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آني ألبيرز(1899-1994)

الفنان بيو الاستفسارحميل PDF
 
<div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div> <div>"Untitled”, a rare and intimate mixed media on paper piece by Anni Albers, was a personal gift to its owner, Katherine Weber, wife of Albers Foundation president Nicholas Fox Weber, presented during a visit in Connecticut. Never offered for sale, this artwork stands apart from Albers’ renowned textile creations, showcasing her versatility as an abstract artist. Created with a delicate interplay of pencil, ink, and watercolor, the composition features geometric shapes and subtle color gradients that dance across the surface, reflecting her inventive exploration of form and texture. This piece, likely from her later career, highlights her shift toward printmaking and drawing after 1963, moving beyond the pictorial weavings of the 1950s. </div> <br> <br><div> </div> <br> <br><div>Born in Berlin and trained at the Bauhaus in the 1920s, where she later taught, Albers pioneered avant-garde textile designs blending functionality with bold abstractions. Her time at Black Mountain College and trips to Mexico exposed her to pre-Columbian art, influencing her use of forgotten techniques and abstract motifs, as seen in simplified and intuitive form in our work. Its intimate scale and personal provenance lend it a unique charm, contrasting with her larger public commissions. This piece offers a window into the experimental spirit that marks Albers’ legacy within 20th-century art and design. </div>
بدون عنوان4 × 15 1/2 بوصة.(10.16 × 39.37 سم) قلم حبر على ورق
الاصل
مجموعة كاثرين ونيكولاس فوكس ويبر، هدية من الفنان
معرض
نيو بريطانيا، كونيتيكت، متحف بريطانيا الجديدة للفن الأمريكي، في الخيط وعلى الورق: آني ألبيرس في كونيتيكت، 19 مارس - 13 سبتمبر 2020
لوحة "بدون عنوان"، وهي لوحة نادرة وحميمية من أعمال آني ألبرس على الورق من وسائط مختلطة على الورق كانت هدية شخصية لمالكتها كاثرين ويبر، زوجة رئيس مؤسسة ألبرس نيكولاس فوكس ويبر، وقدمت خلال زيارة لها في ولاية كونيتيكت. لم تُعرض هذه القطعة الفنية للبيع أبداً، وهي تتميز عن إبداعات ألبرز الشهيرة في مجال النسيج، وتُظهر براعتها كفنانة تجريدية. صُممت هذه اللوحة باستخدام تداخل دقيق بين القلم الرصاص والحبر والألوان المائية، وتتميز بأشكال هندسية وتدرجات لونية دقيقة تتراقص على السطح، مما يعكس استكشافها المبتكر للشكل والملمس. تُبرز هذه القطعة التي يُرجّح أنها من مسيرتها المهنية اللاحقة، تحولها نحو الطباعة والرسم بعد عام 1963، متجاوزةً بذلك أعمال النسيج التصويرية التي كانت تمارسها في الخمسينيات.





وُلدت ألبرز في برلين وتدرّبت في باوهاوس في عشرينيات القرن العشرين، حيث درّست لاحقاً، وكانت رائدة في تصميمات المنسوجات الطليعية التي تمزج بين الوظائف الوظيفية والتجريدات الجريئة. وقد عرّفها الوقت الذي قضته في كلية الجبل الأسود ورحلاتها إلى المكسيك على فن ما قبل كولومبوس، مما أثر على استخدامها للتقنيات المنسية والزخارف التجريدية، كما يظهر في شكل مبسط وبديهي في أعمالنا. يضفي عليها حجمها الحميم ومصدرها الشخصي سحرًا فريدًا يتناقض مع أعمالها العامة الأكبر حجمًا. تقدم هذه القطعة نافذة على الروح التجريبية التي تميز إرث ألبرز في فن وتصميم القرن العشرين.
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