Back

ANTHONY CARO

 
ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in. ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in.
Figure in a Tub1985-8642 x 30 1/4 x 24 1/4 in. bronze
Provenance
Acquavella Gallery, New York
Private Collection, New York

180,000

Inquire

Similar Artworks

The stands are: The 32 H x 19-3/4 W x 19-3/4 D in.
<br>
<br>Rat: 27 7/8 x 12 7/8 x 20 7/8 in.
<br>Ox: 29 1/8 x 20 1/8 x 16 7/8
<br>Tiger: 25 7/8 x 14 7/8 x 16 7/8
<br>Rabbit: 27 7/8 x 9 7/8 x 18 7/8
<br>Dragon: 35 7/8 x 18 1/8 x 25 7/8
<br>Snake: 27 7/8 x 14 1/8 x 6 3/4
<br>Horse: 29 1/8 x 12 1/4 x 22
<br>Ram: 25 1/4 x 20 7/8 x 16 1/8
<br>Monkey: 27 1/8 x 12 7/8 x 14 7/8
<br>Rooster: 24 x 9 x 16 7/8
<br>Dog: 25 1/4 x 14 7/8 x 18 7/8
<br>Boar: 27 1/8 x 16 1/8 x 20 7/8

AI WEIWEI

Not Vital - Tongue - stainless steel - 307 x 67 x 59 in.

Not Vital

Julian Schnabel is an American painter whose style is associated with the Neo-Expressionist movement of the 1980s. Pascin Pig Passin Time is part of Schnabel’s broken plate series of paintings, inspired by the trencadís, or broken tile mosaic, of architect Antoni Gaudí. With a humorous title and depicting his first wife, Jacqueline Beaurang, the broken ceramics give Schnabel an assertive and textural surface in which to create large-scale works that captured the brash and audacious period of the 1980s.

JULIAN SCHNABEL

Deborah Butterfield is an American sculptor, best known for her sculptures of horses made of objects ranging from wood, metal, and other found objects. The 1981 piece, Untitled (Horse), is comprised of sticks and paper on wire armature. The impressive scale of this piece creates a remarkable effect in person, presenting a striking example of Butterfield's celebrated subject matter. Butterfield originally created the horses from wood and other materials found on her property in Bozeman, Montana and saw the horses as a metaphorical self-portrait, mining the emotional resonance of these forms.

DEBORAH BUTTERFIELD

Alex Katz is a pivotal figure in American figurative art. His colorful, stylized, flat portraiture and paintings stand in stark contrast to the Abstract Expressionism in which he came of age. Not quite minimalist, his deadpan figures have qualities that also lends comparisons to pop culture and commercial design. This painting of a man playing the ukulele highlights the sort of gatherings of young people that would interest Katz giving both the sense of cool detachment but also cool hipness.

ALEX KATZ

Henry Moore, a father of Modern British sculpture, is known for his large-scale, semi-abstract figurative sculptures in bronze, wood, and marble. This 1960 bronze sculpture of two seated figures demonstrates Moore’s gestural treatment of material. The focus on a family group is reflective of the artist’s move toward a sense of optimism after World War II. Small sculptures like this one are rare, and in subject mater and composition are reminiscent of his earlier seated figures based upon ancient Egyptian royal sculpture.

HENRY MOORE

AARON CURRY - Yellow Bird Boy - powder-coated aluminum and steel - 114 x 97 x 60 in.

AARON CURRY

STERLING RUBY - Big Grid / Solo Tear - welded brass - 84 x 84 x 36 in.

STERLING RUBY

MATT JOHNSON - Pieta - cast bronze - 65 x 58 x 40 in.

MATT JOHNSON

ED RUSCHA - The End - glass hologram set - 11 x 14

ED RUSCHA

WILLIAM MORRIS - Fallow Deer Situla - blown glass - 16 x 23 1/2 x 13 in.

WILLIAM MORRIS

THEASTER GATES - Lathe Black Box - wood, glass and lathe - 50 1/4 x 53 x 6 7/8 in.

THEASTER GATES

LEANDRO ERLICH - Rain - steel frame, wood wall board, sliding glass window and casting, faux brick interior, water circulati - 73 3/8 x 96 3/4  x 26 1/4 in.

LEANDRO ERLICH

Zhu Yi Yong - Woman with a Fan - oil on canvas - 43 x 37 1/2 in.

Zhu Yi Yong

ROBERT MAPPLETHORPE - Orchids - dye-transfer print - 22 1/2 x 21 1/2 in.

ROBERT MAPPLETHORPE

ALEX KATZ - Untitled - oil on masonite - 11 7/8 x 15 3/4 in.

ALEX KATZ

PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in.

PETER SHELTON

MARTIN CREED - Work No. 2147 - acrylic on canvas - 16 x 20 in.

MARTIN CREED

THEASTER GATES - Stand-Ins for Period of Wreckage 25 - white concrete and porcelain - 48 x 12 x 12 in.

THEASTER GATES

GUILLERMO KUITCA - Untitled - oil on plywood - 18 1/4 x 25 5/8 in.

GUILLERMO KUITCA

RUSSELL YOUNG - Mountain - indigo pigment screenprint on felt in 6 panels - 74 x 120 in.

RUSSELL YOUNG

THOMAS WILLIAM JONES - Skagit Yellow - watercolor - 13 x 20 in.

THOMAS WILLIAM JONES

AMY SILLMAN - Untitled #7 - gouache, chalk, and pencil on etching on paper - 31 x 28 in.

AMY SILLMAN

THOMAS WILLIAM JONES - Silvana Morning - watercolor - 9 1/4 x 14 1/2 in.

THOMAS WILLIAM JONES

Provenance:
<br>Black Dragon Society, Los Angeles, CA
<br>Private Collection, Los Angeles, CA

ELISA JOHNS

STEPHEN P. CURRY - Cardinal (Pomegranates) - oil on canvas - 39 1/4 x 50 in.

STEPHEN P. CURRY

JAE KON PARK - Untitled - oil on canvas - 11 x 13 1/2 in.

JAE KON PARK

WILLIAM WEGMAN - Open Window - large-format Polacolor print - 26 x 20 3/4 in

WILLIAM WEGMAN

ROGER THOMAS - Perfected World 3 Candlestick - pastel on Dieu Donné handmade archival rag - 60 x 40 in.

ROGER THOMAS

LAWRENCE LEE - There by Flight - India Ink, Graphite, Tea Stains, Pen and Watercolor - 32 x 32 in.

LAWRENCE LEE