Andrea Rico-Dahlin, 高级主管
Andrea拥有艺术史学士学位，副修美术，以及现代艺术、鉴赏和艺术市场史的硕士学位，在这一行业工作了近20年，她在堪萨斯城的尼尔森-阿特金斯艺术博物馆和纽约的佳士得工作过。她曾在堪萨斯市尼尔森-阿特金斯艺术博物馆和纽约佳士得拍卖行工作，她的专业知识来自于她在博物馆和拍卖行的经验。
自2015年加入希瑟-詹姆斯美术公司以来，安德烈亚已经获得了寄售，并帮助重要艺术家建立了引人注目的私人和博物馆收藏，其中包括克劳德-莫奈、阿尔弗雷德-西斯利、亨利-马蒂斯、埃德加-德加、诺曼-洛克威尔、安德鲁-怀斯、伊莱恩-德库宁、安迪-沃霍尔和汤姆-韦塞尔曼。
特色艺术作品
,_new_mexico_tn40147.jpg "GEORGIA O'KEEFFE-Cottonwood Tree (Near Abiquiu), New Mexico")
_tn45742.jpg "SIR WINSTON CHURCHILL-On the Rance, Near St. Malo (C 520)")
_tn45734.jpg "SIR WINSTON CHURCHILL-Marrakech with a Camel (C 453)")
_tn45731.jpg "SIR WINSTON CHURCHILL-Riviera Coast Scene (C 295)")
_tn45741.jpg "SIR WINSTON CHURCHILL-By Lake Lugano (C 413)")
_tn43950.jpg "WINSLOW HOMER-In the Wheatfield (Girl Standing in a Wheat Field)")
_tn45739.b.jpg "SIR WINSTON CHURCHILL-View Over Cassis Port (C 333)")
_tn45733.jpg "SIR WINSTON CHURCHILL-The Bay of Eze (C 490)")
_tn40169.jpg "MARSDEN HARTLEY-Bach Preludes et Fugues No. 1 (Musical Theme)")
![Painted while staying at Dunrobin Castle, the estate of the Duke of Sutherland, Churchill chose to set his easel behind a tree where he likely thought of it as a framing device, adding a layer of depth, creating a stronger sense of foreground, middle ground, and background, enhancing the three-dimensionality of the picture. Churchill painted at both Dunrobin as well as the Duke’s Sutton Place estate, later the home of John Paul Getty.<br><br>As Mary Soames describes it in her book, Winston Churchill, His Life as a Painter, “1921 had been a year of heavy personal tidings” for Churchill and his family, as he lost both his mother, Jennie Cornwallis-West, and his beloved child, Marigold, aged nearly four. In a letter to his wife Clementine, Churchill wrote, “… Many tender thoughts, my darling one of you and yr sweet kittens. Alas I keep on feeling the hurt of the Duckadilly [Marigold’s pet name].” That Churchill chose to stay with the Duke and Duchess at Dunrobin just after Marigold’s death speaks to their close friendship and his fondness for the area, including Loch Choire. It is no surprise that Churchill gifted the painting to the Duke of Sutherland](/Art_Images/Small/sir_winston_churchill_view_of_loch_choire_(c_51)_tn45743.jpg "SIR WINSTON CHURCHILL-View of Loch Choire (C 51)")
_tn45732.jpg "SIR WINSTON CHURCHILL-Oranges and Lemons (C 455)")
_tn27035.jpg "ROBERT INDIANA-AMOR (Red Yellow)")
_tn45736.jpg "SIR WINSTON CHURCHILL-Coastal Town on the Riviera (Double-Sided C 111 & 535)")
![Churchill counted as both a friend and political ally, Phillip Sassoon – one of Britain's great hosts, cousin of famed poet Siegfried Sassoon, and the man upon whom Noël Coward crowned "a phenomenon that will never recur”. Sassoon and his sister Sybil were among Winston and Clementine’s great friends. As described by Lady Soames in her book, “Philip Sassoon was a man of charm and distinction, and he dispensed princely hospitality to a brilliant and varied circle of friends at his two country houses, Port Lympne and Trent Park. He made a remarkable collection of works of art. Winston received much help and encouragement from Sassoon, and painted many pictures of both his house and gardens. One of the ways in which Winston taught himself to paint was by copying pictures he admired. With his large and varied collection, Sir Philip was able to be of help in this way, too, and Winston studied and copied quite a number of his friend’s pictures. Sassoon was a friend and patron of John Singer Sargent, and owned many of his works. Winston admired several of these, and found them highly instructive; in 1926, [less than two years before this painting was created] Philip Sassoon wrote Winston this note, which accompanied a generous present and a helpful loan:<br><br>My dear Winston,<br><br>You have often admired the picture of John Lewis Brown of the two horsemen that hung at Trent, so I am sending it to you with my best wishes in the hope that you find a corner for it at Chartwell. I am also sending th little Sargent picture wh you asked for. He painted it when he was 18!”<br><br>One is struck by Sassoon’s generosity, and can see in later works how his close study of Sargent influenced Churchill.](/Art_Images/Small/sir_winston_churchill_the_library_of_sir_philip_sassoon's_house_at_lympne_(c_19)_tn45745.jpg "SIR WINSTON CHURCHILL-The Library of Sir Philip Sassoon's House at Lympne (C 19)")
