايو 2007 مقابل 5,864,000 دولار.
"المدخن رقم 17" (1973) ، زيت على قماش على شكل ، 96 × 131 بوصة. بيعت في سوذبيز نيويورك: 15 مايو 2007 مقابل 5,864,000 دولار.

  • مثال آخر على نتيجة قوية ل Wesselmann عارية

"لوحة غرفة النوم # 1" (1967) ، زيت على قماش على شكل ، 68 1/2 × 96 بوصة. بيعت في سوذبيز لندن: 1 يوليو 2008 مقابل 4,099,800 دولار.
"لوحة غرفة النوم # 1" (1967) ، زيت على قماش على شكل ، 68 1/2 × 96 بوصة. بيعت في سوذبيز لندن: 1 يوليو 2008 مقابل 4,099,800 دولار.
  • مثال آخر على لوحة غرفة النوم
  • حجم مماثل لثدي غرفة النوم لدينا
  • شكل غير منتظم ، عمل جيد التنفيذ من عام 1960
"عارية أمريكية عظيمة رقم .21" (1961) ، وسائط مختلطة على متن الطائرة ، 60 × 48 بوصة. بيعت في كريستيز نيويورك: 11 مايو 2011 مقابل 3,330,500 دولار.
"عارية أمريكية عظيمة رقم .21" (1961) ، وسائط مختلطة على متن الطائرة ، 60 × 48 بوصة. بيعت في كريستيز نيويورك: 11 مايو 2011 مقابل 3,330,500 دولار.
  • مثال آخر على نتيجة قوية ل Wesselmann عارية
  • على نطاق واسع ، مثل غرفة نوم الثدي

أعمال مشابهة في مجموعات المتاحف

"Great American Nude # 75" (1965) ، تركيبات بلاستيكية وإضاءة مصبوبة مطلية ، 48 × 54 × 5 بوصة.

متحف الفن الحديث، نيويورك

"Great American Nude # 75" (1965) ، تركيبات بلاستيكية وإضاءة مصبوبة مطلية ، 48 × 54 × 5 بوصة.
"Great American Nude # 57" (1964) ، أكريليك وزيت على ورق ولوح تكوين ، 48 × 65 بوصة.

متحف ويتني للفن الأمريكي ، نيويورك

"Great American Nude # 57" (1964) ، أكريليك وزيت على ورق ولوح تكوين ، 48 × 65 بوصة.
"المدخن # 9" (1973) أكريليك على الكتان ، 83 × 89 1/2 بوصة.

متحف كريستال بريدجز للفن الأمريكي ، أركنساس

"المدخن # 9" (1973) أكريليك على الكتان ، 83 × 89 1/2 بوصة.
"المدخن # 18" (1975) ، زيت على قماش ، 89 3/4 × 91 3/4 بوصة.

متحف كرانبروك للفنون ، ميشيغان

"المدخن # 18" (1975) ، زيت على قماش ، 89 3/4 × 91 3/4 بوصة.
"أنا لا أصور العراة من أي نوايا سوسيولوجية أو ثقافية أو عاطفية. نيتي واحدة هي دائما إيجاد طرق جديدة لجعل لوحات مثيرة باستخدام حالة عارية التقليدية." – توم Wesselmann

معرض الصور

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الاستفسار

الاستعلام - الفن واحد

قد تحب أيضا

العودة إلى الفنانين

موارد إضافية

جامع كما موسى: "تلك هي شفتي الحمراء الكبيرة"

جامع كما موسى: "تلك هي شفتي الحمراء الكبيرة"

5 أشياء تحبها في توم ويسلمان

5 أشياء تحبها في توم ويسلمان

أشهر فنان بوب لا تعرفه

أشهر فنان بوب لا تعرفه

مجموعة كوتش × توم ويسلمان

مجموعة كوتش × توم ويسلمان