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HASSEL SMITH (1915-2007)

 
HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in. HASSEL SMITH - Untitled - acrylic on canvas - 68 1/8 x 48 in.
Untitled199068 1/8 x 48 in. acrylic on canvas
Provenance
Estate of Hassel Smith

60,000

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This painting has remained in the same private collection since its creation.  Along with its companion work, "Untitled" (1991) was on display in the lobby of Chicago's Heller International Building at 500 West Monroe Street from the building's opening in 1992 until its renovation in 2015.
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<br>The November 2018 sale of Schnabel's "Large Rose Painting, (Near Van Gogh's Grave)" for $1.2 million at auction demonstrates a strong demand for the artist's work. This major sale was only the second-highest price paid for a Schnabel at auction: the record was set in November of 2017 when "Ethnic Type #14" sold for $1.4 million.  
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<br>A recent museum exhibition, "Julian Schnabel: Symbols of Actual Life" at the Legion of Honor, Fine Arts Museums of San Francisco, in 2018, featured several of Schnabel's large-scale paintings.

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In the 1970s, Butterfield made her first horses from plaster, papier-mâché, and mud and sticks. In 1980, she traveled to Israel on a John Simon Guggenheim grant, and worked with steel and other detritus of wars, and determined the material held emotional content. This set her on a course of making horses with found and welded steel, fused aluminum, copper, and wood — materials that also have a history. Butterfield’s “Yellow River,” c. 1984, is an uncommon example of the artist’s work as the subject is in repose with an experimental minimalist aesthetic. Created using scrap metal from a school bus, the painted steel elements seem to combine organically. Butterfield is widely recognized for her materials-oriented approach to sculpture. 
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Richard Prince is one of the most influential names in contemporary art. Prince is part of The Pictures Generation, a loosely associated group of artists who appropriated mass media imagery to examine and question issues of stereotypes, cultural tropes, and the constructed narrative of images. Prince and The Pictures Generation helped to usher in post-modernism in art.
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<br>In the late 1970s, Richard Prince began taking photographs of photographs, appropriation art in line with the readymades of Marcel Duchamp. "Untitled (Portrait)(Boy)" was included in the sensational 2014 Gagosian exhibition, New Portraits. For this series, Prince himself commented on each of the Instagram images and appropriated them for this body of work, creating a precise snapshot of our time. This work and series ask us to question the meaning within the proliferation of “selfies” and how people use these images to create and to project a narrative of themselves. It also challenges ideas of authorship, both constructing and deconstructing the nature of images while capturing a sense of immediacy within the apparatus of social media.

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