Artwork on view at Palm Desert gallery

Artists Categories Price
Blood Cinema is an elegant and interactive masterwork of steel and acrylic by Anish Kapoor. The artist’s most notable works are grand-scale public installations that explore perception, captivating and challenging viewers worldwide with iconic public installations such as Chicago’s Cloud Gate (2006) and in his well-known glass and mirror pieces. Resting on the floor like an oversized lens, Blood Cinema warps the viewer’s perspective and distorts its environment through ethereal shades of red, epitomizing Kapoor's capacity for viewer immersion.
ANISH KAPOOR
Blood Cinema
2000
77 1/4 x 77 1/4 x 18 3/4 in.
acrylic and steel
"San Loretto" (2008) references a story from the Catholic faith, in which the house of the Holy Family was miraculously transported out of Nazareth for protection during the Crusades. The story appeals to Anselm Kiefer's distinctive visual themes of ruin and renewal, depicting the great effort of carrying the structure to Italy while speaking to the destruction of the Crusades. The buildup of fragments and rubble on San Loretto coalesces into an image of a bird, which combined with the title and its layers of meaning, suggests the figure of a dove and even the Holy Spirit. Kiefer has said, “People think of ruins as the end of something, but for me they were the beginning. When you have ruins you can start again." <br> <br>The painting shows Kiefer’s desire to create a self-contained world within the confines of the canvas; the winged form flies effortlessly across a vast, open landscape created using Kiefer’s favored thick-Impasto surface. <br> <br>Kiefer draws from a variety of sources for the subjects of his work, including Judeo-Christian themes, mythological subjects, and German history itself. Kiefer can produce some of the most provocative and innovative works of our time using his automatic process. Much like the spontaneous working nature of Jackson Pollock before him, Kiefer is spiritually connected to the work during the creative process, letting his subject come through at the moment. <br> <br>In honor of Kiefer’s 70th birthday, the Centre Pompidou, the Bibliothèque Nationale in Paris, and the Museum der bildenden Künste in Leipzig hosted a retrospective exhibition for the artist in 2015. The present work has been held in a private collection since its creation.
ANSELM KIEFER
San Loretto
2008
74 x 111 in.
mixed media on canvas
"Ohne Titel (Merzbild Mit Schuhsohle)," Untitled (Merz Picture with Show Sole)," is representational of European Avant Garde trends of the early 20th Century, including most notably the Dada movement. Kurt Schwitters was born in Hanover, Germany, in 1887 and studied at the Dresden Academy. As an early associate of the Dada movement, it was planned for Schwitters to start a Hanover outpost of sorts for the group, but this never came to fruition. <br> <br>An assemblage of found and crafted objects, the present work is typical of the Merz style, for which Schwitters is most highly lauded. Merz is a made-up term and describes the large assemblages and room installations that comprised the artist's output during the 1920s and 1930s. Schwitters is known as a father of installation art and was incredibly influential to artists such as Jasper Johns, Robert Rauschenberg, and Anselm Kiefer.
KURT SCHWITTERS
Ohne Titel (Merzbild Mit Schuhsohle)
1945
21 1/4 x 17 3/4 in.
oil and relief assemblage on plywood
Irving Norman's masterpiece, "The Human Condition," from 1980, draws upon the artist's lifetime of acquired experiences and knowledge. Surviving as a volunteer fighter during the Spanish Civil War, the artist returned to the United States after the loyalist defeat. Upon his return, fervent studio practice in Half Moon Bay, California, would become his life's devotion. <br> <br>The present work, a nearly 16-foot-wide triptych, is reminiscent of Hieronymus Bosch's triptych, "The Garden of Earthly Delights," c. 1510. The dystopian vision portrayed in 'The Human Condition" is a warning - a lesson from the European dictatorships Norman experienced firsthand during the 1930s. Disturbing tableaus show the darkness of humanity and the evil that can rise to prominence when humanity is at its worst. There is hope, however, in the experience of the viewer: Norman thought of his audience as the greatest hope for humankind.
IRVING NORMAN
The Human Condition
1980-1981
120 x 182 in.
oil on canvas
Larry Rivers is considered by many to be the father of the Pop Art movement. In Rivers's 1980 work "Beyond Camel," we see a slightly out of focus Camel Cigarette pack, an item from consumer culture Rivers has appropriated to create a critique of commoditization and consumer culture. Rivers would have certainly been aware of the work of Stuart Davis and his 1921 painting, "Lucky Strike," depicting a flattened pack of cigarettes. Rivers interprets his subject with a Pop Art perspective; however, the imagery is almost larger than life, and the brand image is presented as a subject unto itself. <br> <br>In 2002, a retrospective of Rivers's work was held at the Corcoran Gallery of Art in Washington, D.C.
LARRY RIVERS
Beyond Camel
1980
98 3/4 x 79 1/4 in.
acrylic on canvas
This painting has remained in the same private collection since its creation. Along with its companion work, "Untitled" (1991) was on display in the lobby of Chicago's Heller International Building at 500 West Monroe Street from the building's opening in 1992 until its renovation in 2015. <br> <br>The November 2018 sale of Schnabel's "Large Rose Painting, (Near Van Gogh's Grave)" for $1.2 million at auction demonstrates a strong demand for the artist's work. This major sale was only the second-highest price paid for a Schnabel at auction: the record was set in November of 2017 when "Ethnic Type #14" sold for $1.4 million. <br> <br>A recent museum exhibition, "Julian Schnabel: Symbols of Actual Life" at the Legion of Honor, Fine Arts Museums of San Francisco, in 2018, featured several of Schnabel's large-scale paintings.
JULIAN SCHNABEL
Untitled
1991
96 x 120 in.
oil, resin, gesso, fabric and leather on seamed dropcloth
Along with its companion work, "Untitled" (1991) was on display in the lobby of Chicago's Heller International Building at 500 West Monroe Street from the building's opening in 1992 until its renovation in 2015. This painting has remained in the same private collection since its creation. <br> <br>The November 2018 sale of Schnabel's "Large Rose Painting, (Near Van Gogh's Grave)" for $1.2 million at auction demonstrates a strong demand for the artist's work. This major sale was only the second-highest price paid for a Schnabel at auction: the record was set in November of 2017 when "Ethnic Type #14" sold for $1.4 million. <br> <br>A recent 2018 museum exhibition, "Julian Schnabel: Symbols of Actual Life" at the Legion of Honor, Fine Arts Museums of San Francisco, featured several of Schnabel's large-scale paintings.
JULIAN SCHNABEL
Untitled
1991
96 x 120 in.
oil, resin, gesso, fabric and leather on seamed dropcloth
Carl Andre’s floor sculptures are typically made from glowing tiles of lead, zinc, or copper. They differ from most other minimalist artwork in their accessibility: they are meant to be walked on. Art historically, Andre places himself in the lineage of Constantin Brancusi and Henry Moore. Andre continues in their tradition of reducing the vocabulary of sculpture to its most vital and simple forms. The works also speak to Donald Judd’s idea of “specific objects,” which emphasized the phenomenological experience of the viewer and an exploration of structure and space.
CARL ANDRE
16 Ace Zinc Square
2007
16 x 16 x 1/4 in. ea./installed 64 x 64 x 1/4 in.
zinc
Russian-born painter Leon Gaspard lived in Taos, New Mexico, for most of his life and traveled extensively to paint. His compositions were typically populated with crowds of people, depicting folk traditions and the bustling landscapes of small towns in Russia, Asia, and the Taos Valley, where he maintained a permanent residence from 1918 until his death in 1964. Unlike many artists who relocated to the American Southwest and incorporated its imagery and scenery into their paintings, Gaspard continued to create paintings of far off places. <br> <br>"Siberian Sleighriders" from 1921 relates to a two-year excursion to Mongolia, Manchuria, and Siberia. This location was of personal importance to Gaspard. After his marriage to a wealthy American ballerina whom he met in Paris, their honeymoon was a two-year horseback trip through Siberia. <br> <br>In 1965, the New Mexico Museum of Art held a retrospective exhibition of Gaspard in his memory.
LEON GASPARD
Siberian Sleighriders
1921
46 1/2 x 39 1/2 in. in.
oil on canvas on board
Deborah Butterfield is an American sculptor, best known for her sculptures of horses made of objects ranging from wood, metal, and other found objects. The 1981 piece, Untitled (Horse), is comprised of sticks and paper on wire armature. The impressive scale of this piece creates a remarkable effect in person, presenting a striking example of Butterfield's celebrated subject matter. Butterfield originally created the horses from wood and other materials found on her property in Bozeman, Montana and saw the horses as a metaphorical self-portrait, mining the emotional resonance of these forms.
DEBORAH BUTTERFIELD
Untitled (Horse)
1981
100 x 157 x 36 in.
sticks and paper on wire armature
Kenny Scharf established his reputation working in 1980s New York as a street artist. His organic forms - as seen in “Kolorbz” - are instantly recognizable. Scharf now works from Los Angeles where he began his career. He has decorated the facades of several buildings across the metropolitan area, including a project at the former Pasadena Museum of California Art. Scharf is associated with the Lowbrow art movement, a term which he pioneered and used and which refers to a combination of Pop Art and Surrealism. <br> <br>In March 2020, Scharf set a new auction record of $525,000 for a depiction of the Flinstones estimated to sell for 20-50k. As the prices for Scharf’s contemporaries continue to soar into the stratosphere, many collectors and institutions are re-evaluating the Scharf market to reflect his art historical importance. Acquired directly from the artist, "Kolorbz" is a signature Scharf work, full of personality and energy with a burst of vibrant color.
KENNY SCHARF
Kolorbz
2013
114 x 90 in.
oil and acrylic on canvas
The only known extant Diebenkorn sculpture, this welded iron form is a brilliant example of his artistic development and the creative energy of his early work. <br> <br>This rare sculpture comes from a period of experimentation and a burst of lyrical creativity that the artist experienced while in graduate school at the University of New Mexico. It was likely included in his 1951 Master's Degree Exhibition at that institution. Like many American artists before him, Diebenkorn was enthralled with the atmosphere and landscape of the Southwest. He produced energetic and unpredictable canvases with bold, warm colors, barely contained within their underlying geometric structure. This iron sculpture demonstrates the far reaches of the artist’s exploration, establishing the essential linear framework that would come to characterize his later work. <br> <br>This piece was the only sculpture included in the 2008 exhibition "Diebenkorn in New Mexico" at the UNM Harwood Museum of Art in Taos. Since his first retrospective in 1976 at the Albright-Knox Art Gallery in Buffalo, New York, Diebenkorn has found a place in over 50 museum collections worldwide and is recognized as a major creative force of the 20th Century.
RICHARD DIEBENKORN
Untitled
c. 1951
20 1/4 x 42 1/4 x 29 1/2 in.
welded scrap iron
ANSELM KIEFER - Jericho - emulsion, acrylic, sand, clay and photographic paper on cardboard - 25 x 17 1/2 x 2.25 in.
ANSELM KIEFER
Jericho
2000
25 x 17 1/2 x 2.25 in.
emulsion, acrylic, sand, clay and photographic paper on cardboard
Paul Jenkins is renowned for his technique of controlled paint pouring and use of translucent colors. His paintings drew upon a wide range of philosophies from Gurdjieff to Goethe, Jung to Zen Buddhism, astrology to alchemy. Jenkins remarked of his painting process, “I try to paint like a crapshooter throwing dice, utilizing past experience and my knowledge of the odds. It’s a big gamble, and that’s why I love it.” A combination of chance and control (Jenkins used a dull ivory knife to guide the paint) reveals paintings of dazzling depth and beauty with their sinuous seams and arcs of phenomenal colors. <br> <br>Jenkins primed his canvas so that unlike those of other Color Field artists, the paint did not soak in and instead, flowed and pooled – perhaps best exemplified in this large-scale painting with gem-like colors. Whether oil, acrylic, or watercolor, Jenkins displayed a mastery over these media so that both the process and the product are united.
PAUL JENKINS
Untitled
c. 1970
71 1/2 x 128 1/2 in.
acrylic on canvas
IRVING NORMAN - To Have and Have Not, Charity Gala - oil on canvas - 92 x 104 in.
IRVING NORMAN
To Have and Have Not, Charity Gala
1979-1980
92 x 104 in.
oil on canvas
ALEXANDER CALDER - Woman with Square Umbrella - wood - 19 x 6 x 6 in.
ALEXANDER CALDER
Woman with Square Umbrella
1928
19 x 6 x 6 in.
wood
HERB ALPERT - Arrowhead - bronze - 201 x 48 x 48 in.
HERB ALPERT
Arrowhead
2015
201 x 48 x 48 in.
bronze
HERB ALPERT - Freedom - bronze - 201 x 48 x 48 in.
HERB ALPERT
Freedom
2008
201 x 48 x 48 in.
bronze
HERB ALPERT - Hope - bronze - 212 x 48 x 48 in.
HERB ALPERT
Hope
2009
212 x 48 x 48 in.
bronze
IRVING NORMAN - The Academy - oil on canvas - 110 x 90 in.
IRVING NORMAN
The Academy
1975-1976
110 x 90 in.
oil on canvas
PAUL JENKINS - Phenomena By Return - acrylic on canvas - 104 3/4 x 49 5/8 in.
PAUL JENKINS
Phenomena By Return
c. 1964
104 3/4 x 49 5/8 in.
acrylic on canvas
ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in.
ANTHONY CARO
Figure in a Tub
1985-86
42 x 30 1/4 x 24 1/4 in.
bronze
IRVING NORMAN - M.F.I. Complex - oil on canvas - 100 x 76 in.
IRVING NORMAN
M.F.I. Complex
1981
100 x 76 in.
oil on canvas
IRVING NORMAN - To the Unknown - oil on canvas - 96 x 72 in.
IRVING NORMAN
To the Unknown
1977
96 x 72 in.
oil on canvas
CHARLES ARNOLDI - Construction - acrylic on plywood and found wooden sticks - 128 x 68 x 8 in.
CHARLES ARNOLDI
Construction
1982
128 x 68 x 8 in.
acrylic on plywood and found wooden sticks
SE OK SUH - Untitled - ink wash on paper - 40 x 44 in.
SE OK SUH
Untitled
c. 1960s
40 x 44 in.
ink wash on paper
HERB ALPERT - Illumination - bronze - 159 x 40 x 40 in.
HERB ALPERT
Illumination
2010
159 x 40 x 40 in.
bronze
HERB ALPERT - Radiance - bronze - 161 x 40 x 40 in.
HERB ALPERT
Radiance
2009
161 x 40 x 40 in.
bronze
IRVING NORMAN - Draftee - oil on canvas - 100 x 38 in.
IRVING NORMAN
Draftee
1982
100 x 38 in.
oil on canvas
IRVING NORMAN - Flight - oil on canvas - 60 x 74 in.
IRVING NORMAN
Flight
1955
60 x 74 in.
oil on canvas
RICHARD DIEBENKORN - Untitled (Urbana Series) - ink on paper - 13 7/8 x 11
RICHARD DIEBENKORN
Untitled (Urbana Series)
1952
13 7/8 x 11
ink on paper
RON ARAD - Big Easy Volume 2 - stainless steel welded chair - 36 x 53 x 28 in.
RON ARAD
Big Easy Volume 2
1989
36 x 53 x 28 in.
stainless steel welded chair
IRVING NORMAN - Totem of a Holy Family - oil on canvas - 90 x 19 3/4 in.
IRVING NORMAN
Totem of a Holy Family
1974
90 x 19 3/4 in.
oil on canvas
ARISTIDES DEMETRIOS - Embrace - stainless steel - 51 x 31 3/4 x 18 3/4 in.
ARISTIDES DEMETRIOS
Embrace
2020
51 x 31 3/4 x 18 3/4 in.
stainless steel
STEPHEN PACE - #5757 - oil on canvas - 79 3/4 x 66 in.
STEPHEN PACE
#5757
1956
79 3/4 x 66 in.
oil on canvas
ARISTIDES DEMETRIOS - Sempre Allegro - stainles steel - 101 1/4 x 35 1/2 x 37 in..
ARISTIDES DEMETRIOS
Sempre Allegro
101 1/4 x 35 1/2 x 37 in..
stainles steel
ARISTIDES DEMETRIOS - Joy of Being II - stainless steel - 72 x 21 1/2 x 14 in.
ARISTIDES DEMETRIOS
Joy of Being II
2020
72 x 21 1/2 x 14 in.
stainless steel
NANCY SPERO - The Modest Orgasms of the Middle Class - gouache, charcoal, and collage on paper - 25 x 20 in.
NANCY SPERO
The Modest Orgasms of the Middle Class
1969
25 x 20 in.
gouache, charcoal, and collage on paper
NATHAN OLIVEIRA - Standing Figure #2 - bronze - 26 x 16 x 23 1/2 in.
NATHAN OLIVEIRA
Standing Figure #2
2007
26 x 16 x 23 1/2 in.
bronze
JAE KON PARK - Untitled - oil on canvas - 52 1/4 x 64 1/2 in.
JAE KON PARK
Untitled
1992
52 1/4 x 64 1/2 in.
oil on canvas
THEASTER GATES - Untitled (flooring) - white cement, debris, flooring - 35 x 35 x 3 in.
THEASTER GATES
Untitled (flooring)
2011
35 x 35 x 3 in.
white cement, debris, flooring
IRVING NORMAN - Homeless 2 - oil on canvas - 72 x 36 in.
IRVING NORMAN
Homeless 2
1988
72 x 36 in.
oil on canvas
JAE KON PARK - Untitled - oil on canvas - 38 x 51 in.
JAE KON PARK
Untitled
1992
38 x 51 in.
oil on canvas
WILLIAM THEOPHILUS BROWN - Horse with Swimmers at Beach - acrylic on canvas - 36 x 48 in.
WILLIAM THEOPHILUS BROWN
Horse with Swimmers at Beach
1990
36 x 48 in.
acrylic on canvas
NORMAN ZAMMITT - Panel for Black to White - acrylic on canvas on pine board - 100 x 11 1/4 in.
NORMAN ZAMMITT
Panel for Black to White
1977
100 x 11 1/4 in.
acrylic on canvas on pine board
JAE KON PARK - Untitled - oil on canvas - 34 x 43 1/4 in..
JAE KON PARK
Untitled
1992
34 x 43 1/4 in..
oil on canvas
JAE KON PARK - Untitled - oil on canvas - 36 x 45 1/2 in.
JAE KON PARK
Untitled
1993
36 x 45 1/2 in.
oil on canvas
JAE KON PARK - Untitled - oil on canvas - 35 1/4 x 46 in.
JAE KON PARK
Untitled
1992
35 1/4 x 46 in.
oil on canvas
WILLIAM THEOPHILUS BROWN - Untitled (Painting with Jumping Man and Snake) - acrylic on canvas - 38 x 42 in.
WILLIAM THEOPHILUS BROWN
Untitled (Painting with Jumping Man and Snake)
1968
38 x 42 in.
acrylic on canvas
LARI PITTMAN - Untitled - oil and acrylic on canvas - 95 x 65 in.
LARI PITTMAN
Untitled
1974-75
95 x 65 in.
oil and acrylic on canvas
JAE KON PARK - Untitled - oil on canvas - 35 1/2 x 45 1/2 in.
JAE KON PARK
Untitled
1989
35 1/2 x 45 1/2 in.
oil on canvas
JAE KON PARK - Untitled - oil on canvas - 36 x 46 in.
JAE KON PARK
Untitled
1992
36 x 46 in.
oil on canvas
PAUL JENKINS - Phenomena Lucifer Edge - oil on canvas - 45 x 34 3/4 in
PAUL JENKINS
Phenomena Lucifer Edge
1961
45 x 34 3/4 in
oil on canvas
WILLIAM THEOPHILUS BROWN - Landscape with Rocks - acrylic on canvas - 48 x 48 in.
WILLIAM THEOPHILUS BROWN
Landscape with Rocks
1985-2005
48 x 48 in.
acrylic on canvas
JAE KON PARK - Untitled - oil on burlap - 39 1/2 x 35 1/2 in.
JAE KON PARK
Untitled
1985
39 1/2 x 35 1/2 in.
oil on burlap
JAE KON PARK - Untitled - oil on canvas - 35 x 33 7/8 in.
JAE KON PARK
Untitled
1992
35 x 33 7/8 in.
oil on canvas
JAE KON PARK - Untitled - oil on canvas - 28 1/2 x 35 1/2 in.
JAE KON PARK
Untitled
1992
28 1/2 x 35 1/2 in.
oil on canvas
NATHAN OLIVEIRA - Mask #6 (Red) - bronze and acrylic - 9 x 11 3/4 x 11 3/4 in.
NATHAN OLIVEIRA
Mask #6 (Red)
2007
9 x 11 3/4 x 11 3/4 in.
bronze and acrylic
RAY SWANSON - Waiting for Mutton Stew - oil on canvas - 40 1/4 x 60 in.
RAY SWANSON
Waiting for Mutton Stew
c. 1976
40 1/4 x 60 in.
oil on canvas
JAE KON PARK - Untitled - oil on canvas - 31 3/4 x 27 1/2 in.
JAE KON PARK
Untitled
1985
31 3/4 x 27 1/2 in.
oil on canvas
JAE KON PARK - Untitled - resin and acrylic - 23 3/4 x 23 3/4 in.
JAE KON PARK
Untitled
1978
23 3/4 x 23 3/4 in.
resin and acrylic
NATHAN OLIVEIRA - Mask #2 - bronze with custom patina - 9 x 11 3/4 x 11 3/4 in.
NATHAN OLIVEIRA
Mask #2
2007
9 x 11 3/4 x 11 3/4 in.
bronze with custom patina
NATHAN OLIVEIRA - Mask #7 - bronze - 9 x 11 3/4 x 11 3/4 in.
NATHAN OLIVEIRA
Mask #7
2007
9 x 11 3/4 x 11 3/4 in.
bronze
JAE KON PARK - Untitled - oil on canvas - 24 x 28 1/2 in.
JAE KON PARK
Untitled
1993
24 x 28 1/2 in.
oil on canvas
JAE KON PARK - Untitled - oil on canvas - 24 x 28 3/4 in.
JAE KON PARK
Untitled
1983
24 x 28 3/4 in.
oil on canvas
JAE KON PARK - Life and Roots - oil on canvas - 25 1/2 x 20 5/8 in.
JAE KON PARK
Life and Roots
1992
25 1/2 x 20 5/8 in.
oil on canvas
JAE KON PARK - Life and Roots - oil on canvas - 28 x 20 1/2 in.
JAE KON PARK
Life and Roots
1992
28 x 20 1/2 in.
oil on canvas
PAUL JENKINS - Phenomena D.H. Lawrence Gala - watercolor on paper - 43 1/8 x 31 1/4 in.
PAUL JENKINS
Phenomena D.H. Lawrence Gala
1980
43 1/8 x 31 1/4 in.
watercolor on paper
PAUL JENKINS - Untitled - watercolor and ink on paper - 29 3/4 x 42 3/4 in.
PAUL JENKINS
Untitled
1979
29 3/4 x 42 3/4 in.
watercolor and ink on paper
PAUL JENKINS - Untitled - watercolor on paper - 43 1/8 x 31 1/8 in. .
PAUL JENKINS
Untitled
43 1/8 x 31 1/8 in. .
watercolor on paper
FRANCISCO ZUNIGA - Mujer de Pie con Rebozo - bronze - 15 1/2 x 7 1/2 x 4 in.
FRANCISCO ZUNIGA
Mujer de Pie con Rebozo
1970
15 1/2 x 7 1/2 x 4 in.
bronze
PAUL JENKINS - Untitled - watercolor on paper - 41 3/4 x 30 in.
PAUL JENKINS
Untitled
41 3/4 x 30 in.
watercolor on paper
WILLIAM THEOPHILUS BROWN - Untitled (Nudes with Tree) (Woman and Child) - acrylic on canvas - 11 x 14 in.
WILLIAM THEOPHILUS BROWN
Untitled (Nudes with Tree) (Woman and Child)
2002
11 x 14 in.
acrylic on canvas
PAUL WONNER - Steps in Lafayette Park - acrylic and pencil on paper - 15 x 22 1/4 in.
PAUL WONNER
Steps in Lafayette Park
2005
15 x 22 1/4 in.
acrylic and pencil on paper
JAE KON PARK - Untitled - oil on painting - 18 x 21 in.
JAE KON PARK
Untitled
1986
18 x 21 in.
oil on painting
JAE KON PARK - Untitled - oil on canvas - 18 x 21 in.
JAE KON PARK
Untitled
1986
18 x 21 in.
oil on canvas
WILLIAM THEOPHILUS BROWN - Untitled (Three Nudes One Seated) - acrylic on paper - 11 1/8 x 14 1/4 in.
WILLIAM THEOPHILUS BROWN
Untitled (Three Nudes One Seated)
2001
11 1/8 x 14 1/4 in.
acrylic on paper
WILLIAM THEOPHILUS BROWN - Jamie Seated (Green Background) - acrylic and oil on canvas - 14 x 9 3/4 in.
WILLIAM THEOPHILUS BROWN
Jamie Seated (Green Background)
1997
14 x 9 3/4 in.
acrylic and oil on canvas
WILLIAM THEOPHILUS BROWN - Untitled (Soldiers) - acrylic on canvas - 14 x 18 in.
WILLIAM THEOPHILUS BROWN
Untitled (Soldiers)
14 x 18 in.
acrylic on canvas
WILLIAM THEOPHILUS BROWN - Untitled (Seated Figure) - charcoal and gouache on paper - 18 3/4 x 14 in.
WILLIAM THEOPHILUS BROWN
Untitled (Seated Figure)
1988
18 3/4 x 14 in.
charcoal and gouache on paper
PAUL WONNER - Youth and Old Age - acrylic on paper - 14 1/2 x 16 5/8 in.
PAUL WONNER
Youth and Old Age
2001
14 1/2 x 16 5/8 in.
acrylic on paper
PAUL WONNER - Artist and Model, Hands on Hips - acrylic and pencil on paper - 14 1/4 x 16 1/4 in.
PAUL WONNER
Artist and Model, Hands on Hips
2002
14 1/4 x 16 1/4 in.
acrylic and pencil on paper
WILLIAM THEOPHILUS BROWN - Untitled (Landscape with Rocks) - oil on board - 11 x 14 in.
WILLIAM THEOPHILUS BROWN
Untitled (Landscape with Rocks)
1999
11 x 14 in.
oil on board
WILLIAM THEOPHILUS BROWN - Untitled (2 Male Nudes) - acrylic on paper - 14 x 9 3/4 in.
WILLIAM THEOPHILUS BROWN
Untitled (2 Male Nudes)
1998
14 x 9 3/4 in.
acrylic on paper
WILLIAM THEOPHILUS BROWN - Untitled (Bathers) - acrylic on paper - 10 3/4 x 13 3/4 in.
WILLIAM THEOPHILUS BROWN
Untitled (Bathers)
2001
10 3/4 x 13 3/4 in.
acrylic on paper
WILLIAM THEOPHILUS BROWN - Jamie - acrylic on paper - 13 7/8 x 9 7/8 in.
WILLIAM THEOPHILUS BROWN
Jamie
1998
13 7/8 x 9 7/8 in.
acrylic on paper
PAUL WONNER - Youth and Old Age, Artist and Model - acrylic and pencil on paper - 13 1/4 x 15 in.
PAUL WONNER
Youth and Old Age, Artist and Model
2001
13 1/4 x 15 in.
acrylic and pencil on paper
PAUL WONNER - Park with Figures - acrylic and pencil on paper - 15 x 22 in.
PAUL WONNER
Park with Figures
2005
15 x 22 in.
acrylic and pencil on paper
WILLIAM THEOPHILUS BROWN - Jamie - acrylic on paper - 14 x 10 3/4 in.
WILLIAM THEOPHILUS BROWN
Jamie
1999
14 x 10 3/4 in.
acrylic on paper
WILLIAM THEOPHILUS BROWN - Up - acrylic on paper - 16 1/2 x 11 1/2 in.
WILLIAM THEOPHILUS BROWN
Up
2010
16 1/2 x 11 1/2 in.
acrylic on paper
PAUL WONNER - Youth and Old Age: Artist, Model, Pots of Flowers - acrylic and pencil on paper - 14 1/4 x 12 1/4 in.
PAUL WONNER
Youth and Old Age: Artist, Model, Pots of Flowers
2003
14 1/4 x 12 1/4 in.
acrylic and pencil on paper
PAUL WONNER - Landscape with Bathers - acrylic and pencil on paper - 14 7/8 x 22 1/8 in.
PAUL WONNER
Landscape with Bathers
2003
14 7/8 x 22 1/8 in.
acrylic and pencil on paper
PAUL WONNER - Landscape with Bathers After Cezanne - acrylic and pencil on paper - 14 7/8 x 22 1/2 in.
PAUL WONNER
Landscape with Bathers After Cezanne
2003
14 7/8 x 22 1/2 in.
acrylic and pencil on paper
WILLIAM THEOPHILUS BROWN - Untitled (Two Nudes) (Two Figures) - acrylic and charcoal on paper - 11 x 15 in.
WILLIAM THEOPHILUS BROWN
Untitled (Two Nudes) (Two Figures)
1994
11 x 15 in.
acrylic and charcoal on paper
WILLIAM THEOPHILUS BROWN - Untitled (Seated Female Nude) - charcoal, pencil and wash on paper - 25 1/2 x 19 1/2 in.
WILLIAM THEOPHILUS BROWN
Untitled (Seated Female Nude)
1981
25 1/2 x 19 1/2 in.
charcoal, pencil and wash on paper
DAVID MACH - Matchstick Head (large black long head with head gear) - matchstick - 12 1/2 x 6 1/2 x 6 in.
DAVID MACH
Matchstick Head (large black long head with head gear)
12 1/2 x 6 1/2 x 6 in.
matchstick
LAWRENCE SCHILLER - Oswald's Gun, Dallas Polic Station, Dallas Texas, November 23, 1963 - silver gelatin print - 16 x 20 in.
LAWRENCE SCHILLER
Oswald's Gun, Dallas Polic Station, Dallas Texas, November 23, 1963
1963
16 x 20 in.
silver gelatin print
JAE KON PARK - About Ancient Korea - batik on fabric - 11 3/4 x 12 1/2 in.
JAE KON PARK
About Ancient Korea
1990
11 3/4 x 12 1/2 in.
batik on fabric
WILLIAM THEOPHILUS BROWN - Untitled Drawing (Nude on Floor) - acrylic and charcoal on paper - 11 x 15 in.
WILLIAM THEOPHILUS BROWN
Untitled Drawing (Nude on Floor)
1975
11 x 15 in.
acrylic and charcoal on paper
PAUL WONNER - Artist Drawing The Model - acrylic and pencil on paper - 12 x 10 1/4 in.
PAUL WONNER
Artist Drawing The Model
2004
12 x 10 1/4 in.
acrylic and pencil on paper
PAUL WONNER - Trees and Rock on the Bay - acrylic and pencil on paper - 15 x 22 in.
PAUL WONNER
Trees and Rock on the Bay
2003
15 x 22 in.
acrylic and pencil on paper
PAUL WONNER - In Lafayette Park VI - acrylic and pencil on paper - 13 5/8 x 20 5/8 in.
PAUL WONNER
In Lafayette Park VI
2004
13 5/8 x 20 5/8 in.
acrylic and pencil on paper
JAE KON PARK - About Patterns - batik on fabric - 9 1/4 x 11 in.
JAE KON PARK
About Patterns
1990
9 1/4 x 11 in.
batik on fabric
JAE KON PARK - Birds of Spring - batik on fabric - 10 3/4 x 12 1/4 in.
JAE KON PARK
Birds of Spring
1990
10 3/4 x 12 1/4 in.
batik on fabric
JAE KON PARK - Twice-drawn Bird - batik on fabric - 10 1/2 x 12 in.
JAE KON PARK
Twice-drawn Bird
1990
10 1/2 x 12 in.
batik on fabric
JAE KON PARK - Life - batik on fabric - 9 1/2 x 10 3/4 in.
JAE KON PARK
Life
1990
9 1/2 x 10 3/4 in.
batik on fabric
JAE KON PARK - Twice-drawn Bird - batik on fabric - 10 1/2 x 12 in.
JAE KON PARK
Twice-drawn Bird
1990
10 1/2 x 12 in.
batik on fabric
WILLIAM THEOPHILUS BROWN - Split Rock, Cisco Grove - acrylic on canvas - 11 x 14 in.
WILLIAM THEOPHILUS BROWN
Split Rock, Cisco Grove
1997
11 x 14 in.
acrylic on canvas
PAUL WONNER - At Mission Rock - acrylic and pencil on paper - 14 1/2 x 16 in.
PAUL WONNER
At Mission Rock
2004
14 1/2 x 16 in.
acrylic and pencil on paper
WILLIAM THEOPHILUS BROWN - Untitled (Nude Male on Floor) - acrylic on paper - 11 3/4 x 9 in.
WILLIAM THEOPHILUS BROWN
Untitled (Nude Male on Floor)
2010
11 3/4 x 9 in.
acrylic on paper
WILLIAM THEOPHILUS BROWN - Untitled Drawing - pencil and wash on paper - 15 x 11 in.
WILLIAM THEOPHILUS BROWN
Untitled Drawing
1993
15 x 11 in.
pencil and wash on paper
JAE KON PARK - The Mystery Series - ink on paper - 13 3/4 x 12 1/2 in.
JAE KON PARK
The Mystery Series
1990
13 3/4 x 12 1/2 in.
ink on paper
JAE KON PARK - America Series - ink on paper - 13 3/4 x 12 1/2 in.
JAE KON PARK
America Series
1990
13 3/4 x 12 1/2 in.
ink on paper
JAE KON PARK - Mystery of the Artic - ink on paper - 14 x 12 1/2 in.
JAE KON PARK
Mystery of the Artic
1990
14 x 12 1/2 in.
ink on paper
WILLIAM THEOPHILUS BROWN - Untitled Drawing (Nude on Block) - pencil and wash on paper - 15 x 10 3/4 in.
WILLIAM THEOPHILUS BROWN
Untitled Drawing (Nude on Block)
1995
15 x 10 3/4 in.
pencil and wash on paper
JAE KON PARK - Untitled - ink on paper - 10 3/4 x 9 1/2 in.
JAE KON PARK
Untitled
1990
10 3/4 x 9 1/2 in.
ink on paper
JAE KON PARK - The Incan Sun - ink on paper - 10 1/2 x 9 1/2 in.
JAE KON PARK
The Incan Sun
1990
10 1/2 x 9 1/2 in.
ink on paper
JAE KON PARK - The Incan Sun - ink on paper - 10 3/4 x 9 1/4 in.
JAE KON PARK
The Incan Sun
1990
10 3/4 x 9 1/4 in.
ink on paper
TSENG KWONG CHI - George Condo - c print - 16 x 20 in.
TSENG KWONG CHI
George Condo
1985
16 x 20 in.
c print
WILLIAM THEOPHILUS BROWN - Untitled Drawing (Nude on Step) - pencil and wash on paper - 14 1/2 x 11 1/2 in.
WILLIAM THEOPHILUS BROWN
Untitled Drawing (Nude on Step)
1988
14 1/2 x 11 1/2 in.
pencil and wash on paper
NATHAN OLIVEIRA - Small Figure #3 - bronze with unique patina - 6 1/4 x 4 x 2 3/4 in.
NATHAN OLIVEIRA
Small Figure #3
1963, cast 2008
6 1/4 x 4 x 2 3/4 in.
bronze with unique patina
NATHAN OLIVEIRA - Small Figure #2 - bronze with unique patina - 6 1/4 x 4 x 2 3/4 in.
NATHAN OLIVEIRA
Small Figure #2
1963, cast 2008
6 1/4 x 4 x 2 3/4 in.
bronze with unique patina
WILLIAM THEOPHILUS BROWN - Untitled Drawing (Standing Nude, Arm on Head) - pencil and wash on paper - 15 x 11 1/4 in.
WILLIAM THEOPHILUS BROWN
Untitled Drawing (Standing Nude, Arm on Head)
1990
15 x 11 1/4 in.
pencil and wash on paper
EDWARD STEICHEN - Colette - silver gelatin print - 13 x 10 1/4 in.
EDWARD STEICHEN
Colette
1935 / 1986
13 x 10 1/4 in.
silver gelatin print
EDWARD HAGEDORN - Red - gouache on paper - 24 x 18 in.
EDWARD HAGEDORN
Red
c. 1938
24 x 18 in.
gouache on paper
EDWARD HAGEDORN - "Orange/Black Curled Figure" - gouache on paper - 24 x 18 in.
EDWARD HAGEDORN
"Orange/Black Curled Figure"
c. 1938
24 x 18 in.
gouache on paper
WILLIAM THEOPHILUS BROWN - Self Portrait with Sketchbook - gouache - 8 1/2 x 6 in.
WILLIAM THEOPHILUS BROWN
Self Portrait with Sketchbook
1971
8 1/2 x 6 in.
gouache
WILLIAM THEOPHILUS BROWN - Two Cranes Take Flight (Into the Sunset) - gouache on paper - 11 x 14 1/2 in.
WILLIAM THEOPHILUS BROWN
Two Cranes Take Flight (Into the Sunset)
1971
11 x 14 1/2 in.
gouache on paper
DAVID MACH - Matchead - matchstick - 5 1/2 x 2 3/4 x 3 3/4 in.
DAVID MACH
Matchead
c.1992
5 1/2 x 2 3/4 x 3 3/4 in.
matchstick
DAVID MACH - (small white and lavender) - matchstick - 5 1/2 x 2 1/2 x 2 3/4 in.
DAVID MACH
(small white and lavender)
5 1/2 x 2 1/2 x 2 3/4 in.
matchstick
WILLIAM THEOPHILUS BROWN - Self Portrait - gouache - 7 1/4 x 6 in.
WILLIAM THEOPHILUS BROWN
Self Portrait
1979
7 1/4 x 6 in.
gouache
IRVING NORMAN - The Circus, Balancing Act 2 (a Study) - pencil on paper - 11 x 9 in.
IRVING NORMAN
The Circus, Balancing Act 2 (a Study)
1963
11 x 9 in.
pencil on paper
IRVING NORMAN - The Circus, The Balancing Act 2a (a Study) - pencil on paper - 11 x 9 in.
IRVING NORMAN
The Circus, The Balancing Act 2a (a Study)
1963
11 x 9 in.
pencil on paper
IRVING NORMAN - Untitled (Possible Study for "The Immortality of Beethoven's 9th Symphony") - pencil on paper - 14 x 11 in.
IRVING NORMAN
Untitled (Possible Study for "The Immortality of Beethoven's 9th Symphony")
14 x 11 in.
pencil on paper
IRVING NORMAN - Untitled (Bodies in Crypt) - pencil on paper - 7 1/2 x 3 7/8 in.
IRVING NORMAN
Untitled (Bodies in Crypt)
7 1/2 x 3 7/8 in.
pencil on paper
IRVING NORMAN - Untitled (War Study) - graphite on paper - 6 x 3 1/2 in.
IRVING NORMAN
Untitled (War Study)
6 x 3 1/2 in.
graphite on paper
IRVING NORMAN - Untitled (Bodies) - pencil on paper - 6 3/4 x 2 in.
IRVING NORMAN
Untitled (Bodies)
6 3/4 x 2 in.
pencil on paper
IRVING NORMAN - Untitled (Smoking Man) - pen on paper - 8 7/8 x 6 in.
IRVING NORMAN
Untitled (Smoking Man)
8 7/8 x 6 in.
pen on paper
IRVING NORMAN - Untitled (Man with Fire Bird) - graphite and crayon on paper - 12 x 8 7/8 in.
IRVING NORMAN
Untitled (Man with Fire Bird)
12 x 8 7/8 in.
graphite and crayon on paper
IRVING NORMAN - Untitled (Couple) - graphite on paper - 5 x 3 1/2 in.
IRVING NORMAN
Untitled (Couple)
5 x 3 1/2 in.
graphite on paper
IRVING NORMAN - Untitled (Possible Study for "Celebration") - graphite on paper - 4 7/8 x 3 in.
IRVING NORMAN
Untitled (Possible Study for "Celebration")
4 7/8 x 3 in.
graphite on paper
IRVING NORMAN - Untitled (Possible Study for "From Work") - pencil on paper - 11 x 14 in.
IRVING NORMAN
Untitled (Possible Study for "From Work")
11 x 14 in.
pencil on paper
IRVING NORMAN - Untitled (Head with Fire) - graphite and crayon on paper - 12 x 8 7/8 in.
IRVING NORMAN
Untitled (Head with Fire)
12 x 8 7/8 in.
graphite and crayon on paper
IRVING NORMAN - Untitled (Possible Study for "From Work") - pencil on paper - 11 x 14 in.
IRVING NORMAN
Untitled (Possible Study for "From Work")
11 x 14 in.
pencil on paper
IRVING NORMAN - Untitled (Abstract Heads) - pen on paper - 8 7/8 x 6 in.
IRVING NORMAN
Untitled (Abstract Heads)
8 7/8 x 6 in.
pen on paper
IRVING NORMAN - Untitled (Possible Study for "The Immortality of Beethoven's 9th Symphony" 2) - graphite on paper - 14 x 11 in.
IRVING NORMAN
Untitled (Possible Study for "The Immortality of Beethoven's 9th Symphony" 2)
14 x 11 in.
graphite on paper
IRVING NORMAN - Untitled (Four Heads) - graphite on paper - 5 x 3 1/2 in.
IRVING NORMAN
Untitled (Four Heads)
5 x 3 1/2 in.
graphite on paper
IRVING NORMAN - Untitled (Possible Study for "From Work") - graphite on paper - 5 x 3 1/2 in.
IRVING NORMAN
Untitled (Possible Study for "From Work")
5 x 3 1/2 in.
graphite on paper
PAUL JENKINS - Phenomena Coriolis Wedge - oil on canvas - 66 x 77 in.
PAUL JENKINS
Phenomena Coriolis Wedge
1979
66 x 77 in.
oil on canvas
PAUL JENKINS - Phenomena Zodiac Violet - watercolor on paper - 40 x 29 in.
PAUL JENKINS
Phenomena Zodiac Violet
1973
40 x 29 in.
watercolor on paper
PAUL JENKINS - Phenomena Yoshihara Sound - watercolor on paper - 30 x 40 1/2 in.
PAUL JENKINS
Phenomena Yoshihara Sound
1975
30 x 40 1/2 in.
watercolor on paper