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TSENG KWONG CHI (1950-1990)

 
Lake Louise, Canada198616 x 20 in. silver gelatin print

5,800

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This painting has remained in the same private collection since its creation.  Along with its companion work, "Untitled" (1991) was on display in the lobby of Chicago's Heller International Building at 500 West Monroe Street from the building's opening in 1992 until its renovation in 2015.
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<br>The November 2018 sale of Schnabel's "Large Rose Painting, (Near Van Gogh's Grave)" for $1.2 million at auction demonstrates a strong demand for the artist's work. This major sale was only the second-highest price paid for a Schnabel at auction: the record was set in November of 2017 when "Ethnic Type #14" sold for $1.4 million.  
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<br>A recent museum exhibition, "Julian Schnabel: Symbols of Actual Life" at the Legion of Honor, Fine Arts Museums of San Francisco, in 2018, featured several of Schnabel's large-scale paintings.

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Contemporary American artist George Condo coined the term “artificial realism” to characterize the figures that appear in his work – often described as a combination of European Old Master painting and American Pop art. Condo has defined the term as the “realistic representation of that which is artificial.” Known for figures that are often grotesque or fractured, Condo creates art that is both Contemporary and rooted in art historical tradition, drawing inspiration from Cubism or, in this case, reaching back to ancient Greece. In an uncommon work of sculpture, Condo imparts his distinctive style to the face of a Mycenaean archetype, the goddess figure.

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TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in.

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WILLIAM MORRIS - Artifact Pouch - blown glass - 20 x 20 x 20 in.

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HASSEL SMITH - I Dreamt I Dwelt in Marble Halls - acrylic on canvas - 68 x 68 in.

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HASSEL SMITH - Untitled - acrylic on canvas - 68 x 67 3/4  in.

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PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in.

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PETER SHELTON - noarm. - plastic and acrylic - 45 x 15 3/4 x 8 in.

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HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in.

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TONY DE LOS REYES - The Needle - oil on linen - 89 x 119 x 6 in.

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KENNETH NOLAND - Winds 82-08 - painted monotype on handmade paper - 86 x 32 in.

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RUSSELL YOUNG - Mountain - indigo pigment screenprint on felt in 6 panels - 74 x 120 in.

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JEFF KOONS - Girl with Lobster - color digital ditone print - 29 1/4 x 24 in.

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PETER D. GERAKARIS - Daphne I - oil on canvas - 72 x 36 in.

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PETER D. GERAKARIS - Daphne II (Slap That Bass) - oil on canvas - 72 x 36 in.

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WILLIAM WEGMAN - Alder - Polaroid Polacolor print, mtnd - 26 x 20 3/4 in

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GUSTAVE HEINZE - Store Front #122 - acrylic on masonite - 40 x 40 in.

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PETER D. GERAKARIS - Caribou Mask Remix - acrylic, iridescent pigments, & mixed-media on canvas - 32 x 32 in.

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CHINA ADAMS - Glass Box #25 - artist's burdensome possessions - 15 x 15 1/2 x 15 1/2 in.

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All 15 photographs sold as a set. Size of image without small white border: 16 1/2 x 11 in.
<br>Published on the occasion of the Keith Haring sculpture show "L'art a la Plage", St. Tropez, France, summer 2005.
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<br>The set comes in a silk box with a copy of the newly publilshed Tseng Kwong Chi book.

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WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in.

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ROGER THOMAS - Grenelle Arm Chairs - black lacquer finish and gold cord on muslin with original drawings - 38 x 24 x 24 in.

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ED DEAN - Ninja - rusted steel on black absolute granite - 16 x 16 1/2 x 9 in.

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Image size (without white border): 19 5/8 x 12 1/2 in.

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RONALD DAVIS - A Cube - render on glass - 11 x 11 x 1/4 in.

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