Situated in the wild beauty of Jackson Hole, Wyoming, with National Parks as a stunning backdrop, Heather James Jackson has brought the highest caliber of artworks and services to the Intermountain West for over a decade.

Catering to the unique community that makes Jackson Hole an unparalleled destination for American culture and the outdoors, Heather James strives to provide an unmatched selection of artworks and white glove services for locals and visitors alike.

172 Center Street, Suite 101
P.O. Box 3580
Jackson Hole, WY 83001
(307) 200-6090

Hours:
Currently open by appointment only

Exhibitions

Jackson Hole: Highlights from 1900 to Today
CURRENT

Jackson Hole: Highlights from 1900 to Today

November 1, 2019 - June 30, 2020
Sam Francis: On View in Jackson Hole
ARCHIVE

Sam Francis: On View in Jackson Hole

July 1 - October 15, 2019
Edward Hopper
ARCHIVE

Edward Hopper

July 1 - September 30, 2019
Andy Warhol
ARCHIVE

Andy Warhol

July 16 - August 31, 2019
David Levinthal
ARCHIVE

David Levinthal

December 1, 2018 - January 31, 2019
Herb Alpert: A Visual Melody
ARCHIVE

Herb Alpert: A Visual Melody

August 1 - September 30, 2018
The Paintings of Sir Winston Churchill
ARCHIVE

The Paintings of Sir Winston Churchill

August 1 - September 16, 2018
Elaine de Kooning
ARCHIVE

Elaine de Kooning

July 1 - August 4, 2018
Norman Rockwell: The Artist at Work
ARCHIVE

Norman Rockwell: The Artist at Work

June 30 - September 30, 2016
Earl Cunningham: American Fauve
ARCHIVE

Earl Cunningham: American Fauve

September 8 - October 29, 2011

ARTWORK ON VIEW

In the 1970s, Butterfield made her first horses from plaster, papier-mâché, and mud and sticks. In 1980, she traveled to Israel on a John Simon Guggenheim grant, and worked with steel and other detritus of wars, and determined the material held emotional content. This set her on a course of making horses with found and welded steel, fused aluminum, copper, and wood — materials that also have a history. Butterfield’s “Yellow River,” c. 1984, is an uncommon example of the artist’s work as the subject is in repose with an experimental minimalist aesthetic. Created using scrap metal from a school bus, the painted steel elements seem to combine organically. Butterfield is widely recognized for her materials-oriented approach to sculpture. 
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<br>Deborah Butterfield's work is included in numerous museum collections, including the Honolulu Museum of Art, the Rockwell Museum, the Whitney Museum of American Art, the Metropolitan Museum of Art, the Delaware Art Museum, the Boise Art Museum, the Albrecht-Kemper Museum of Art, the Neuberger Museum of Art, and the Rockford Art Museum among many others.

DEBORAH BUTTERFIELD

A leading artist of the Arte Povera movement in the 1960s and '70s, Jannis Kounellis challenged the traditional media of art making. His work often incorporates natural or everyday materials, installation, or performance. Untitled (2014) is a unique example of his sculptural work in iron, canvas, and enamel. A common thread in his work is a sense of isolation experienced in contemporary society, combining elements of the past and the present to address memory, detachment, history, and loss. Kounellis once explained, “[art] must be born of historical necessity: that is, it must be of a historical situation and constitute the indispensable language of that moment.”

JANNIS KOUNELLIS

Richard Prince is one of the most influential names in contemporary art. Prince is part of The Pictures Generation, a loosely associated group of artists who appropriated mass media imagery to examine and question issues of stereotypes, cultural tropes, and the constructed narrative of images. Prince and The Pictures Generation helped to usher in post-modernism in art.
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<br>In the late 1970s, Richard Prince began taking photographs of photographs, appropriation art in line with the readymades of Marcel Duchamp. "Untitled (Portrait)(Boy)" was included in the sensational 2014 Gagosian exhibition, New Portraits. For this series, Prince himself commented on each of the Instagram images and appropriated them for this body of work, creating a precise snapshot of our time. This work and series ask us to question the meaning within the proliferation of “selfies” and how people use these images to create and to project a narrative of themselves. It also challenges ideas of authorship, both constructing and deconstructing the nature of images while capturing a sense of immediacy within the apparatus of social media.

RICHARD PRINCE

More than an artist, Theaster Gates also works as curator, urban planner, and project facilitator. From sculpture to painting, installation to public projects, Gates’s works are hubs in which to question labor and commodity while also bringing to the fore people and things that are often unseen and unheard. Convex Concave takes custom-made bricks that Gates had previously used for Black Vessel for a Saint at the Walker Art Center and repurposes it into a painting-like sculpture that references minimalist artist like Sol LeWitt, the labor of making bricks, and the original context of the bricks for the installation at the Walker.

THEASTER GATES

One of the pioneers of modern British art, Henry Moore pushed the boundaries of figurative sculpture while at the same time sustaining a vein of classicism running through his work. This intimate sculpture features a reclining figure, one of Moore’s favorite and iconic motifs. 
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<br>The figure has been abstracted to sensuous curves giving the viewer of a sense of modernity and the fluidity possible in bronze. Nevertheless, this sculpture and much of Moore’s oeuvre is in dialogue with art history and the use of classic figural forms and themes. Moore masterfully mixes modernity, primitivism, and classicism to create a sculpture that speaks across time and culture.

HENRY MOORE

CHUCK CLOSE - Self-Portrait, 2000 - screenprint on paper - 58 1/3 x 48 in.

CHUCK CLOSE

WILLIAM MORRIS - Fallow Deer Situla - blown glass - 16 x 23 1/2 x 13 in.

WILLIAM MORRIS

"Purple Tree" from 1936 shows the genesis of the artist's evolution into total abstraction. One of a series of Casein works on panel completed in 1936, the present work is fully documented and recorded in the Hans Hofmann Catalogue Raisonné. "Purple Tree" shows Hoffmann's "push/pull" color theory, where he placed warm and cool colors side by side. Hofmann was an influential instructor for Helen Frankenthaler, Joan Mitchell, Frank Stella, Lee Krasner, and Louise Nevelson (among many others).  
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<br>The 2019 exhibition "Hans Hofmann: The Nature of Abstraction" at the University Museum in Berkeley, California, featured 70 works and showed the evolution of Hofmann throughout his career.

HANS HOFMANN

THEASTER GATES - Lathe Black Box - wood, glass and lathe - 50 1/4 x 53 x 6 7/8 in.

THEASTER GATES

WILLIAM MORRIS - Artifact Pouch - blown glass - 20 x 20 x 20 in.

WILLIAM MORRIS

GEORGE CONDO - Girl With Bow Tie - oil on canvas - 39 1/4 x 28 3/4 in

GEORGE CONDO

PATRICK WILSON - Meadowlark - acrylic on canvas - 86 x 70 x 2 in

PATRICK WILSON

HERB ALPERT - Tsunami - acrylic on canvas - 72 x 120 in.

HERB ALPERT

KARL BENJAMIN - Untitled - oil on canvas - 50 1/4 x 50 in.

KARL BENJAMIN

ARNE HIERSOUX - Untitled - acrylic and paper on canvas - 71 x 94 in.

ARNE HIERSOUX

MICHAEL CORINNE WEST - The Day After - oil on canvas - 84 5/8 x 49 7/8 in.

MICHAEL CORINNE WEST

THEASTER GATES - Stand-Ins for Period of Wreckage 25 - white concrete and porcelain - 48 x 12 x 12 in.

THEASTER GATES

GUILLERMO KUITCA - Untitled - oil on plywood - 18 1/4 x 25 5/8 in.

GUILLERMO KUITCA

PABLO PICASSO - Faune et Vieux Roi / Le Vieux Bouffon - linocut in colors - 27 1/2 x 22 3/4 in.

PABLO PICASSO

ROBERT NATKIN - Untitled - acrylic on canvas - 60 x 60 in.

ROBERT NATKIN

ANDY WARHOL - Vote McGovern - screenprint - 42 x 42 in.

ANDY WARHOL

HANS HOFMANN - Yellow Vase - oil on panel - 8 x 7 1/2 in.

HANS HOFMANN

DAMIEN HIRST - The Souls on Jacob's Ladder Take Their Flight - color photogravure etching - 47 1/2 x 43 1/4 in.

DAMIEN HIRST

PABLO PICASSO - L'Atelier du Vieux Peintre (Old Painter's Studio) - lithograph - 17 x 24 in.

PABLO PICASSO

PABLO PICASSO - Man Uncovering a Woman (Homme dévoilant une femme) - etching/engraving - 16 x 12 1/2 in.

PABLO PICASSO

MARC CHAGALL - A Sequestered Garden - original lithograph in colors - 23 3/4 x 20 in.

MARC CHAGALL

MARC CHAGALL - Plate 8, Anacreon - lithograph on Arches - 22 x 17 1/4 in.

MARC CHAGALL

PABLO PICASSO - Deux Nus Assis - etching - 15 x 11 1/2 in.

PABLO PICASSO

MARC CHAGALL - Plate 11 - original color lithograph on lightweight paper - 16 1/4 x 12 1/4 in.

MARC CHAGALL

MARC CHAGALL - Paysan au violun (Peasant with a Violin) - lithograph on Velin d'Arches paper - 14 1/2 x 11 1/2 in.

MARC CHAGALL

NORMAN ZAMMITT - Yellow to Violet II - acrylic on canvas - 40 1/2 X 9 1/4 in.

NORMAN ZAMMITT

MARC CHAGALL - Le Cirque M.505 - lithograph - 16 3/4 x 12 3/4 in.

MARC CHAGALL

HERB ALPERT - El Toro Solitario (The Lonely Bull) - bronze - 17 x 33 1/2 x 14 in.

HERB ALPERT

HERB ALPERT - Eagle Falls - bronze - 41 1/2 x 10 x 10 in.

HERB ALPERT

HERB ALPERT - Magic Man - bronze - 43 x 8 x 8 in.

HERB ALPERT

HERB ALPERT - First Impression - bronze - 37 3/4 x 8 x 8 in.

HERB ALPERT

HERB ALPERT - Three Feathers - bronze - 38 x 20 x 9 in.

HERB ALPERT

NORMAN BLUHM - Untitled - oil on paper mounted on board - 20 1/8 x 22 in.

NORMAN BLUHM

LUC BERNARD - Edges no. 13 - oil on canvas - 72 x 58 in.

LUC BERNARD

KAORU MANSOUR - Blackberry and Chandelier #111 - mixed media on canvas - 54 x 44 in.

KAORU MANSOUR

EDWARD HOPPER - To Mother from Ed - watercolor and ink on paper - 3 x 2 1/8 in.

EDWARD HOPPER

KAORU MANSOUR - Eucalyptus #200 - mixed media on canvas - 48 x 42 in.

KAORU MANSOUR

KAORU MANSOUR - Iro(Hana) #502 - mixed media on canvas - 36 x 48 in.

KAORU MANSOUR

LUC BERNARD - Edges no. 14 - oil on canvas - 40 x 40 in.

LUC BERNARD

KAORU MANSOUR - Ran #104 - mixed media on canvas - 36 x 36 in.

KAORU MANSOUR

ANDREA MODICA - Treadwell - platinum palladium print - sheet: 11 3/8 x 8 1/2 in. image: 9 3/8 x 7 1/2 in.

ANDREA MODICA

ANDREA MODICA - Fountain, CO - platinum palladium print - sheet: 8 3/4 x 11 3/4 in. image: 7 1/2 x 9 3/8 in.

ANDREA MODICA

KAORU MANSOUR - Ran #105 - mixed media on canvas - 48 x 24 in.

KAORU MANSOUR

KAORU MANSOUR - Succulent (dedlow) #102 - collage, acrylic and 22k gold leaf on canvas - 40 x 20 1/2 in.

KAORU MANSOUR

LUC BERNARD - Edges no. 15 - oil on canvas - 36 x 31 in.

LUC BERNARD

KAORU MANSOUR - Black Chandelier - mixed media on wooden panel - 42 x 12 in.

KAORU MANSOUR

KAORU MANSOUR - Pomegranate and Fig #101 - mixed media on wooden panel - 10 x 30 in.

KAORU MANSOUR

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