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罗伯特-朗格（生于 1953 年）

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<div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div>
<div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div>
芭芭拉和拉斐尔199830 x 46 英寸（76.2 x 116.84 厘米(76.2 x 116.84 厘米）石版画
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汉密尔顿-塞尔维美术馆
私人收藏

50,000

罗伯特-隆戈的作品《芭芭拉和拉斐尔》（1998 年）来自艺术家的标志性作品《城市中的男人》系列，这些作品描绘了衣着光鲜的人物在扭曲、悬浮的运动中--既优雅又紧张。Longo 将这些动态姿势转化为高度精致、风格化的图像，探索当代城市生活的心理强度。这对石版画共 120 幅，其中包括 10 幅艺术家样张和 18 幅附加样张，此前从未在拍卖会上出现过。该系列作品被惠特尼美国艺术博物馆、布法罗 AKG 艺术博物馆和圣路易斯艺术博物馆等主要公共收藏机构收藏。
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