希瑟-詹姆斯-杰克逊霍尔3D虚拟之旅--2021年夏季

刊登在:画廊之旅

我们很高兴与大家分享今年夏天在我们位于怀俄明州杰克逊霍尔的画廊所展出的奇妙的艺术作品集。我们的怀俄明州画廊位于中心街172号小镇广场附近,展示了各种类型的蓝筹艺术品,包括Frida Kahlo, Joan Miro, Alexander Calder, 和Mary Corse。在我们的3D虚拟旅游中发现完整的收藏。

IRVING NORMAN - How Come - 布面油画 - 90 x 60 英寸。

欧文·诺曼

Irving Norman was born in 1906 in Vilna, then part of the Russian Empire, now Lithuania. Norman's immigration to New York City in 1923 was short-lived, as he would return to Europe to fight as part of the Abraham Lincoln battalion against the Spanish dictator Francisco Franco. After the War, Norman would eventually settle in Half Moon Bay, California, where he embarked on a prolific studio practice.  <br><br>Norman's work portrays the horrors of war and his firsthand knowledge of totalitarian dictatorships. Norman's work has been described as "Social Surrealism," and his grand scenes are immediate and arresting. The large-scale works of Norman truly capture the power of his lived experiences; they are as much a visual record as they are a warning for the future, intended to inspire change.

欧文·诺曼

IRVING NORMAN - Snapshots - 布面油画 - 40 x 90 英寸。

欧文·诺曼

Irving Norman was born in 1906 in Vilna, then part of the Russian Empire, now Lithuania. Norman's immigration to New York City in 1923 was short-lived, as he would return to Europe to fight as part of the Abraham Lincoln battalion against the Spanish dictator Francisco Franco. After the War, Norman would eventually settle in Half Moon Bay, California, where he embarked on a prolific studio practice.  <br><br>Norman's work portrays the horrors of war and his firsthand knowledge of totalitarian dictatorships. Norman's work has been described as "Social Surrealism," and his grand scenes are immediate and arresting. The large-scale works of Norman truly capture the power of his lived experiences; they are as much a visual record as they are a warning for the future, intended to inspire change.

欧文·诺曼

内森-奥利维拉经常与加利福尼亚湾区的具象画家联系在一起,但实际上,他的作品透露出他对威廉-德库宁、阿尔贝托-贾科梅蒂和弗朗西斯-培根的兴趣。这些影响是《从地毯上走下来的裸体》的显著特点。这幅画是奥利维拉 30 岁出头时画的,正是这种画奠定了他早期的声誉,他以即兴的风格描绘了令人魂牵梦萦的孤立人物。奥利维拉晚期的作品反映了德库宁关于绘画视觉记忆的挑战和创造具有微弱存在感的人物形象的有影响力的评论,然而,强烈的地平线为这幅风景画奠定了基础,使人物形象比往常更有肉体存在感。

内森·奥利维拉

内森-奥利维拉(Nathan Oliveira)的孤独人物画传达出一种存在的不安感,让人联想到贾科梅蒂(Giacometti)的风格,但它们也具有一种空灵的特质和超凡脱俗的存在感。这些人物体现了自我超越意识的永恒、普遍的表达方式,更符合形而上学的无形层面。蓝眼睛人物》具有一种令人魂牵梦萦的特质。如果我们假设从下巴向下垂直划过的白色笔触是对十八世纪领巾的一种绘画隐喻,那么这幅作品就仿佛伸向了过去,与奥利维拉对戈雅遗产的深深敬意和参与产生了共鸣。蓝眼睛人物》可以说是对戈雅的直接致敬。奥利维拉以戈雅 1818 年的蚀刻版画《La Tauromaquia 21》为基础创作了他的第一批连环画,并参加了许多讨论戈雅作品的影响和意义的活动。

内森·奥利维拉

IRVING NORMAN - 人与时间 - 布面油画 - 58 x 30 英寸。

欧文·诺曼

纳坦奥利维拉 - 无标题 - 画布上的油画 - 84 X 63 in.

内森·奥利维拉

NATHAN OLIVEIRA - 第5号石碑 - 布面油画 - 66 x 54 1/8 英寸。

内森·奥利维拉

格雷戈里苏米达 - 布鲁克的弯曲 - 水彩 - 10 1/2 x 14 1/2 in

格雷戈里·苏米达