Back

GEORGES ROUAULT (1871-1958)

ARTIST BIO INQUIREDOWNLOAD PDF
 
Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair. Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair.
Carlotta193715 7/8 x 12 1/4 in.(40.32 x 31.12 cm) oil on canvas
Provenance
Dalzell Hatfield Galleries, Los Angeles
Leigh B. Block, Chicago
Ruth & Harvey Kaplan, acquired from the above, 1945
Christie's New York: Thursday, May 5, 2005, Lot 318
Private Collection, acquired from the above
Sotheby's New York: Wednesday, May 6, 2015, Lot 153
Literature
Dorival Bernard & Rouault, Isabelle, Rouault, L'Oeuvre vein/(Monaco, 1988), vol. 2, p. 150, no. 1864 (illus.)
 Price295,000
Informed by his devout Catholic faith, Rouault's artistic evolution was unique amongst modernists. Captivated by the vibrant colors and how light passes through medieval stained-glass windows, he applied thick, rich layers of paint and amplified raw and bold forms awash with deep blues within heavy black lines. Rouault often supported strong recurring religious themes dedicated to the power of redemption. Carlotta serves neither that higher calling nor the marginalized suffering of subjects that included clowns, prostitutes, and crucifixions. Instead, Carlotta is an opportunity to admire Rouault's more subtle color variations and the dynamic interplay between the rough, tactile quality of the impasto and the softer, more diffused effect of the scumbled passages of a model unencumbered by themes of human pain and despair.
Back
Inquire