العودة

مارك شاغال(1887-1985)

الفنان بيو الاستفسارحميل PDF
 
<div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div> <div><font face=Lato size=3 color=black>Marc Chagall’s <em>Sur la table</em> is a radiant celebration of color, memory, and imagination. Bathed in a deep blue palette, the painting brings together several of the artist’s most beloved motifs: a rooster, violinist, goat, and exuberant bouquet. The composition is animated with Chagall’s signature sense of movement and dreamlike harmony, creating a world where everyday life, folklore, and love coexist in vibrant equilibrium.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>Painted in a richly productive period just after Chagall’s return to his homeland in the early 1970s, <em>Sur la table</em> reflects the renewed emotional and visual energy that came from reconnecting with his roots in Vitebsk, represented here by the white domed church in the distance. The expansive bouquet, one of Chagall’s enduring symbols of love for his first wife, Bella, dominates the foreground and infuses the work with emotional warmth and vitality.</font></div><br><br><div> </div><br><br><div><font face=Lato size=3 color=black>The painting remained in Chagall’s own collection and estate until after his death in 1985, underscoring its personal significance. Authenticated by the Comité Marc Chagall, <em>Sur la table</em> belongs to a lineage of floral and symbolic compositions that define his mature work.</font></div>
على الطاولةحوالي عام 197517 3/4 × 12 3/4 بوصة(45.09 × 32.39 سم) زيت على لوح
الاصل
ممتلكات الفنان
معرض كونتيني للفنون، ميستري
مجموعة خاصة، بادوفا
غاليريا إيل ماباموندو، ميلانو
مجموعة خاصة، ميلانو
مجموعة خاصة، تم الحصول عليها من المذكور أعلاه
تعد لوحة "Sur la table" لمارك شاغال احتفالاً مشرقاً بالألوان والذكريات والخيال. تجمع اللوحة، المغمورة بلوحة ألوان زرقاء عميقة، العديد من أكثر الموضوعات المحببة للفنان: ديك، عازف كمان، ماعز، وباقة زهور غنية. تتسم التركيبة بالحيوية بفضل إحساس شاغال المميز بالحركة والانسجام الحالم، مما يخلق عالماً تتعايش فيه الحياة اليومية والفولكلور والحب في توازن نابض بالحياة. "


"  


رسمت لوحة Sur la table في فترة غنية بالإبداع بعد عودة شاغال إلى وطنه في أوائل السبعينيات، وهي تعكس الطاقة العاطفية والبصرية المتجددة التي نتجت عن عودته إلى جذوره في فيتيبسك، التي تمثلها هنا الكنيسة ذات القبة البيضاء في الأفق. تسيطر باقة الزهور الكبيرة، أحد رموز شغال الدائمة لحب زوجته الأولى بيلا، على المقدمة وتضفي على العمل دفئًا عاطفيًا وحيوية.





ظلت اللوحة في مجموعة شغال الخاصة وممتلكاته حتى بعد وفاته في عام 1985، مما يؤكد أهميتها الشخصية. تم توثيق Sur la table من قبل Comité Marc Chagall، وهي تنتمي إلى سلسلة من التراكيب الزهرية والرمزية التي تميز أعماله الناضجة.
العودة
الاستفسار