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אד מוזס(1926-2018)

אמן ביו ביררהדאון PDF
 
<div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div>
<div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div> <div>Franco-Del No. 1 & No. 3, a striking 2006 acrylic on canvas triptych by Ed Moses, measures 79 1/2 x 110 1/2 inches and exemplifies the artist's innovative approach to abstraction. This expansive work is composed of three distinct yet harmoniously integrated panels, each contributing to a dynamic visual narrative. The left panel features a bold expanse of deep pine green, and the solid black of the center panel adds further depth. These two panels rhythmically set up the rightmost panel, which bursts with vigorous, sweeping strokes of gray, black, and white. The textured, almost sculptural brushwork suggests movement and depth, its gestural energy punctuated by two vertical black lines and a subtle green accent, adding structural tension further enhanced by the rust orange border. </div><br><br><div> </div><br><br><div>Moses, known for his experimental techniques, employs acrylic to achieve a rich, tactile surface that invites close inspection. The work’s large scale amplifies its emotional impact, enveloping the viewer in a meditative yet forceful dialogue between order and chaos. Created in 2006, this piece reflects Moses’ late-career mastery, blending spontaneity with deliberate composition.  </div>
פרנקו-דל מס' 1 ומס' 3200679 1/2 x 110 1/2 אינץ'(201.93 x 280.67 ס"מ) אקריליק על בד

110,000

"פרנקו-דל מס' 1 ו-3", טריפטיך אקרילי על בד מרשים משנת 2006 מאת אד מוזס, בגודל 79.5 x 110.5 אינץ', מדגים את הגישה החדשנית של האמן להפשטה. יצירה רחבת ידיים זו מורכבת משלושה פאנלים נפרדים אך משולבים בהרמוניה, שכל אחד מהם תורם לנרטיב חזותי דינמי. הפאנל השמאלי מציג מרחב נועז של ירוק אורן עמוק, והשחור המלא של הפאנל המרכזי מוסיף עומק נוסף. שני פאנלים אלה מקימים בקצב את הפאנל הימני ביותר, אשר מתפוצץ במשיכות סוחפות נמרצות של אפור, שחור ולבן. עבודת המכחול המרקמית, כמעט פיסולית, מרמזת על תנועה ועומק, כאשר האנרגיה המחוותית שלה מנוקדת בשני קווים שחורים אנכיים ומבטא ירוק עדין, המוסיפים מתח מבני המועצם עוד יותר על ידי הגבול הכתום החלוד.





משה, הידוע בטכניקות הניסוייות שלו, משתמש באקריליק כדי להשיג משטח עשיר ומישושי המזמין התבוננות מדוקדקת. קנה המידה הגדול של היצירה מעצים את השפעתה הרגשית, ועוטף את הצופה בדיאלוג מדיטטיבי אך עוצמתי בין סדר לכאוס. יצירה זו, שנוצרה בשנת 2006, משקפת את שליטתו של משה בסוף הקריירה, ומשלבת ספונטניות עם קומפוזיציה מכוונת.
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