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Artwork on view at Palm Desert gallery

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GEORGIA O'KEEFFE - Inside Red Canna - oil on canvas - 22 x 17 in.

GEORGIA O'KEEFFE

Inside Red Canna

WILLEM DE KOONING - Woman in a Rowboat - oil on paper laid on masonite - 47 1/2 x 36 1/4 in.

WILLEM DE KOONING

Woman in a Rowboat

47 1/2 x 36 1/4 in.

oil on paper laid on masonite

JOAN MIRO - Tête de Femme (Déesse) - bronze with black patina - 66 x 36 1/2 x 30 in.

Tête de Femme (Déesse)

1970 (cast 1988)

66 x 36 1/2 x 30 in.

bronze with black patina

WAYNE THIEBAUD - Milkshake & Sandwiches - oil on canvas - 16 x 19 3/4 in.

Milkshake & Sandwiches

16 x 19 3/4 in.

Blood Cinema is an elegant and interactive masterwork of steel and acrylic by Anish Kapoor. The artist’s most notable works are grand-scale public installations that explore perception, captivating and challenging viewers worldwide with iconic public installations such as Chicago’s Cloud Gate (2006) and in his well-known glass and mirror pieces. Resting on the floor like an oversized lens, Blood Cinema warps the viewer’s perspective and distorts its environment through ethereal shades of red, epitomizing Kapoor's capacity for viewer immersion.

77 1/4 x 77 1/4 x 18 3/4 in.

acrylic and steel

"San Loretto" (2008) references a story from the Catholic faith, in which the house of the Holy Family was miraculously transported out of Nazareth for protection during the Crusades. The story appeals to Anselm Kiefer's distinctive visual themes of ruin and renewal, depicting the great effort of carrying the structure to Italy while speaking to the destruction of the Crusades. The buildup of fragments and rubble on San Loretto coalesces into an image of a bird, which combined with the title and its layers of meaning, suggests the figure of a dove and even the Holy Spirit. Kiefer has said, “People think of ruins as the end of something, but for me they were the beginning. When you have ruins you can start again."
<br>
<br>The painting shows Kiefer’s desire to create a self-contained world within the confines of the canvas; the winged form flies effortlessly across a vast, open landscape created using Kiefer’s favored thick-Impasto surface.
<br>
<br>Kiefer draws from a variety of sources for the subjects of his work, including Judeo-Christian themes, mythological subjects, and German history itself. Kiefer can produce some of the most provocative and innovative works of our time using his automatic process. Much like the spontaneous working nature of Jackson Pollock before him, Kiefer is spiritually connected to the work during the creative process, letting his subject come through at the moment.
<br>
<br>In honor of Kiefer’s 70th birthday, the Centre Pompidou, the Bibliothèque Nationale in Paris, and the Museum der bildenden Künste in Leipzig hosted a retrospective exhibition for the artist in 2015. The present work has been held in a private collection since its creation.

mixed media on canvas

Irving Norman's masterpiece, "The Human Condition," from 1980, draws upon the artist's lifetime of acquired experiences and knowledge. Surviving as a volunteer fighter during the Spanish Civil War, the artist returned to the United States after the loyalist defeat. Upon his return, fervent studio practice in Half Moon Bay, California, would become his life's devotion.
<br>
<br>The present work, a nearly 16-foot-wide triptych, is reminiscent of Hieronymus Bosch's triptych, "The Garden of Earthly Delights," c. 1510. The dystopian vision portrayed in 'The Human Condition" is a warning - a lesson from the European dictatorships Norman experienced firsthand during the 1930s. Disturbing tableaus show the darkness of humanity and the evil that can rise to prominence when humanity is at its worst. There is hope, however, in the experience of the viewer: Norman thought of his audience as the greatest hope for humankind.

The Human Condition

Andy Warhol's portrait of Dorothy Blau highlights the close ties between them and is evidence of how each pushed the other. Blau was a close friend of Andy Warhol and a pillar of the art scene in Miami. She has the rare distinction of being a repeated subject in Warhol's work as he created portraits of her two times, three years apart. This blue canvas presents a younger Blau in her first Warhol portrait in 1983.
<br>
<br>Warhol credited Blau as a critical component in his rise to international fame and as a pillar of 20th century art. This 1980s portrait contains all of the hallmarks of Warhol during his last decade, a period in which he found renewed creative impulses and a return to hand painting.

Portrait of Dorothy Blau-Blue

acrylic and silkscreen ink on canvas

98 3/4 x 79 1/4 in.

acrylic on canvas

This painting has remained in the same private collection since its creation. Along with its companion work, "Untitled" (1991) was on display in the lobby of Chicago's Heller International Building at 500 West Monroe Street from the building's opening in 1992 until its renovation in 2015.
<br>
<br>The November 2018 sale of Schnabel's "Large Rose Painting, (Near Van Gogh's Grave)" for $1.2 million at auction demonstrates a strong demand for the artist's work. This major sale was only the second-highest price paid for a Schnabel at auction: the record was set in November of 2017 when "Ethnic Type #14" sold for $1.4 million.
<br>
<br>A recent museum exhibition, "Julian Schnabel: Symbols of Actual Life" at the Legion of Honor, Fine Arts Museums of San Francisco, in 2018, featured several of Schnabel's large-scale paintings.

JULIAN SCHNABEL

oil, resin, gesso, fabric and leather on seamed dropcloth

Along with its companion work, "Untitled" (1991) was on display in the lobby of Chicago's Heller International Building at 500 West Monroe Street from the building's opening in 1992 until its renovation in 2015. This painting has remained in the same private collection since its creation.
<br>
<br>The November 2018 sale of Schnabel's "Large Rose Painting, (Near Van Gogh's Grave)" for $1.2 million at auction demonstrates a strong demand for the artist's work. This major sale was only the second-highest price paid for a Schnabel at auction: the record was set in November of 2017 when "Ethnic Type #14" sold for $1.4 million.
<br>
<br>A recent 2018 museum exhibition, "Julian Schnabel: Symbols of Actual Life" at the Legion of Honor, Fine Arts Museums of San Francisco, featured several of Schnabel's large-scale paintings.

JULIAN SCHNABEL

oil, resin, gesso, fabric and leather on seamed dropcloth

Carl Andre’s floor sculptures are typically made from glowing tiles of lead, zinc, or copper. They differ from most other minimalist artwork in their accessibility: they are meant to be walked on. Art historically, Andre places himself in the lineage of Constantin Brancusi and Henry Moore. Andre continues in their tradition of reducing the vocabulary of sculpture to its most vital and simple forms. The works also speak to Donald Judd’s idea of “specific objects,” which emphasized the phenomenological experience of the viewer and an exploration of structure and space.

16 Ace Zinc Square

16 x 16 x 1/4 in. ea./installed 64 x 64 x 1/4 in.

Fernando Botero, best known for his voluptuously rotund human figures, was born in Medellín, Colombia on April 19, 1932. He held his first solo exhibition in 1951 in Bogota at the age of 19 and made enough money to travel to Spain where he studied at the Real Academia de Bellas Artes de San Fernando in Madrid.
<br>
<br>While studying painting in Madrid in the early 1950s, Botero made his living by copying paintings housed in the Prado Museum—particularly those of his idols at the time, Francisco de Goya and Diego Velázquez—and selling them to tourists.
<br>
<br>In "Dibujo a la Manera de Velasquez" (1960), Botero appears to be riffing on Velázquez's "El bufón don Diego de Acedo," one of the renowned Spanish painter's portraits of jesters and "men of pleasure" painted to decorate the royal palaces. That painting has been in the Prado Museum in Madrid, Spain, since 1819.

FERNANDO BOTERO

Dibujo a la Manera de Velasquez

60 1/2 x 47 1/2 in.

charcoal and pastel on cardboard

Julian Schnabel is an American painter whose style is associated with the Neo-Expressionist movement of the 1980s. Pascin Pig Passin Time is part of Schnabel’s broken plate series of paintings, inspired by the trencadís, or broken tile mosaic, of architect Antoni Gaudí. With a humorous title and depicting his first wife, Jacqueline Beaurang, the broken ceramics give Schnabel an assertive and textural surface in which to create large-scale works that captured the brash and audacious period of the 1980s.

JULIAN SCHNABEL

Pascin Pig Passin Time

48 x 40 x 6 in.

oil, plates, and bondo on board

Russian-born painter Leon Gaspard lived in Taos, New Mexico, for most of his life and traveled extensively to paint. His compositions were typically populated with crowds of people, depicting folk traditions and the bustling landscapes of small towns in Russia, Asia, and the Taos Valley, where he maintained a permanent residence from 1918 until his death in 1964. Unlike many artists who relocated to the American Southwest and incorporated its imagery and scenery into their paintings, Gaspard continued to create paintings of far off places.
<br>
<br>"Siberian Sleighriders" from 1921 relates to a two-year excursion to Mongolia, Manchuria, and Siberia. This location was of personal importance to Gaspard. After his marriage to a wealthy American ballerina whom he met in Paris, their honeymoon was a two-year horseback trip through Siberia.
<br>
<br>In 1965, the New Mexico Museum of Art held a retrospective exhibition of Gaspard in his memory.

Siberian Sleighriders

46 1/2 x 39 1/2 in. in.

oil on canvas on board

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole), an extremely rare sculptural painting by the artist that showcases her command of color.
<br>
<br>She created this piece around 1960, the same period as her well-known bullfight paintings. She left New York in 1957 to begin teaching at the University of New Mexico in Albuquerque, and from there would visit Ciudad Juárez, where she observed the bullfights that inspired her work. An avid traveler, de Kooning drew inspiration from various sources, resulting in a diverse and experimental body of work.

ELAINE DE KOONING

Untitled (Totem Pole)

97 x 12 3/8 x 12 3/8 in.

oil on canvas stretched over cardboard cylinders

Deborah Butterfield is an American sculptor, best known for her sculptures of horses made of objects ranging from wood, metal, and other found objects. The 1981 piece, Untitled (Horse), is comprised of sticks and paper on wire armature. The impressive scale of this piece creates a remarkable effect in person, presenting a striking example of Butterfield's celebrated subject matter. Butterfield originally created the horses from wood and other materials found on her property in Bozeman, Montana and saw the horses as a metaphorical self-portrait, mining the emotional resonance of these forms.

DEBORAH BUTTERFIELD

Untitled (Horse)

100 x 157 x 36 in.

sticks and paper on wire armature

Kenny Scharf established his reputation working in 1980s New York as a street artist. His organic forms - as seen in “Kolorbz” - are instantly recognizable. Scharf now works from Los Angeles where he began his career. He has decorated the facades of several buildings across the metropolitan area, including a project at the former Pasadena Museum of California Art. Scharf is associated with the Lowbrow art movement, a term which he pioneered and used and which refers to a combination of Pop Art and Surrealism.
<br>
<br>In March 2020, Scharf set a new auction record of $525,000 for a depiction of the Flinstones estimated to sell for 20-50k. As the prices for Scharf’s contemporaries continue to soar into the stratosphere, many collectors and institutions are re-evaluating the Scharf market to reflect his art historical importance. Acquired directly from the artist, "Kolorbz" is a signature Scharf work, full of personality and energy with a burst of vibrant color.

oil and acrylic on canvas

The only known extant Diebenkorn sculpture, this welded iron form is a brilliant example of his artistic development and the creative energy of his early work.
<br>
<br>This rare sculpture comes from a period of experimentation and a burst of lyrical creativity that the artist experienced while in graduate school at the University of New Mexico. It was likely included in his 1951 Master's Degree Exhibition at that institution. Like many American artists before him, Diebenkorn was enthralled with the atmosphere and landscape of the Southwest. He produced energetic and unpredictable canvases with bold, warm colors, barely contained within their underlying geometric structure. This iron sculpture demonstrates the far reaches of the artist’s exploration, establishing the essential linear framework that would come to characterize his later work.
<br>
<br>This piece was the only sculpture included in the 2008 exhibition "Diebenkorn in New Mexico" at the UNM Harwood Museum of Art in Taos. Since his first retrospective in 1976 at the Albright-Knox Art Gallery in Buffalo, New York, Diebenkorn has found a place in over 50 museum collections worldwide and is recognized as a major creative force of the 20th Century.

RICHARD DIEBENKORN

20 1/4 x 42 1/4 x 29 1/2 in.

welded scrap iron

ANSELM KIEFER - Jericho - emulsion, acrylic, sand, clay and photographic paper on cardboard - 25 x 17 1/2 x 2.25 in.

25 x 17 1/2 x 2.25 in.

emulsion, acrylic, sand, clay and photographic paper on cardboard

IRVING NORMAN - To Have and Have Not, Charity Gala - oil on canvas - 92 x 104 in.

To Have and Have Not, Charity Gala

ALEXANDER CALDER - Woman with Square Umbrella - wood - 19 x 6 x 6 in.

ALEXANDER CALDER

Woman with Square Umbrella

HERB ALPERT - Arrowhead - bronze - 201 x 48 x 48 in.

201 x 48 x 48 in.

HERB ALPERT - Freedom - bronze - 201 x 48 x 48 in.

201 x 48 x 48 in.

HERB ALPERT - Hope - bronze - 212 x 48 x 48 in.

212 x 48 x 48 in.

IRVING NORMAN - The Academy - oil on canvas - 110 x 90 in.

NATHAN OLIVEIRA - Couple with Red - oil on canvas - 50 1/8 x 42 in.

NATHAN OLIVEIRA

Couple with Red

50 1/8 x 42 in.

ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in.

Figure in a Tub

42 x 30 1/4 x 24 1/4 in.

IRVING NORMAN - M.F.I. Complex - oil on canvas - 100 x 76 in.

IRVING NORMAN - To the Unknown - oil on canvas - 96 x 72 in.

Charles Arnoldi seamlessly blends an organic element to his geometric constructions. In “Construction” (1982), Arnoldi works on an immense scale. The work envelops the viewer and space with its strong vertical composition. Hundreds of individual elements were painstakingly painted and laid into position, a meticulous process of creation central to Arnoldi’s work.
<br>
<br>Other examples by Arnoldi are held by major private and public collections, most notably the Albright-Knox Art Gallery, the Art Institute of Chicago, the Denver Art Museum, the Guggenheim Museum Bilbao, the Kemper Museum of Contemporary Art, LACMA, the Menil Collection, the Museum of Fine Arts Houston, and more

CHARLES ARNOLDI

128 x 68 x 8 in.

acrylic on plywood and found wooden sticks

SE OK SUH - Untitled - ink wash on paper - 40 x 44 in.

ink wash on paper

HERB ALPERT - Illumination - bronze - 159 x 40 x 40 in.

159 x 40 x 40 in.

HERB ALPERT - Radiance - bronze - 161 x 40 x 40 in.

161 x 40 x 40 in.

IRVING NORMAN - Man of Sorrow - oil on canvas - 84 x 60 in.

IRVING NORMAN - Prison - oil on canvas - 56 x 46 in.

IRVING NORMAN - Prisoners - oil on canvas - 52 x 68 1/8 in.

52 x 68 1/8 in.

IRVING NORMAN - Draftee - oil on canvas - 100 x 38 in.

IRVING NORMAN - Flight - oil on canvas - 60 x 74 in.

Butterfield's choice of material, often natural or industrial, is central to the effect of her work. Her driftwood pieces such as this one are some of her most highly celebrated for their graceful compositions of seemingly fragile and worn materials set with the permanence and solidity of bronze. She has spoken of her chosen subject matter as a sort of self-portrait, drawing parallels between the character of the horse, its connection to its natural environment, and the varied expressions of serenity and power within the human experience. Butterfield was born the same day as the 75th Kentucky Derby and partly credits this for her desire to feature horses so prominently in her work.
<br>
<br>While many of Butterfield's sculptures coveted early works are monumental or life-sized, it is especially rare to find an early wooden work in this domestic scale. Comparable quality Butterfield sculptures are featured in prominent museum collections, including the New Orleans Museum of Art, the Modern Art Museum of Fort Worth, and Purdue University collections, among others.

DEBORAH BUTTERFIELD

Small Dry Fork Horse

27 3/4 x 48 x 13 in.

wood, sticks, and wire

IRVING NORMAN - Cityscape - oil on canvas - 74 1/8 x 37 1/2 in.

74 1/8 x 37 1/2 in.

TADASUKE (Tadasky) KUWAYAMA - B-139 - acrylic on canvas - 47 x 47 in.

TADASUKE (Tadasky) KUWAYAMA

acrylic on canvas

NATHAN OLIVEIRA - Untitled - oil on canvas - 84 X 63 in.

NATHAN OLIVEIRA

Rodney McMillian is multidisciplinary artist working in sculpture, painting, performance, and video. Born in South Carolina, McMillian has lived in Southern California since 2000 where he is now Professor of Sculpture at the UCLA School of Arts and Architecture at the University of California, Los Angeles. "Lollipop" (2001-2002) represents one of the earliest works from the artist, who graduated with an MFA from CalArts in 2002.
<br>
<br>McMillian shapes his work around the socio-political history of the United States even through abstraction. At first glance, "Lollipop" appears to be a continuation of Abstract Expressionism in its layered flow of paint. For these works, like abstract expressionists of yore, McMillian pours and drips paints. Nevertheless, on closer inspection, many of his works appear to suggest a map or landscape and thus, the history of struggle and power inherent to mapmaking and landscape painting. Who makes maps and for whom? Who owns the land and at what cost? What happens in that land? Furthermore, in using household paint and other industrial materials, McMillian mines issues of economy, accessibility, and even temporality as the materials are inherently unstable and non-archival.
<br>
<br>McMillian's work is collected by the Museum of Modern Art in New York, the Art Institute of Chicago, the Hammer Museum, the Los Angeles County Museum of Art, and the Museum of Contemporary Art in Los Angeles among others, and his work was featured in the 2008 Whitney Biennial. In 2019, McMillian's work was exhibited at the San Francisco Museum of Modern Art: “New York: Rodney McMillian”, Feb. 9-Jun. 9, 2019.

RODNEY MCMILLIAN

latex on canvas

RICHARD DIEBENKORN - Untitled (Urbana Series) - ink on paper - 13 7/8 x 11 in.

RICHARD DIEBENKORN

Untitled (Urbana Series)

13 7/8 x 11 in.

IRVING NORMAN - Totem of a Holy Family - oil on canvas - 90 x 19 3/4 in.

Totem of a Holy Family

90 x 19 3/4 in.

STEPHEN PACE - #5757 - oil on canvas - 79 3/4 x 66 in.

79 3/4 x 66 in.

ROBERT RAUSCHENBERG - Sling-Shots Lit 2 - color lithograph and mixed media lightbox - 84 1/2 x 50 1/4 x 12 1/2 in.

ROBERT RAUSCHENBERG

Sling-Shots Lit 2

84 1/2 x 50 1/4 x 12 1/2 in.

color lithograph and mixed media lightbox

MAURICE GOLUBOV - Untitled - oil on canvas - 26 x 34 in.

MAURICE GOLUBOV

GERHARD RICHTER - Haggadah - diasec mounted chromogenic print - 39 3/8 x 39 3/8 in.

GERHARD RICHTER

39 3/8 x 39 3/8 in.

diasec mounted chromogenic print

HASSEL SMITH - Untitled - acrylic on canvas - 67 7/8 x 68 in.

67 7/8 x 68 in.

acrylic on canvas

NATHAN OLIVEIRA - Standing Figure #2 - bronze - 26 x 16 x 23 1/2 in.

NATHAN OLIVEIRA

Standing Figure #2

26 x 16 x 23 1/2 in.

RON ARAD - Big Easy Volume 2 - stainless steel welded chair - 36 x 53 x 28 in.

Big Easy Volume 2

36 x 53 x 28 in.

stainless steel welded chair

JAE KON PARK - Untitled - oil on canvas - 52 1/4 x 64 1/2 in.

52 1/4 x 64 1/2 in.

LORSER FEITELSON - Dancers - Magical Forms - oil on canvas - 36 x 40 in.

LORSER FEITELSON

Dancers - Magical Forms

THEASTER GATES - Untitled (flooring) - white cement, debris, flooring - 35 x 35 x 3 in.

Untitled (flooring)

35 x 35 x 3 in.

white cement, debris, flooring

IRVING NORMAN - Homeless 2 - oil on canvas - 72 x 36 in.

LYNDA BENGLIS - Platinum Lustre Fan - silver painted ceramic - 17 1/2 x 26 1/2 x 3 1/2 in.

Platinum Lustre Fan

17 1/2 x 26 1/2 x 3 1/2 in.

silver painted ceramic

HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in.

acrylic on canvas

JAE KON PARK - Untitled - oil on canvas - 38 x 51 in.

WILLIAM THEOPHILUS BROWN - Horse with Swimmers at Beach - acrylic on canvas - 36 x 48 in.

WILLIAM THEOPHILUS BROWN

Horse with Swimmers at Beach

acrylic on canvas

NORMAN ZAMMITT - Panel for Black to White - acrylic on canvas on pine board - 100 x 11 1/4 in.

Panel for Black to White

100 x 11 1/4 in.

acrylic on canvas on pine board

JAE KON PARK - Untitled - oil on canvas - 34 x 43 1/4 in..

34 x 43 1/4 in..

JAE KON PARK - Untitled - oil on canvas - 36 x 45 1/2 in.

36 x 45 1/2 in.

JAE KON PARK - Untitled - oil on canvas - 35 1/4 x 46 in.

35 1/4 x 46 in.

JAE KON PARK - Untitled - oil on canvas - 45 3/4 x 35 1/2 in.

45 3/4 x 35 1/2 in.

WILLIAM THEOPHILUS BROWN - Untitled (Painting with Jumping Man and Snake) - acrylic on canvas - 38 x 42 in.

WILLIAM THEOPHILUS BROWN

Untitled (Painting with Jumping Man and Snake)

acrylic on canvas

LARI PITTMAN - Untitled - oil and acrylic on canvas - 95 x 65 in.

oil and acrylic on canvas

CHRISTIAN ROSA - Untitled - oil on canvas - 90 1/2 x 118 1/4 in.

90 1/2 x 118 1/4 in.

JAE KON PARK - Untitled - oil on canvas - 35 1/2 x 45 1/2 in.

35 1/2 x 45 1/2 in.

JAE KON PARK - Untitled - oil on canvas - 36 x 46 in.

WILLIAM TUCKER - Tuche, Greek Goddess of Fortune - bronze - 12 x 9 x 14 in.

Tuche, Greek Goddess of Fortune

12 x 9 x 14 in.

WILLIAM THEOPHILUS BROWN - Landscape with Rocks - acrylic on canvas - 48 x 48 in.

WILLIAM THEOPHILUS BROWN

Landscape with Rocks

acrylic on canvas

JAE KON PARK - Untitled - oil on burlap - 39 1/2 x 35 1/2 in.

39 1/2 x 35 1/2 in.

JAE KON PARK - Untitled - oil on canvas - 35 x 33 7/8 in.

35 x 33 7/8 in.

BRUCE COHEN - Untitled, Interior with Daffodils and Blue Chair - oil on canvas - 54 x 36 in.

Untitled, Interior with Daffodils and Blue Chair

JAE KON PARK - Untitled - oil on canvas - 28 1/2 x 35 1/2 in.

28 1/2 x 35 1/2 in.

JAE KON PARK - Untitled - oil on canvas - 28 1/2 x 35 1/2 in.

28 1/2 x 35 1/2 in.

YANG MAOYUAN - Mexican Silver Grizzly - painting on paper - 26 1/4 x 37 1/2 in.

Mexican Silver Grizzly

26 1/4 x 37 1/2 in.

painting on paper

CHRISTIAN ROSA - Untitled - oil on canvas - 71 x 82 1/2 in.

71 x 82 1/2 in.

RITA ACKERMANN - Fuck Your Cake - watercolor and charcoal on paper - 44 x 30 1/4 in.

44 x 30 1/4 in.

watercolor and charcoal on paper

NATHAN OLIVEIRA - Mask #6 (Red) - bronze and acrylic - 9 x 11 3/4 x 11 3/4 in.

NATHAN OLIVEIRA

9 x 11 3/4 x 11 3/4 in.

bronze and acrylic

RAY SWANSON - Waiting for Mutton Stew - oil on canvas - 40 1/4 x 60 in.

Waiting for Mutton Stew

40 1/4 x 60 in.

CHRISTIAN ROSA - Untitled 2014 - oil on canvas - 82 1/2 x 70 3/4 in.

82 1/2 x 70 3/4 in.

CARLOS LUNA - Guajiro Sobre Cama - conte crayon and gouache on amate paper - 58 1/2 x 45 3/4 in.

Guajiro Sobre Cama

58 1/2 x 45 3/4 in.

conte crayon and gouache on amate paper

JAE KON PARK - Untitled - oil on canvas - 31 3/4 x 27 1/2 in.

31 3/4 x 27 1/2 in.

KYOKO IBE - Untitled - recycled ganpi paper fiber, old documents, mica and sumi - 30 3/4 x 62 5/8 in.

30 3/4 x 62 5/8 in.

recycled ganpi paper fiber, old documents, mica and sumi

NAOTO NAKAGAWA - New York Post - oil on canvas - 56 x 70 1/8 in.

56 x 70 1/8 in.

NAOTO NAKAGAWA - Aggressive Still Life - oil on canvas - 56 1/4 x 70 1/4 in.

Aggressive Still Life

56 1/4 x 70 1/4 in.

JAE KON PARK - Untitled - resin and acrylic - 23 3/4 x 23 3/4 in.

23 3/4 x 23 3/4 in.

resin and acrylic

CONSTANCE MALLINSON - Couple - oil on paper - 95 x 52 1/2 in.

CONSTANCE MALLINSON

95 x 52 1/2 in.

ROBERT BECHTLE - Near Ocean View - watercolor on paper - 7 x 10 1/2 in.

Near Ocean View

watercolor on paper

NATHAN OLIVEIRA - Mask #2 - bronze with custom patina - 9 x 11 3/4 x 11 3/4 in.

NATHAN OLIVEIRA

9 x 11 3/4 x 11 3/4 in.

bronze with custom patina

NATHAN OLIVEIRA - Mask #7 - bronze - 9 x 11 3/4 x 11 3/4 in.

NATHAN OLIVEIRA

9 x 11 3/4 x 11 3/4 in.

JAE KON PARK - Untitled - oil on canvas - 24 x 28 1/2 in.

24 x 28 1/2 in.

JAE KON PARK - Untitled - oil on canvas - 24 x 28 3/4 in.

24 x 28 3/4 in.

IRVING NORMAN - Women Welders, The Ship - graphite on paper - 14 1/4 x 28 3/8 in.

Women Welders, The Ship

14 1/4 x 28 3/8 in.

graphite on paper

JAE KON PARK - Life and Roots - oil on canvas - 25 1/2 x 20 5/8 in.

25 1/2 x 20 5/8 in.

JAE KON PARK - Life and Roots - oil on canvas - 28 x 20 1/2 in.

28 x 20 1/2 in.

KAORU MANSOUR - Pistachio, Peony and Chandelier #101 - mixed media on canvas - 72 x 60 in.

Pistachio, Peony and Chandelier #101

mixed media on canvas

JESUS RAFAEL SOTO - Paralelas Vibrantes (Serie Sintesis) - silkscreen on acrylic with two sheets separated by four metal rods - 17 x 10 x 5 1/2 in.

JESUS RAFAEL SOTO

Paralelas Vibrantes (Serie Sintesis)

17 x 10 x 5 1/2 in.

silkscreen on acrylic with two sheets separated by four metal rods

DAVID MORRIS - First Egg - copper on polymer - 26 x 23 x 10 in.

26 x 23 x 10 in.

copper on polymer

ELMER BISCHOFF - Untitled - gouache on paper - 20 x 26 in.

gouache on paper

PAUL WONNER - Park with Figures Around a Tree - acrylic and pencil on paper - 22 1/4 x 30 in.

Park with Figures Around a Tree

22 1/4 x 30 in.

acrylic and pencil on paper

MICAELA AMATO - Red Fez - cast leaded glass - 20 x 18 x 18 in.

20 x 18 x 18 in.

cast leaded glass

NATHAN OLIVEIRA - Untitled (Figurative Painting #1) - acrylic on paper - 40 5/8 x 27 1/2 in.

NATHAN OLIVEIRA

Untitled (Figurative Painting #1)

40 5/8 x 27 1/2 in.

acrylic on paper

PAUL WONNER - Nude with Flowered Hat - watercolor on paper - 17 1/2 x 11 1/2 in.

Nude with Flowered Hat

17 1/2 x 11 1/2 in.

watercolor on paper

Provenance:
<br>Black Dragon Society, Los Angeles, CA
<br>Private Collection, Los Angeles, CA

PAUL WONNER - Bathers After Cezanne - acrylic and pencil on paper - 14 3/4 x 20 1/8 in.

Bathers After Cezanne

14 3/4 x 20 1/8 in.

acrylic and pencil on paper

PAUL WONNER - Park with Figures and Dogs - acrylic and pencil on paper - 15 x 22 in.

Park with Figures and Dogs

acrylic and pencil on paper

WILLIAM THEOPHILUS BROWN - Untitled (Nudes with Tree) (Woman and Child) - acrylic on canvas - 11 x 14 in.

WILLIAM THEOPHILUS BROWN

Untitled (Nudes with Tree) (Woman and Child)

acrylic on canvas

PAUL WONNER - Steps in Lafayette Park - acrylic and pencil on paper - 15 x 22 1/4 in.

Steps in Lafayette Park

15 x 22 1/4 in.

acrylic and pencil on paper

JAE KON PARK - Untitled - oil on painting - 18 x 21 in.

oil on painting

JAE KON PARK - Untitled - oil on canvas - 18 x 21 in.

WILLIAM THEOPHILUS BROWN - Untitled (Three Nudes One Seated) - acrylic on paper - 11 1/8 x 14 1/4 in.

WILLIAM THEOPHILUS BROWN

Untitled (Three Nudes One Seated)

11 1/8 x 14 1/4 in.

acrylic on paper

WILLIAM THEOPHILUS BROWN - Untitled (Group of Nudes by the Pool) - acrylic on paper - 10 x 15 in.

WILLIAM THEOPHILUS BROWN

Untitled (Group of Nudes by the Pool)

acrylic on paper

WILLIAM THEOPHILUS BROWN - Jamie Seated (Green Background) - acrylic and oil on canvas - 14 x 9 3/4 in.

WILLIAM THEOPHILUS BROWN

Jamie Seated (Green Background)

acrylic and oil on canvas

WILLIAM THEOPHILUS BROWN - Untitled (Soldiers) - acrylic on canvas - 14 x 18 in.

WILLIAM THEOPHILUS BROWN

Untitled (Soldiers)

acrylic on canvas

WILLIAM THEOPHILUS BROWN - Untitled (Seated Figure) - charcoal and gouache on paper - 18 3/4 x 14 in.

WILLIAM THEOPHILUS BROWN

Untitled (Seated Figure)

18 3/4 x 14 in.

charcoal and gouache on paper

PAUL WONNER - Youth and Old Age - acrylic on paper - 14 1/2 x 16 5/8 in.

Youth and Old Age

14 1/2 x 16 5/8 in.

acrylic on paper

PAUL WONNER - Artist and Model, Hands on Hips - acrylic and pencil on paper - 14 1/4 x 16 1/4 in.

Artist and Model, Hands on Hips

14 1/4 x 16 1/4 in.

acrylic and pencil on paper

WILLIAM THEOPHILUS BROWN - Untitled (Landscape with Rocks) - oil on board - 11 x 14 in.

WILLIAM THEOPHILUS BROWN

Untitled (Landscape with Rocks)

KAORU MANSOUR - Apperson #103 - collage, acrylic 22K gold leaf on canvas - 60 x 46 in.

collage, acrylic 22K gold leaf on canvas

LUC BERNARD - Edges no. 6 - oil on canvas - 52 x 62 in.

WILLIAM THEOPHILUS BROWN - Untitled (2 Male Nudes) - acrylic on paper - 14 x 9 3/4 in.

WILLIAM THEOPHILUS BROWN

Untitled (2 Male Nudes)

acrylic on paper

WILLIAM THEOPHILUS BROWN - Untitled (Bathers) - acrylic on paper - 10 3/4 x 13 3/4 in.

WILLIAM THEOPHILUS BROWN

Untitled (Bathers)

10 3/4 x 13 3/4 in.

acrylic on paper

WILLIAM THEOPHILUS BROWN - Jamie - acrylic on paper - 13 7/8 x 9 7/8 in.

WILLIAM THEOPHILUS BROWN

13 7/8 x 9 7/8 in.

acrylic on paper

PAUL WONNER - Park with Two Figures - acrylic and pencil on canvas - 13 1/2 x 19 1/8 in.

Park with Two Figures

13 1/2 x 19 1/8 in.

acrylic and pencil on canvas

PAUL WONNER - Youth and Old Age, Artist and Model - acrylic and pencil on paper - 13 1/4 x 15 in.

Youth and Old Age, Artist and Model

13 1/4 x 15 in.

acrylic and pencil on paper

PAUL WONNER - Park with Figures - acrylic and pencil on paper - 15 x 22 in.

Park with Figures

acrylic and pencil on paper

KAORU MANSOUR - Bottle Brush #116 - mixed media on canvas - 54 x 44 in.

Bottle Brush #116

mixed media on canvas

LUC BERNARD - Edges no. 8 - oil on canvas - 42 x 50 in.

WILLIAM THEOPHILUS BROWN - Jamie - acrylic on paper - 14 x 10 3/4 in.

WILLIAM THEOPHILUS BROWN

14 x 10 3/4 in.

acrylic on paper

WILLIAM THEOPHILUS BROWN - Up - acrylic on paper - 16 1/2 x 11 1/2 in.

WILLIAM THEOPHILUS BROWN

16 1/2 x 11 1/2 in.

acrylic on paper

PAUL WONNER - Bathers after Cezanne - acrylic and pencil on paper - 12 x 16 3/8 in.

Bathers after Cezanne

12 x 16 3/8 in.

acrylic and pencil on paper

PAUL WONNER - Youth and Old Age: Artist, Model, Pots of Flowers - acrylic and pencil on paper - 14 1/4 x 12 1/4 in.

Youth and Old Age: Artist, Model, Pots of Flowers

14 1/4 x 12 1/4 in.

acrylic and pencil on paper

PAUL WONNER - Landscape with Bathers - acrylic and pencil on paper - 14 7/8 x 22 1/8 in.

Landscape with Bathers

14 7/8 x 22 1/8 in.

acrylic and pencil on paper

PAUL WONNER - Landscape with Bathers After Cezanne - acrylic and pencil on paper - 14 7/8 x 22 1/2 in.

Landscape with Bathers After Cezanne

14 7/8 x 22 1/2 in.

acrylic and pencil on paper

ALEXANDER CALDER - Quilt - color lithograph - 22 x 29 1/2 in.

ALEXANDER CALDER

22 x 29 1/2 in.

color lithograph

WILLIAM THEOPHILUS BROWN - Untitled (Two Nudes) (Two Figures) - acrylic and charcoal on paper - 11 x 15 in.

WILLIAM THEOPHILUS BROWN

Untitled (Two Nudes) (Two Figures)

acrylic and charcoal on paper

WILLIAM THEOPHILUS BROWN - Untitled (Seated Female Nude) - charcoal, pencil and wash on paper - 25 1/2 x 19 1/2 in.

WILLIAM THEOPHILUS BROWN

Untitled (Seated Female Nude)

25 1/2 x 19 1/2 in.

charcoal, pencil and wash on paper

PAUL WONNER - Small Park on the Bay - acrylic and pencil on paper - 15 1/8 x 22 1/4 in.

Small Park on the Bay

15 1/8 x 22 1/4 in.

acrylic and pencil on paper

DAVID MACH - Matchstick Head (large black long head with head gear) - matchstick - 12 1/2 x 6 1/2 x 6 in.

Matchstick Head (large black long head with head gear)

12 1/2 x 6 1/2 x 6 in.

LAWRENCE SCHILLER - Oswald's Gun, Dallas Polic Station, Dallas Texas, November 23, 1963 - silver gelatin print - 16 x 20 in.

LAWRENCE SCHILLER

Oswald's Gun, Dallas Polic Station, Dallas Texas, November 23, 1963

silver gelatin print

WILLIAM THEOPHILUS BROWN - Reclining Nude - acrylic and charcoal on paper - 14 x 17 in.

WILLIAM THEOPHILUS BROWN

acrylic and charcoal on paper

WILLIAM THEOPHILUS BROWN - Untitled - paper, ink, and acrylic washes - 11 1/4 x 14 3/8 in.

WILLIAM THEOPHILUS BROWN

11 1/4 x 14 3/8 in.

paper, ink, and acrylic washes

ELMER BISCHOFF - Seated Nude - wash drawing on paper - 11 7/8 x 8 7/8 in.

11 7/8 x 8 7/8 in.

wash drawing on paper

LUC BERNARD - Edges no. 12 - oil on canvas - 40 x 36 in.

JAE KON PARK - About Ancient Korea - batik on fabric - 11 3/4 x 12 1/2 in.

About Ancient Korea

11 3/4 x 12 1/2 in.

batik on fabric

WILLIAM THEOPHILUS BROWN - Untitled Drawing (Nude on Floor) - acrylic and charcoal on paper - 11 x 15 in.

WILLIAM THEOPHILUS BROWN

Untitled Drawing (Nude on Floor)

acrylic and charcoal on paper

PAUL WONNER - Artist Drawing The Model - acrylic and pencil on paper - 12 x 10 1/4 in.

Artist Drawing The Model

12 x 10 1/4 in.

acrylic and pencil on paper

PAUL WONNER - Trees and Rock on the Bay - acrylic and pencil on paper - 15 x 22 in.

Trees and Rock on the Bay

acrylic and pencil on paper

PAUL WONNER - In Lafayette Park VI - acrylic and pencil on paper - 13 5/8 x 20 5/8 in.

In Lafayette Park VI

13 5/8 x 20 5/8 in.

acrylic and pencil on paper

JAE KON PARK - About Patterns - batik on fabric - 9 1/4 x 11 in.

batik on fabric

JAE KON PARK - Birds of Spring - batik on fabric - 10 3/4 x 12 1/4 in.

Birds of Spring

10 3/4 x 12 1/4 in.

batik on fabric

JAE KON PARK - Twice-drawn Bird - batik on fabric - 10 1/2 x 12 in.

Twice-drawn Bird

10 1/2 x 12 in.

batik on fabric

JAE KON PARK - Life - batik on fabric - 9 1/2 x 10 3/4 in.

9 1/2 x 10 3/4 in.

batik on fabric

JAE KON PARK - Twice-drawn Bird - batik on fabric - 10 1/2 x 12 in.

Twice-drawn Bird

10 1/2 x 12 in.

batik on fabric

WILLIAM THEOPHILUS BROWN - Split Rock, Cisco Grove - acrylic on canvas - 11 x 14 in.

WILLIAM THEOPHILUS BROWN

Split Rock, Cisco Grove

acrylic on canvas

PAUL WONNER - At Mission Rock - acrylic and pencil on paper - 14 1/2 x 16 in.

At Mission Rock

14 1/2 x 16 in.

acrylic and pencil on paper

WILLIAM THEOPHILUS BROWN - Untitled (Nude Male on Floor) - acrylic on paper - 11 3/4 x 9 in.

WILLIAM THEOPHILUS BROWN

Untitled (Nude Male on Floor)

acrylic on paper

WILLIAM THEOPHILUS BROWN - Untitled Drawing - pencil and wash on paper - 15 x 11 in.

WILLIAM THEOPHILUS BROWN

Untitled Drawing

pencil and wash on paper

JAE KON PARK - The Mystery Series - ink on paper - 13 3/4 x 12 1/2 in.

The Mystery Series

13 3/4 x 12 1/2 in.

JAE KON PARK - America Series - ink on paper - 13 3/4 x 12 1/2 in.

13 3/4 x 12 1/2 in.

JAE KON PARK - Mystery of the Artic - ink on paper - 14 x 12 1/2 in.

Mystery of the Artic

14 x 12 1/2 in.

WILLIAM THEOPHILUS BROWN - Untitled Drawing (Nude on Block) - pencil and wash on paper - 15 x 10 3/4 in.

WILLIAM THEOPHILUS BROWN

Untitled Drawing (Nude on Block)

15 x 10 3/4 in.

pencil and wash on paper

JAE KON PARK - Untitled - ink on paper - 10 3/4 x 9 1/2 in.

10 3/4 x 9 1/2 in.

JAE KON PARK - The Incan Sun - ink on paper - 10 1/2 x 9 1/2 in.

10 1/2 x 9 1/2 in.

JAE KON PARK - The Incan Sun - ink on paper - 10 3/4 x 9 1/4 in.

10 3/4 x 9 1/4 in.

TSENG KWONG CHI - George Condo - c print - 16 x 20 in.

TSENG KWONG CHI

WILLIAM THEOPHILUS BROWN - Untitled Drawing (Nude on Step) - pencil and wash on paper - 14 1/2 x 11 1/2 in.

WILLIAM THEOPHILUS BROWN

Untitled Drawing (Nude on Step)

14 1/2 x 11 1/2 in.

pencil and wash on paper

NATHAN OLIVEIRA - Small Figure #3 - bronze with unique patina - 6 1/4 x 4 x 2 3/4 in.

NATHAN OLIVEIRA

Small Figure #3

1963, cast 2008

6 1/4 x 4 x 2 3/4 in.

bronze with unique patina

NATHAN OLIVEIRA - Small Figure #2 - bronze with unique patina - 6 1/4 x 4 x 2 3/4 in.

NATHAN OLIVEIRA

Small Figure #2

1963, cast 2008

6 1/4 x 4 x 2 3/4 in.

bronze with unique patina

WILLIAM THEOPHILUS BROWN - Untitled Drawing (Standing Nude, Arm on Head) - pencil and wash on paper - 15 x 11 1/4 in.

WILLIAM THEOPHILUS BROWN

Untitled Drawing (Standing Nude, Arm on Head)

15 x 11 1/4 in.

pencil and wash on paper

EDWARD STEICHEN - Colette - silver gelatin print - 13 x 10 1/4 in.

EDWARD STEICHEN

13 x 10 1/4 in.

silver gelatin print

WILLIAM THEOPHILUS BROWN - Self Portrait with Sketchbook - gouache - 8 1/2 x 6 in.

WILLIAM THEOPHILUS BROWN

Self Portrait with Sketchbook

WILLIAM THEOPHILUS BROWN - Two Cranes Take Flight (Into the Sunset) - gouache on paper - 11 x 14 1/2 in.

WILLIAM THEOPHILUS BROWN

Two Cranes Take Flight (Into the Sunset)

11 x 14 1/2 in.

gouache on paper

WILLIAM THEOPHILUS BROWN - Untitled (2 Cows) - acrylic on paper - 6 x 4 1/2 in.

WILLIAM THEOPHILUS BROWN

Untitled (2 Cows)

acrylic on paper

DAVID MACH - Matchead - matchstick - 5 1/2 x 2 3/4 x 3 3/4 in.

5 1/2 x 2 3/4 x 3 3/4 in.

DAVID MACH - (small white and lavender) - matchstick - 5 1/2 x 2 1/2 x 2 3/4 in.

(small white and lavender)

5 1/2 x 2 1/2 x 2 3/4 in.

WILLIAM THEOPHILUS BROWN - Self Portrait - gouache - 7 1/4 x 6 in.

WILLIAM THEOPHILUS BROWN

IRVING NORMAN - The Circus, Balancing Act 2 (a Study) - pencil on paper - 11 x 9 in.

The Circus, Balancing Act 2 (a Study)

pencil on paper

IRVING NORMAN - The Circus, The Balancing Act 2a (a Study) - pencil on paper - 11 x 9 in.

The Circus, The Balancing Act 2a (a Study)

pencil on paper

MARC CHAGALL - Spring Day - original lithograph in colors - 14 7/8 x 11 in.

14 7/8 x 11 in.

original lithograph in colors

IRVING NORMAN - From Work - lithograph on paper - 20 x 25 in.

lithograph on paper

IRVING NORMAN - Untitled (Possible Study for "The Immortality of Beethoven's 9th Symphony") - pencil on paper - 14 x 11 in.

Untitled (Possible Study for "The Immortality of Beethoven's 9th Symphony")

pencil on paper

IRVING NORMAN - Untitled (Bodies in Crypt) - pencil on paper - 7 1/2 x 3 7/8 in.

Untitled (Bodies in Crypt)

7 1/2 x 3 7/8 in.

pencil on paper

IRVING NORMAN - Untitled (War Study) - graphite on paper - 6 x 3 1/2 in.

Untitled (War Study)

graphite on paper

IRVING NORMAN - Untitled (Bodies) - pencil on paper - 6 3/4 x 2 in.

Untitled (Bodies)

pencil on paper

IRVING NORMAN - Untitled (Smoking Man) - pen on paper - 8 7/8 x 6 in.

Untitled (Smoking Man)

IRVING NORMAN - Untitled (Man with Fire Bird) - graphite and crayon on paper - 12 x 8 7/8 in.

Untitled (Man with Fire Bird)

graphite and crayon on paper

IRVING NORMAN - Untitled (Couple) - graphite on paper - 5 x 3 1/2 in.

Untitled (Couple)

graphite on paper

IRVING NORMAN - Untitled (Possible Study for "Celebration") - graphite on paper - 4 7/8 x 3 in.

Untitled (Possible Study for "Celebration")

graphite on paper

IRVING NORMAN - Untitled (Possible Study for "From Work") - pencil on paper - 11 x 14 in.

Untitled (Possible Study for "From Work")

pencil on paper

IRVING NORMAN - Untitled (Head with Fire) - graphite and crayon on paper - 12 x 8 7/8 in.

Untitled (Head with Fire)

graphite and crayon on paper

IRVING NORMAN - Untitled (Possible Study for "From Work") - pencil on paper - 11 x 14 in.

Untitled (Possible Study for "From Work")

pencil on paper

IRVING NORMAN - Untitled (Abstract Heads) - pen on paper - 8 7/8 x 6 in.

Untitled (Abstract Heads)

IRVING NORMAN - Untitled (Possible Study for "The Immortality of Beethoven's 9th Symphony" 2) - graphite on paper - 14 x 11 in.

Untitled (Possible Study for "The Immortality of Beethoven's 9th Symphony" 2)

graphite on paper

IRVING NORMAN - Untitled (Four Heads) - graphite on paper - 5 x 3 1/2 in.

Untitled (Four Heads)

graphite on paper

IRVING NORMAN - Untitled (Possible Study for "From Work") - graphite on paper - 5 x 3 1/2 in.

Untitled (Possible Study for "From Work")

graphite on paper

PAUL JENKINS - Phenomena Coriolis Wedge - oil on canvas - 66 x 77 in.

Phenomena Coriolis Wedge

PAUL JENKINS - Phenomena Zodiac Violet - watercolor on paper - 40 x 29 in.

Phenomena Zodiac Violet

watercolor on paper

PAUL JENKINS - Phenomena Yoshihara Sound - watercolor on paper - 30 x 40 1/2 in.

Phenomena Yoshihara Sound

30 x 40 1/2 in.

watercolor on paper

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