Artwork on view at Palm Desert gallery

Artists Categories Price
SAM FRANCIS - A Whirling Square - acrylic on canvas - 222 x 210 in.
SAM FRANCIS
A Whirling Square
1975
222 x 210 in.
acrylic on canvas
ANISH KAPOOR - Blood Cinema - acrylic and steel - 77 1/4 x 77 1/4 x 18 3/4 in.
ANISH KAPOOR
Blood Cinema
2000
77 1/4 x 77 1/4 x 18 3/4 in.
acrylic and steel
AD REINHARDT - Untitled - oil on canvas - 40 x 32 in.
AD REINHARDT
Untitled
1949
40 x 32 in.
oil on canvas
ANISH KAPOOR - Untitled - alabaster - 40 5/8 x 48 1/2 x 17 1/2 in.
ANISH KAPOOR
Untitled
2011
40 5/8 x 48 1/2 x 17 1/2 in.
alabaster
JULIAN SCHNABEL - Nicknames of Maitre D's - oil and modeling paste on velvet, in 3 parts - 108 x 252 in.
JULIAN SCHNABEL
Nicknames of Maitre D's
1984
108 x 252 in.
oil and modeling paste on velvet, in 3 parts
JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in.
JULIAN SCHNABEL
Untitled
1991
96 x 120 in.
oil, resin, gesso, fabric and leather on seamed dropcloth
JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in.
JULIAN SCHNABEL
Untitled
1991
96 x 120 in.
oil, resin, gesso, fabric and leather on seamed dropcloth
MEL RAMOS - Carmelina-Homage to Henri - oil on canvas - 67 3/4 x 52 in.
MEL RAMOS
Carmelina-Homage to Henri
1989-2010
67 3/4 x 52 in.
oil on canvas
JULIAN SCHNABEL - Pascin Pig Passin Time - oil, plates, and bondo on board - 48 x 40 x 6 in.
JULIAN SCHNABEL
Pascin Pig Passin Time
1983
48 x 40 x 6 in.
oil, plates, and bondo on board
DEBORAH BUTTERFIELD - Untitled (Horse) - sticks and paper on wire armature - 100 x 157 x 36 in.
DEBORAH BUTTERFIELD
Untitled (Horse)
1981
100 x 157 x 36 in.
sticks and paper on wire armature
GUENTHER UECKER - Poesie der Destruktion - mixed media on canvas - 24 x 24 x 5 1/2 in.
GUENTHER UECKER
Poesie der Destruktion
1984
24 x 24 x 5 1/2 in.
mixed media on canvas
PAT STEIR - Untitled (After Courbet and Hiroshige) - colored pencil, pencil, gesso and charcoal on paper - 60 x 173 in.
PAT STEIR
Untitled (After Courbet and Hiroshige)
1985
60 x 173 in.
colored pencil, pencil, gesso and charcoal on paper
SAM FRANCIS - Untitled 1985, San Leandro - acrylic on canvas mounted on board - 44 x 52 in.
SAM FRANCIS
Untitled 1985, San Leandro
1985
44 x 52 in.
acrylic on canvas mounted on board
ALEXANDER CALDER - Woman with Square Umbrella - wood - 19 x 6 x 6 in.
ALEXANDER CALDER
Woman with Square Umbrella
1928
19 x 6 x 6 in.
wood
ROBERT RAUSCHENBERG - Berm (Hoarfrost) - solvent transfer on fabric with cardboard - 62 1/2 x 35 1/2 in.
ROBERT RAUSCHENBERG
Berm (Hoarfrost)
1975
62 1/2 x 35 1/2 in.
solvent transfer on fabric with cardboard
Enoc Perez is known for his paintings of nudes, modern architecture, and stylized shapes. Often vibrantly and alternatively colored, and with a loose, sketch-like quality to his brushwork, he pulls influence from both the Abstract expressionists, such as Jackson Pollock, and from Pop artists such as Andy Warhol. He has also been known to experiment with different ways of applying pigment, giving his works the appearance of a silkscreen, though he most often uses oil paint.
ENOC PEREZ
Nude
2012-2013
80 x 60 3/4 in.
oil on canvas
HERB ALPERT - Arrowhead - bronze - 201 x 48 x 48 in.
HERB ALPERT
Arrowhead
2015
201 x 48 x 48 in.
bronze
HERB ALPERT - Charity - bronze - 150 in.
HERB ALPERT
Charity
2017
150 in.
bronze
HERB ALPERT - Freedom - bronze - 201 x 48 x 48 in.
HERB ALPERT
Freedom
2008
201 x 48 x 48 in.
bronze
HERB ALPERT - Gratitude - bronze - 206 in.
HERB ALPERT
Gratitude
2009
206 in.
bronze
HERB ALPERT - Hope - bronze - 212 x 48 x 48 in.
HERB ALPERT
Hope
2009
212 x 48 x 48 in.
bronze
MILES DAVIS - Untitled Abstraction - acrylic on canvas - 110 1/4 x 60 1/4 in.
MILES DAVIS
Untitled Abstraction
1988
110 1/4 x 60 1/4 in.
acrylic on canvas
ED RUSCHA - The End - glass hologram set - 11 x 14
ED RUSCHA
The End
1998-2014
11 x 14
glass hologram set
Irving Norman was transformed by his experience resisting fascism during the Spanish Civil War, and turned to art as a way to express the atrocities he witnessed. After traveling to Mexico to view the works of artists such as Diego Rivera and Jose Clemente Orozco, the muralists’ profound influence on him is evident in the grand scale of his works. But Norman was also known for his attention to detail, and to the human condition, which derived from his study and appreciation of the Social Realists and Surrealists of the day. <br> <br>The Palace (1959) shows a giant structure built upon the mangled bodies of the masses, to house just one corpulent being. From a distance, the palace appears to be a thing of beauty, with its rich colors and tapestries, but Norman’s details show the underlying ugliness. Corpses are impaled on the battlements, and hundreds of identical, emaciated figures are crammed into prisons that make up the foundation of this edifice. Such scenes depicting poverty, capitalism, and the many ways in which society traps the many for the benefit of the few are running themes throughout all of Norman’s works. The messages in his art were also cornerstones by which he lived, eschewing the “commercially viable” artistic trends and even private patronage. He sought widespread, public viewership in the hope that he might inspire some to reconsider their own roles within society’s power structure. This painting has been exhibited at the Crocker Museum, the Pasadena Museum, the Nora Eccles Harrison Museum, the Laguna Museum, and the Katzen Center.
IRVING NORMAN
The Palace
1959
90 x 60 in.
oil on canvas
KARL BENJAMIN - #5, 1970 - oil on canvas - 56 3/4 x 56 3/4 in.
KARL BENJAMIN
#5, 1970
1970
56 3/4 x 56 3/4 in.
oil on canvas
HERB ALPERT - Illumination - bronze - 159 x 40 x 40 in.
HERB ALPERT
Illumination
2010
159 x 40 x 40 in.
bronze
HERB ALPERT - Radiance - bronze - 161 x 40 x 40 in.
HERB ALPERT
Radiance
2009
161 x 40 x 40 in.
bronze
HERB ALPERT - Warrior - bronze - 156 x 40 x 40 in.
HERB ALPERT
Warrior
2011
156 x 40 x 40 in.
bronze
TOM WESSELMANN - Study for Bedroom Painting #6 - pencil and thinned Liquitex on paper - 5 1/4 x 6 3/4 in.
TOM WESSELMANN
Study for Bedroom Painting #6
1968
5 1/4 x 6 3/4 in.
pencil and thinned Liquitex on paper
WILLIAM MORRIS - Fallow Deer Situla - blown glass - 16 x 23 1/2 x 13 in.
WILLIAM MORRIS
Fallow Deer Situla
2000
16 x 23 1/2 x 13 in.
blown glass