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格哈德-里希特(生于 1932 年)

 
Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others. Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso's in terms of productivity and genius. The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his "squeegee" works, Richter never settles for repeating the same thought- but is constantly evolving his vision. Richter has been honored by significant retrospective exhibitions, including the pivotal 2002 show,  "Gerhard Richter: Forty Years of Painting," at the Museum of Modern Art, New York.  <br><br>"Abstraktes Bild 758-2" (1992) comes from a purely abstract period in Richter's work- where the message is conveyed using a truly physical painting style, where applied paint layers are distorted with a wooden "Squeegee" tool. Essentially, Richter is sculpting the layers of paint, revealing the underlayers and their unique color combinations; there is a degree of "art by chance". If the painting does not work, Richter will move on- a method pioneered by Jackson Pollock decades earlier.  <br><br>Richter is included in prominent museums and collections worldwide, including the Tate, London, The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art, among many others.
第 758-2 号图片199224 1/2 x 32 1/4 英寸(62.23 x 81.92 厘米(62.23 x 81.92 厘米)布面油画
种源
慕尼黑 Fred Jahn 画廊
哥本哈根福尔斯丘画廊
私人收藏,亚琛
私人收藏,埃森
菲利普斯,纽约,2003 年 5 月 16 日
纽约私人收藏
米歇尔-罗森菲尔德画廊,纽约
展会信息
格哈德-里希特Malerier,哥本哈根法尔斯丘画廊,1996 年
格哈德-里希特。Werke aus Aachener Sammlungen,Ehemalige Reichsabtei,Aachen-Kornelimünster 1999 年

文学
Elger, D (2011),格哈德-里希特:第四卷,彩图。编号 758-2,第 434 页
布赫罗
...更。。。 B.H. D., Gidal, P., Pelzer, B., & Musée d'art moderne de la ville de Paris (1993), Gerhard Richter, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland.
Ehemalige Reichsabtei (1999), Gerhard Richter, Werke aus Aachener Sammlungen [cat.], Aachen-Kornelimünster. color ill. p. 59
菲利普斯(纽约,2003 年 5 月 16 日),当代艺术,第二部分[拍卖目录],第 142 号拍 卖品,彩色插图。4
...少。。。
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"灰色是一种颜色......是所有颜色中最重要的一种......没有意见,什么都没有,既不是也不是。格哈德-里希特

历程

Widely recognized as one of the most consequential artists of our time, Gerhard Richters career now rivals that of Picasso’s in terms of productivity and genius.The multi-faceted subject matter, ranging from slightly out-of-focus photographic oil paintings to Kelly-esque grid paintings to his “squeegee” works, Richter never settles for repeating the same thought but is constantly evolving his vision.里希特曾多次举办重要的回顾展,其中包括 2002 年在巴黎美术馆举办的重要展览 "格哈德-里希特四十年绘画展":纽约现代艺术博物馆举办的 "格哈德-里希特:绘画四十年"

Abstraktes Bild 758-2 (1992 年)是里希特纯抽象时期的作品。里希特用一种真正的物理绘画风格来传达他的信息,他用木制的 "刮板 "工具将层叠的颜料扭曲,从而揭示出底层颜料及其独特的色彩组合。在这样雕刻颜料的过程中,他参与了一定程度的 "偶然艺术"。里希特会对这些手势做出反应,继续添加、涂抹和减少颜料,创造出具有空间感和运动感的纹理表面。

里希特的作品被世界各地著名博物馆收藏,包括伦敦泰特美术馆、 纽约现代艺术博物馆旧金山现代艺术博物馆等。

  • 里克特 1
  • 里克特 2
  • 里氏 3
  • 里氏 4
  • 里氏 5
"现在我们不再有牧师和哲学家,艺术家是世界上最重要的人"。格哈德-里希特

市场情报

  • 里克特 AMR 12.1977-6.2023
  • 格哈德-里希特(Gerhard Richter)在拍卖和销售方面有着辉煌的历史,其主要作品往往超过拍卖前的估价。
  • 格哈德-里希特的年复合增长率为 17.6%。
  • 格哈德-里希特是当代最具影响力的艺术家之一。里希特曾多次举办回顾展,是20 世纪/21世纪最炙手可热的艺术家之一。

拍卖会的最高结果

"Abstraktes Bild》(1986 年),布面油画,118 x 99 英寸。于 2015 年 2 月 10 日在伦敦苏富比拍卖行以 4635.3 万美元的价格售出。
"Domplatz, Mailand"(1968 年),布面油画,108 x 114 英寸。 纽约苏富比拍卖行:2013 年 5 月 14 日,以 3712.5 万美元售出。
"Abstraktes Bild"(1994 年),布面油画,89 x 78 英寸。于 2022 年 5 月 10 日在纽约佳士得拍卖行以 3,650 万美元售出。
"A B,静止》(1986 年),布面油画,89 x 79 英寸。于2016年11月17日在纽约苏富比拍卖行以36,500,000美元售出。

同类拍卖的画作

"雨 (2)》(1988 年),布面油画,26 1/2 x 36 英寸。于 2011 年 11 月 9 日在纽约苏富比拍卖行以 321.85 万美元售出。
  • 与里希特绘制Abstraktes Bild 758-2的时间相近
  • 相似的色调
  • 另一个横向摘要
  • 售价接近估价的 4 倍
"Abstraktes Bild"(1997 年),布面油画,26 1/2 x 37 英寸。于 2012 年 10 月 12 日在纽约苏富比拍卖行以 3,126,908 美元售出。
  • 与里希特绘制Abstraktes Bild 758-2的时间相近
  • 可比色调
  • 另一个水平抽象,比例相当
"Abstraktes Bild》(1988 年),布面油画,28 1/2 x 40 英寸。于2019年11月15日在纽约苏富比拍卖行以254万美元售出。
  • 与里希特绘制Abstraktes Bild 758-2的时间相近
  • 可比色调
  • 另一个水平抽象,比例相当

博物馆收藏的画作

"冰 (3)(1989),布面油画,80 x 64 英寸,芝加哥艺术学院
"圣约翰》(1988 年),布面油画,79 x 102 英寸,泰特美术馆,伦敦
"Abstraktes Bild"(1993 年),布面油画,94 1/2 x 94 ½ 英寸,西雅图艺术博物馆,西雅图
"Abstraktes Bild (825-7)"(1995 年),布面油画,16 x 14 英寸,波士顿美术馆
"好的艺术一般都向往某种东西,就像好的绘画向往某种东西一样,近乎精神或神圣"。格哈德-里希特

认证

发表于 Elger, D (2011),《格哈德-里希特》:第四卷,彩图编号 758-2,第 434 页

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