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جوانا بوسيت-دارت & nbsp(ب. 1947)

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<div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div>
<div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div> <div>Joanna Pousette-Dart’s 3 Part Variation No. 11 (2017) is composed of three stacked, curvilinear canvases—forms that resemble canoe hulls or slices of a circle—rising in scale from bottom to top. Each panel has its own restrained palette of blues, yellows, and grays, distinct yet resonant with the others. The proportions and curves echo from one to the next, yet no two forms are alike. </div><br><br><div> </div><br><br><div>Within each panel, broad areas of flat color are bisected by rounded shapes whose outer contours align with the painting’s edge. Layered over these are linear arabesque-like structures that visually rhyme—but never directly repeat—the panels’ curves, creating a dynamic interplay between inner drawing and outer shape. The result is both lyrical and precise, a composition where subtle variations generate a complex harmony. </div><br><br><div> </div><br><br><div>The beauty of 3 Part Variation No. 11 lies in these relationships: how forms mirror, diverge, and converge across the three canvases. The effect is meditative, like a visual equation that is at once architectural and deeply personal. </div>
3 أجزاء التباين رقم 11201776 3/4 × 91 1/2 × 1 1/12 بوصة(194.31 × 232.41 × 3.81 سم) أكريليك، قماش، ألواح خشبية
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يتكون عمل جوانا بوسيت-دارت "3 Part Variation No. 11" (2017) من ثلاث لوحات قماشية مكدسة ومنحنية تشبه هياكل قوارب الكانو أو شرائح دائرية، تتصاعد في الحجم من الأسفل إلى الأعلى. لكل لوحة لوحاتها المحدودة من الألوان الزرقاء والصفراء والرمادية، وهي ألوان متميزة ولكنها متناغمة مع بعضها البعض. تتردد النسب والمنحنيات من لوحة إلى أخرى، لكن لا يوجد شكلان متشابهان.





داخل كل لوحة، تنقسم المساحات الواسعة من الألوان المسطحة إلى نصفين بواسطة أشكال مستديرة تتوافق خطوطها الخارجية مع حواف اللوحة. وتعلوها طبقات من الهياكل الخطية الشبيهة بالأرابيسك التي تتناغم بصريًا - لكنها لا تتكرر مباشرة - مع منحنيات اللوحات، مما يخلق تفاعلًا ديناميكيًا بين الرسم الداخلي والشكل الخارجي. والنتيجة هي تركيبة شاعرية ودقيقة في آن واحد، حيث تولد الاختلافات الدقيقة تناغمًا معقدًا.





يكمن جمال 3 Part Variation No. 11 في هذه العلاقات: كيف تعكس الأشكال بعضها بعضًا، وتختلف، وتتقارب عبر اللوحات الثلاث. والنتيجة هي تأثير تأملي، مثل معادلة بصرية معمارية وشخصية للغاية في آن واحد.
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