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费尔南德·勒格·恩茨（1881-1955）

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<div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div> <div>Fernand Léger’s "Composition orange et noir" (1937)—translated as "Orange and Black Composition"—marks a significant moment in the artist’s evolving exploration of form and subject matter. Painted during the 1930s, the work reflects Léger’s shift away from the rigid “mécanique” language of his earlier career toward more organic shapes and motifs, while still retaining the influence of industrial design. The composition is structured by bold bands of black, fawn brown, and orange, which create a circular framework. Yet within this framework, the interior elements strain against containment: pale brown cylinders evoke wooden logs, while loose black whips suggest seaweed, sticks, or leaves, imbuing the work with a sense of dynamic, natural movement. </div><br><br><div> </div><br><br><div>This interplay between organic and inorganic elements recalls the found objects Léger collected during his walks on his farm in Normandy, translating everyday material forms into abstract pictorial language. At the same time, the work belongs to an important period of international recognition for the artist, when he was exhibiting prominently at the Museum of Modern Art in New York and at the Kunsthalle Zürich. "Composition orange et noir" thus encapsulates Léger’s unique ability to synthesize the mechanical and the natural into a unified, yet playfully experimental, vision. The work is included in the artist's catalogue raisonné by Georges Bauquier for works from 1932-1937 as entry 934. </div>
橙色和黑色构成193736 1/8 x 23 1/2 英寸（91.76 x 59.69 厘米(91.76 x 59.69 厘米）布面油画
种源
路易丝-雷里斯画廊，巴黎
M. Praejer 收藏馆，巴黎
Guisez 收藏馆，圣埃美隆
私人收藏，黑森（2000 年至今）
Karl & Faber Kunstauktionen GmbH：2024年12月5日，星期四，第731号拍品
私人收藏，购自上述作品
展会信息
路易丝-雷里斯画廊，巴黎，档案编号：06990/6938。06990/6938，背面担架上有标签
文学
George Bauquier 等人，《费尔南-莱热：1932-1937 年绘画作品目录》，第五卷，巴黎，1996 年，第 934 号。
 价格285,000
费尔南-莱热的作品 "Composition orange et noir"（1937 年）--译为 "橙色和黑色的组合"--标志着这位艺术家对形式和主题不断探索的重要时刻。这幅作品创作于 20 世纪 30 年代，反映了莱热从早期刻板的 "机械 "语言转向更有机的形状和图案，同时仍保留了工业设计的影响。构图由大胆的黑色、黄褐色和橙色条带构成，形成一个圆形框架。然而，在这一框架内，内部元素却不受约束：淡褐色的圆柱体让人联想到木头，而松散的黑色鞭子则让人联想到海藻、树枝或树叶，使作品充满了动态的自然运动感。





这种有机与无机元素之间的相互作用，让人想起莱热在诺曼底农场散步时收集的现成物品，将日常物质形态转化为抽象的图像语言。同时，这件作品也是这位艺术家获得国际认可的重要时期的作品，当时他在纽约现代艺术博物馆和苏黎世美术馆举办了重要展览。因此，"Composition orange et noir "概括了莱热将机械与自然融为一体的独特能力，同时又不失趣味性和实验性。这件作品被 Georges Bauquier 收录在该艺术家 1932-1937 年作品的目录册中，编号为 934。
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