Back

TIM HAWKINSON (b. 1960)

 
TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in. TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in.
Forest Ear199572 x 48 x 1 3/4 in. wood and mixed media

125,000

Inquire

Similar Artworks

Alexander Calder's "The Palm Tree", (1947) has an understated beauty and brings to life Calder's mastery of the oil paint medium.  The present work is registered with the Alexander Calder Foundation under number #A08381.  This painting was acquired directly from Perls Galleries in New York in 1974. Perls was one of the primary dealers of Calder's work.  The painting has never been to auction and has remained in the same private collection since 1974.

ALEXANDER CALDER

Julian Schnabel is an American painter whose style is associated with the Neo-Expressionist movement of the 1980s. Pascin Pig Passin Time is part of Schnabel’s broken plate series of paintings, inspired by the trencadís, or broken tile mosaic, of architect Antoni Gaudí. With a humorous title and depicting his first wife, Jacqueline Beaurang, the broken ceramics give Schnabel an assertive and textural surface in which to create large-scale works that captured the brash and audacious period of the 1980s.

JULIAN SCHNABEL

Gary Hume's "Seabird" (2006) is a bold, innovative work that shows his talent in seamlessly forming a geometric composition with his signature gloss-paint on aluminum technique. This piece is bright, playful, and an excellent example of Hume's work.
<br>
<br>Gary Hume was an early member of the "YBA" or Young British Artist group.  Hume participated, alongside Damien Hirst, in the seminal 1988 London exhibition "Freeze."  Elected to the Royal Academy in 2001, Hume was also nominated for the 1996 Turner Prize. The artist was also subject of a critically acclaimed 2013 retrospective exhibition at the Tate Britain.  
<br>
<br>Hume's work is widely represented in Museum collections worldwide, including the Metropolitan Museum of Art in New York, The Philadelphia Museum of Art, and the Tate in London.

GARY HUME

Roy Lichtenstein’s style of Pop art was inspired by comic strips, in which he created images through a combination of mechanical reproduction and hand-drawing. He used iconic images and cultural influences to create striking action images, often with captions and onomatopoeic exclamations, much as one would find in comics. This screenprint is from a group of seven Reflections prints and in each, the image is obscured by color and patterns resembling the reflected light as if behind glass. Inspired by trying to photograph a work by Robert Rauschenberg behind glass, Lichtenstein appropriated images from his past and thus brings the appropriation of Pop art full circle.

ROY LICHTENSTEIN

TOM WESSELMANN - Study for Bedroom Painting #6 - pencil and thinned Liquitex on paper - 5 1/4 x 6 3/4 in.

TOM WESSELMANN

Contemporary German artist Katharina Grosse works in a variety of media to accomplish site-specific works as well as smaller-scale sculptures such as the present work, "Untitled 2015".  The structure of Grosse's compositions are meant to invoke emotional reactions from the viewer.  The artist believes that the physical presence of the viewer affects the work and changes an individual's experience of that work.  
<br>
<br>Grosse is included in numerous museum collections worldwide, including the Museum of Modern Art, New York, and in 2019 was selected for a mural commission at the Museum of Fine Arts, Boston. "Untitled, 2015" has a prestigious exhibition history, having been included in: Venice Biennale Art, "All the World's Future," 2015 by Okwui Enwezor (curator).  
<br>
<br>"That is the challenge for me, to find a way to make painting visible - make it a visceral part of our everyday life"- Katharina Grosse.

KATHARINA GROSSE

GEORGE CONDO - Girl With Bow Tie - oil on canvas - 39 1/4 x 28 3/4 in

GEORGE CONDO

Contemporary Chinese artist Zhang Huan is best known for his provocative and challenging performance art. The detailed insects in this painting recall the artist's striking performance piece, 12 Square Meters (1994), in which he sat covered in honey and fish oil in an unkept public toilet, attracting flies and other insects. Here, canvas replaces flesh, allowing bugs to explore this human terrain. Earth Life No. 19 (2007) is meant to be a meditation on the ability of mind and spirit to overcome physical discomfort.

ZHANG HUAN

HASSEL SMITH - Untitled - acrylic on canvas - 67 3/4 x 67 5/8 in.

HASSEL SMITH

ALEX KATZ - Untitled - oil on masonite - 11 7/8 x 15 3/4 in.

ALEX KATZ

Celebrated Hassel Smith moved through different styles over his long career including Abstract Expressionism, his “Measured” series, and Gestural Abstraction. This painting comes from his “Measured” period in which paintings encompassed geometric shapes and numbers on grids. Smith finds rhythms in the paintings through the intervals and sizes of the shapes. Among his friends were Clyfford Still and Mark Rothko. Smith lived in the Bay Area of California before moving to the UK, settling in Cornwall and Bristol. Heather James is proud to represent the estate of Hassel Smith.

HASSEL SMITH

ALEXANDER CALDER - Untitled - gouache and ink on paper - 37 1/2 x 81 3/4 in.

ALEXANDER CALDER

HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in.

HASSEL SMITH

ALEXANDER CALDER - Compositions with Faces and Forms - ink on paper - 15 1/2 x 23 in. ea.

ALEXANDER CALDER

KENNETH NOLAND - Winds 82-23 - painted monotype on handmade paper - 86 1/2 x 31 3/8 in.

KENNETH NOLAND

KENNETH NOLAND - Winds 82-08 - painted monotype on handmade paper - 86 x 32 in.

KENNETH NOLAND

RUSSELL YOUNG - Mountain - indigo pigment screenprint on felt in 6 panels - 74 x 120 in.

RUSSELL YOUNG

RUSSELL YOUNG - Wave - indigo pigment screenprint on felt in 6 panels - 74 x 120 in.

RUSSELL YOUNG

WILLIAM GLEN CROOKS - Night and Day Café - oil on canvas - 48 x 36 in.

WILLIAM GLEN CROOKS

ERIC JON HOLSWADE - Bird's Eye View - oil, flashe & gouache on cardboard - 65 x 78 in.

ERIC JON HOLSWADE

TIMOTHY TOMPKINS - Jungle v.1 - commercial enamel on aluminum - 48 x 80 in.

TIMOTHY TOMPKINS

Ann Craven - Full Moon with Clouds - oil on canvas - 14 x 14 in.

Ann Craven

CHINA ADAMS - Glass Box #25 - artist's burdensome possessions - 15 x 15 1/2 x 15 1/2 in.

CHINA ADAMS

WILLIAM WEGMAN - Marigolds, Petunias, Meimaraners, etc. - photograph on paper - 6 3/4 x 13 in.

WILLIAM WEGMAN

ROGER THOMAS - Grenelle Arm Chairs - Black Lacquer Finish and Gold Cord on Muslin with Original Drawings; Unique - 38 x 24 x 24 in.

ROGER THOMAS

LAWRENCE LEE - There by Flight - India Ink, graphite, tea stains, pen and watercolor on paper - 32 x 32 in.

LAWRENCE LEE