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JANE PETERSON(1876–1965)

$125,000

KÜNSTLER BIO ANFORDERNPDF HERUNTERLADEN
 
<div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div> <div><font face=Lato size=3 color="#191919"><em>The Road to the Harbor, Gloucester, Massachusetts</em> is a vibrant and characteristically bold example of Jane Peterson’s celebrated views of the Massachusetts coast, a subject that remains among the most sought after in her work. Previously held in the collection of the artist and her estate, the painting reflects the period when Peterson was producing her finest New England scenes, distilling the atmosphere and color of Gloucester with a confident and expressive hand. Gloucester was one of her most beloved subjects, and comparable paintings of the area have exceeded expectations at auction, often more than doubling their high estimates, underscoring both the desirability of the theme and the competitive value of the present work.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">This large canvas captures a quiet coastal afternoon, with a dirt road leading toward Gloucester Harbor as suggested by the title. Peterson uses saturated colors and broad, lively brushstrokes to animate the scene, from the touches of blue on the rooftops to the shifting interplay of blue and grey in the retreating sky that suggests a moment just after rainfall. The painting relates closely to other Gloucester works in major museum collections, including <em>Old Road, Gloucester</em> at the Virginia Museum of Fine Arts.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color="#191919">Peterson was known for choosing subjects beyond the conventional expectations for women artists of her time, favoring street scenes, travel, public life, and even wartime experience. <em>The Road to the Harbor, Gloucester, Massachusetts </em>embodies this outward looking spirit, revealing her ability to transform everyday coastal paths into scenes of vivid immediacy and enduring charm.</font></div>
Der Weg zum Hafen, Gloucester, Massachusettsca. 1915–191824 x 30 1/4 Zoll(60,96 x 76,84 cm) Öl auf Leinwand
Provenienz
Der Nachlass von Jane Peterson, Gloucester, Massachusetts
J. Jonathan Joseph, bis 1975
Eine Sammlung aus Boston, 1975–1999
Marco Apollo und Patricia Pierce, 1999–2001
Eine Sammlung aus Boston
„The Road to the Harbor, Gloucester, Massachusetts“ ist ein lebendiges und charakteristisch kühnes Beispiel für Jane Petersons berühmte Ansichten der Küste von Massachusetts, ein Motiv, das nach wie vor zu den beliebtesten in ihrem Werk zählt. Das Gemälde, das zuvor in der Sammlung der Künstlerin und ihres Nachlasses befand, spiegelt die Zeit wider, in der Peterson ihre schönsten New-England-Szenen schuf und die Atmosphäre und Farben von Gloucester mit sicherer und ausdrucksstarker Hand einfing. Gloucester war eines ihrer beliebtesten Motive, und vergleichbare Gemälde dieser Gegend haben bei Auktionen die Erwartungen übertroffen und oft mehr als das Doppelte ihrer hohen Schätzpreise erzielt, was sowohl die Attraktivität des Themas als auch den Wettbewerbswert des vorliegenden Werks unterstreicht. „


“  


Diese große Leinwand fängt einen ruhigen Nachmittag an der Küste ein, mit einer unbefestigten Straße, die zum Hafen von Gloucester führt, wie der Titel vermuten lässt. Peterson verwendet satte Farben und breite, lebhafte Pinselstriche, um die Szene zu beleben, von den blauen Akzenten auf den Dächern bis zum wechselnden Zusammenspiel von Blau und Grau am sich zurückziehenden Himmel, das einen Moment kurz nach dem Regen suggeriert. Das Gemälde steht in engem Zusammenhang mit anderen Gloucester-Werken in bedeutenden Museumssammlungen, darunter „Old Road, Gloucester” im Virginia Museum of Fine Arts.





Peterson war dafür bekannt, dass sie Motive wählte, die über die konventionellen Erwartungen an Künstlerinnen ihrer Zeit hinausgingen, und bevorzugte Straßenszenen, Reisen, das öffentliche Leben und sogar Kriegserlebnisse. „The Road to the Harbor, Gloucester, Massachusetts” verkörpert diesen nach außen gerichteten Geist und offenbart ihre Fähigkeit, alltägliche Küstenwege in Szenen von lebendiger Unmittelbarkeit und bleibendem Charme zu verwandeln.
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