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威廉-阿切夫

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William Acheff's highly realistic paintings of Southwest historical and ethnic artifacts convey nostalgia and a peaceful, meditative quality. When he unveiled his work at a solo exhibition in 1978, the highly polished illusionary qualities and lifelike perfection found an immediate circle of collectors enamored with classic trompe l'oeil painting.<br><br>Born in 1947 in Anchorage, Alaska, Acheff is of Georgian, Russian, Scottish, Dutch, and Alaskan-Athabascan heritage. Classically trained in San Francisco, he moved to Taos in 1973 and continues to paint in this widely recognized, distinctive way, often blending artifacts and traditions of the past with contemporary items and settings. <br><br>Tesque Jar evinces a clay-body jar (olla) from the Pueblo of Tesuque, Tesugeh Owingeh ("Village of the narrow place of cottonwood trees"), located in northern New Mexico. Their ancestral homelands cover the entirety of O'gah Po'oge (Santa Fe), and the pottery, much of it from the late nineteenth and early twentieth centuries, is highly prized by collectors.
William Acheff's highly realistic paintings of Southwest historical and ethnic artifacts convey nostalgia and a peaceful, meditative quality. When he unveiled his work at a solo exhibition in 1978, the highly polished illusionary qualities and lifelike perfection found an immediate circle of collectors enamored with classic trompe l'oeil painting.<br><br>Born in 1947 in Anchorage, Alaska, Acheff is of Georgian, Russian, Scottish, Dutch, and Alaskan-Athabascan heritage. Classically trained in San Francisco, he moved to Taos in 1973 and continues to paint in this widely recognized, distinctive way, often blending artifacts and traditions of the past with contemporary items and settings. <br><br>Tesque Jar evinces a clay-body jar (olla) from the Pueblo of Tesuque, Tesugeh Owingeh ("Village of the narrow place of cottonwood trees"), located in northern New Mexico. Their ancestral homelands cover the entirety of O'gah Po'oge (Santa Fe), and the pottery, much of it from the late nineteenth and early twentieth centuries, is highly prized by collectors. William Acheff's highly realistic paintings of Southwest historical and ethnic artifacts convey nostalgia and a peaceful, meditative quality. When he unveiled his work at a solo exhibition in 1978, the highly polished illusionary qualities and lifelike perfection found an immediate circle of collectors enamored with classic trompe l'oeil painting.<br><br>Born in 1947 in Anchorage, Alaska, Acheff is of Georgian, Russian, Scottish, Dutch, and Alaskan-Athabascan heritage. Classically trained in San Francisco, he moved to Taos in 1973 and continues to paint in this widely recognized, distinctive way, often blending artifacts and traditions of the past with contemporary items and settings. <br><br>Tesque Jar evinces a clay-body jar (olla) from the Pueblo of Tesuque, Tesugeh Owingeh ("Village of the narrow place of cottonwood trees"), located in northern New Mexico. Their ancestral homelands cover the entirety of O'gah Po'oge (Santa Fe), and the pottery, much of it from the late nineteenth and early twentieth centuries, is highly prized by collectors. William Acheff's highly realistic paintings of Southwest historical and ethnic artifacts convey nostalgia and a peaceful, meditative quality. When he unveiled his work at a solo exhibition in 1978, the highly polished illusionary qualities and lifelike perfection found an immediate circle of collectors enamored with classic trompe l'oeil painting.<br><br>Born in 1947 in Anchorage, Alaska, Acheff is of Georgian, Russian, Scottish, Dutch, and Alaskan-Athabascan heritage. Classically trained in San Francisco, he moved to Taos in 1973 and continues to paint in this widely recognized, distinctive way, often blending artifacts and traditions of the past with contemporary items and settings. <br><br>Tesque Jar evinces a clay-body jar (olla) from the Pueblo of Tesuque, Tesugeh Owingeh ("Village of the narrow place of cottonwood trees"), located in northern New Mexico. Their ancestral homelands cover the entirety of O'gah Po'oge (Santa Fe), and the pottery, much of it from the late nineteenth and early twentieth centuries, is highly prized by collectors. William Acheff's highly realistic paintings of Southwest historical and ethnic artifacts convey nostalgia and a peaceful, meditative quality. When he unveiled his work at a solo exhibition in 1978, the highly polished illusionary qualities and lifelike perfection found an immediate circle of collectors enamored with classic trompe l'oeil painting.<br><br>Born in 1947 in Anchorage, Alaska, Acheff is of Georgian, Russian, Scottish, Dutch, and Alaskan-Athabascan heritage. Classically trained in San Francisco, he moved to Taos in 1973 and continues to paint in this widely recognized, distinctive way, often blending artifacts and traditions of the past with contemporary items and settings. <br><br>Tesque Jar evinces a clay-body jar (olla) from the Pueblo of Tesuque, Tesugeh Owingeh ("Village of the narrow place of cottonwood trees"), located in northern New Mexico. Their ancestral homelands cover the entirety of O'gah Po'oge (Santa Fe), and the pottery, much of it from the late nineteenth and early twentieth centuries, is highly prized by collectors. William Acheff's highly realistic paintings of Southwest historical and ethnic artifacts convey nostalgia and a peaceful, meditative quality. When he unveiled his work at a solo exhibition in 1978, the highly polished illusionary qualities and lifelike perfection found an immediate circle of collectors enamored with classic trompe l'oeil painting.<br><br>Born in 1947 in Anchorage, Alaska, Acheff is of Georgian, Russian, Scottish, Dutch, and Alaskan-Athabascan heritage. Classically trained in San Francisco, he moved to Taos in 1973 and continues to paint in this widely recognized, distinctive way, often blending artifacts and traditions of the past with contemporary items and settings. <br><br>Tesque Jar evinces a clay-body jar (olla) from the Pueblo of Tesuque, Tesugeh Owingeh ("Village of the narrow place of cottonwood trees"), located in northern New Mexico. Their ancestral homelands cover the entirety of O'gah Po'oge (Santa Fe), and the pottery, much of it from the late nineteenth and early twentieth centuries, is highly prized by collectors. William Acheff's highly realistic paintings of Southwest historical and ethnic artifacts convey nostalgia and a peaceful, meditative quality. When he unveiled his work at a solo exhibition in 1978, the highly polished illusionary qualities and lifelike perfection found an immediate circle of collectors enamored with classic trompe l'oeil painting.<br><br>Born in 1947 in Anchorage, Alaska, Acheff is of Georgian, Russian, Scottish, Dutch, and Alaskan-Athabascan heritage. Classically trained in San Francisco, he moved to Taos in 1973 and continues to paint in this widely recognized, distinctive way, often blending artifacts and traditions of the past with contemporary items and settings. <br><br>Tesque Jar evinces a clay-body jar (olla) from the Pueblo of Tesuque, Tesugeh Owingeh ("Village of the narrow place of cottonwood trees"), located in northern New Mexico. Their ancestral homelands cover the entirety of O'gah Po'oge (Santa Fe), and the pottery, much of it from the late nineteenth and early twentieth centuries, is highly prized by collectors. William Acheff's highly realistic paintings of Southwest historical and ethnic artifacts convey nostalgia and a peaceful, meditative quality. When he unveiled his work at a solo exhibition in 1978, the highly polished illusionary qualities and lifelike perfection found an immediate circle of collectors enamored with classic trompe l'oeil painting.<br><br>Born in 1947 in Anchorage, Alaska, Acheff is of Georgian, Russian, Scottish, Dutch, and Alaskan-Athabascan heritage. Classically trained in San Francisco, he moved to Taos in 1973 and continues to paint in this widely recognized, distinctive way, often blending artifacts and traditions of the past with contemporary items and settings. <br><br>Tesque Jar evinces a clay-body jar (olla) from the Pueblo of Tesuque, Tesugeh Owingeh ("Village of the narrow place of cottonwood trees"), located in northern New Mexico. Their ancestral homelands cover the entirety of O'gah Po'oge (Santa Fe), and the pottery, much of it from the late nineteenth and early twentieth centuries, is highly prized by collectors.
特苏克罐19869 x 8 3/4 英寸（22.86 x 22.23 厘米(22.86 x 22.23 厘米）板上油画
种源
私人收藏
威廉-阿切夫（William Acheff）以高度写实的手法描绘了西南部的历史和民族工艺品，传达出怀旧之情以及宁静、沉思的特质。1978 年，当他在一次个人画展上展示自己的作品时，其高度精炼的幻觉特质和栩栩如生的完美效果立即吸引了一圈痴迷于经典错视绘画的收藏家。

阿切夫 1947 年出生于阿拉斯加州安克雷奇，拥有格鲁吉亚、俄罗斯、苏格兰、荷兰和阿拉斯加-阿萨巴斯卡人血统。他在旧金山接受古典绘画训练，1973 年搬到陶斯，并继续以这种广受认可的独特方式作画，经常将过去的工艺品和传统与当代物品和环境融为一体。

特苏克罐》展示的是位于新墨西哥州北部的特苏克普韦布洛（Tesugeh Owingeh，意为 "长满木棉树的狭长村落"）的陶土罐（ola）。他们祖先的家园覆盖了整个 O'gah Po'oge（圣达菲），这些陶器大多是十九世纪末和二十世纪初的作品，深受收藏家的青睐。
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