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MASAMI TERAOKA (b. 1936)

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Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more. Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints alligns with the obsession with mass production and consumption of Pop Art. Additionally, Ukiyo, meaning “the floating world” in Edo period Japan reflected the transitory nature of Kabuki theater and pleasure houses. This transitory sense of consumerism and pleasure was also evoked in the works by Pop Artists. Teraoka’s works are a collision of two cultures and histories of art finding affinities through similar themes.<br><br>Teraoka’s pieces blend humor and social commentary. He has often touched upon subjects as diverse and urgent as the AIDs crises, consumerism, the attacks on September 11th, and more. Teraoka notes of his own work, “Integrating reality with fantasy, humor with commentary, and history with the present became my challenge.”<br><br>Works by Teraoka can be found in the Tate Modern, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Smithsonian, the Los Angeles County Museum of Art, the Walker Art Center, and more.
波浪系列/日落海滩上的纹身女人198414 7/8 x 10 in.(37.78 x 25.4 cm)纸上水彩
种源
私人收藏
文学
Teraoka, M., Hoffman, K., Heartney, E., Bing, A., & Clark, C. (2012), Ascending Chaos:寺冈正美的艺术1966-2006》，旧金山，加利福尼亚。Chronicle Books LLC, 插图

70,000

Teraoka出生于广岛县尾道，在现在的洛杉矶奥蒂斯艺术与设计学院学习。他的作品受到日本浮世绘木刻版画的启发。然而，寺冈将传统艺术的风格和技术与美国的波普艺术注入其中。日本木刻版画的大规模生产性质与波普艺术对大规模生产和消费的痴迷是一致的。此外，浮世（Ukiyo）在日本江户时代的意思是 "漂浮的世界"，反映了歌舞伎剧院和娱乐场所的短暂性质。这种短暂的消费主义和快乐感也在波普艺术家的作品中被唤起。Teraoka的作品是两种文化和艺术历史的碰撞，通过相似的主题找到亲和力。

Teraoka的作品融合了幽默和社会评论。他经常触及不同的紧急主题，如艾滋病危机、消费主义、9月11日的袭击等等。Teraoka在谈到自己的作品时说："将现实与幻想、幽默与评论、历史与现在结合起来，成为我的挑战。"

Teraoka的作品可以在泰特现代美术馆、大都会艺术博物馆、旧金山现代艺术博物馆、史密森尼博物馆、洛杉矶县艺术博物馆、沃克艺术中心等地找到。
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