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Situated in the wild beauty of Jackson Hole, Wyoming, with National Parks as a stunning backdrop, Heather James Jackson has brought the highest caliber of artworks and services to the Intermountain West for over a decade.

Catering to the unique community that makes Jackson Hole an unparalleled destination for American culture and the outdoors, Heather James strives to provide an unmatched selection of artworks and white glove services for locals and visitors alike.

172 Center Street, Suite 101
P.O. Box 3580
Jackson Hole, WY 83001
(307) 200-6090

Hours: Monday to Saturday 11am – 6pm

Exhibitions

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CURRENT

Herb Alpert: The Coffee Paintings

December 22, 2020 - March 31, 2023

CURRENT

Max Pellegrini: Silence and Fantasy

July 30, 2020 - March 31, 2023

Claude Monet: An Impressionist Genius

August 18 - October 31, 2022

Impressionism at Heather James Fine Art

September 1 - October 31, 2022

Jackson Hole - Top Works

September 15 - October 15, 2022

Picasso - Prints and Works on Paper

September 1 - October 12, 2022

Marc Chagall: The Color of Love

September 8 - October 12, 2022

All We Have Seen: Impressionist Landscapes from Monet to Kleitsch

August 9, 2021 - September 30, 2022

Wonders of Impressionist and Modern Art in America and Europe

August 26, 2020 - April 30, 2021

Portraits: From the 19th Century to Today

August 26, 2020 - April 30, 2021

Jackson Hole: Highlights from 1900 to Today

November 1, 2019 - July 31, 2020

Sam Francis: On View in Jackson Hole

July 1 - October 15, 2019

Edward Hopper

July 1 - September 30, 2019

Andy Warhol

July 16 - August 31, 2019

David Levinthal

December 1, 2018 - January 31, 2019

Herb Alpert: A Visual Melody

August 1 - September 30, 2018

The Paintings of Sir Winston Churchill

August 1 - September 16, 2018

Elaine de Kooning

July 1 - August 4, 2018

Norman Rockwell: The Artist at Work

June 30 - September 30, 2016

Max Pellegrini: A Retrospective Exhibition

November 27, 2015 - March 27, 2016

Earl Cunningham: American Fauve

September 8 - October 29, 2011

ARTWORK ON VIEW

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ELAINE DE KOONING

MEL RAMOS

Peaks of St. Gervais is one of the artist’s classic landscapes, with his distinctive swift brushstroke and charming town and structures — half of which he rendered in the shade — dwarfed by the snow-capped mountain. In most of his paintings, Payne used structures and figures not as subject, but to communicate the dramatic scale of mountain landscape. Drawn to the mountains of Europe, Payne trekked and painted the Swiss Alps, the colorful harbors of Brittany and France, and the sailing vessels in Italy.

EDGAR ALWIN PAYNE

NATHAN OLIVEIRA

IRVING NORMAN

JENNIFER BARTLETT

IRVING NORMAN

ANDY WARHOL

NATHAN OLIVEIRA

MARY CORSE

Pellegrini returns to Classical Mythology to paint an adapted narration of the love story of Cupid and Psyche. Traditionally, Psyche was a young princess who was hailed for her beauty and unfortunately caught the eye of a jealous Venus. Venus entrusted Cupid to punish Psyche by making her fall in love with something hideous. Cupid accidently scratched himself with his amorous dart, by which he immediately fell in love with Psyche. As a result, Cupid disobeyed his mother’s orders to punish Psyche. Ultimately they married, but not before Psyche completed a number of painstaking and nearly impossible tasks at the behest of Venus.
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<br>Pellegrini’s interpretation of this myth is cast over two canvases with different chromatic palettes, oscillating on a spectrum of abstraction and representation. This creates a disorienting temporal effect that creates a sense of mystery surrounding the passage of time between two lovers.

MAX PELLEGRINI

IRVING NORMAN

FIONA RAE

The Queen of the Night drinks water from the clasped hands of faith, while two shepherds embrace each other, unaware of Jesus’ birth. Angels, portrayed almost translucently on the canvas, spray holy water and bring about the giving of gifts. A precious jewel is depicted in the right corner, while a humble basket of turkeys sits on the cape of the Madonna. Nearby rests a basket with a goldfinch, an ancient symbol, which is a harbinger of good luck for newborn babies. The baby Jesus, just as the clasped hands that the Queen drinks out of, represents faith – the angels have sprinkled with holy water and he will soon make himself known to the world.
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<br>“For me the faith in religion becomes faith in painting and will defeat the giants." – Max Pellegrini, July 2015, in conversation with Curator Chip Tom

MAX PELLEGRINI

A young man and woman embrace one another, a woman holds a child, a sleeping baby holds a black and red thread, another young woman undresses, and an angel spreads its wings in this collage like composition. Together, these characters create a narrative in which young love, fate, and life are intertwined: the sleeping baby holds a red thread and black thread, reminiscent of the mythological three Fates, who spun life and death on their loom. These threads are physically connected to the young lovers, who embrace each other, wholly unaware of the hold that the infant has on them. A woman holding a child watches over the love of the youthful boy and girl, just as Mary and Jesus watch over and defend mankind. The merging of narratives and symbols is a common element in Pellegrini’s oeuvre, and is masterfully expressed here.

MAX PELLEGRINI

Mirror images of a cloaked figure embrace a bare-chested and bearded man, who is almost child-like in his relative stature. Their embrace mirrors that of Michelangelo’s Pieta, and the many similar depictions of Christ and the Madonna. A dark shade of blue casts a shadow over the composition, assuredly a temporal indicator, but possibly a reference to Picasso’s blue period as well, a major influencer on Pellegrini’s artwork. The wall panels behind the figures depict religious scenes, and remind the viewer of stained glass walls in churches and chapels. Light shines from windows in the city below, also illuminated by a full moon peaking over mountainous scenery.

MAX PELLEGRINI

FERNANDO CANOVAS

RUSSELL YOUNG

PETER D. GERAKARIS

CONSTANCE MALLINSON

HERB ALPERT

SAUL KAMINER

HERB ALPERT

CONSTANCE MALLINSON

DEBORAH OROPALLO

PAUL JENKINS

Conflating, collapsing, augmenting historical and bodily narratives through a satirical point of view.

EDGAR SERRANO

LAWRENCE SCHILLER

TONY DE LOS REYES

WILLIAM WEGMAN

PENELOPE GOTTLIEB

LUC BERNARD

WILLIAM WEGMAN

LUC BERNARD

PENELOPE GOTTLIEB

LAWRENCE SCHILLER

EDWARD STEICHEN

LUC BERNARD

SENIOR DIRECTOR

ANDREA RICO DAHLIN

Senior Director
Jackson Hole, Wyoming

andrea@heatherjames.com

c: 913 306 4982

o: 307 200 6090

Approaching 20 years in the industry, Andrea holds a BA in Art History with a Minor in Fine Art from Binghamton University, Binghamton, NY, and a MA in Modern Art, Connoisseurship, and History of the Art Market from Christie’s Education, New York, NY. She brings expertise from her experience in both museums and auction houses, having worked at the Nelson-Atkins Museum of Art in Kansas City and Christie’s in New York.

Since joining Heather James Fine Art in 2015, Andrea has secured consignments and helped build notable private and museum collections with important artists, which include Claude Monet, Alfred Sisley, Henri Matisse, Edgar Degas, Norman Rockwell, Andrew Wyeth, Elaine de Kooning, Andy Warhol, and Tom Wesselmann.

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SERVICES

Heather James Fine Art provides a wide range of client-based services catered to your specific art collecting needs. Our Operations team includes professional art handlers, a full registrar department and logistical team with extensive experience in art transportation, installation, and collection management. With white glove service and personalized care, our team goes the extra mile to ensure exceptional art services for our clients.

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COLLECTIONS MANAGEMENT