close

Back

LAWRENCE SCHILLER (b. 1936)

ARTIST BIO INQUIRE SIMILAR ARTWORKS

Robert Kennedy, San Diego196811 x 14 in. Vintage Silver Gelatin Photograph

25,000

Similar Artworks

SAM FRANCIS - A Whirling Square - acrylic on canvas - 222 x 210 in.

SAM FRANCIS

SAM FRANCIS - Yellow, Blue & Orange - watercolor on paper - 22 1/8 x 30 1/8 in.

SAM FRANCIS

Roy Lichtenstein’s style of Pop art was inspired by comic strips, in which he created images through a combination of mechanical reproduction and hand-drawing. He used iconic images and cultural influences to create striking action images, often with captions and onomatopoeic exclamations, much as one would find in comics. This screenprint is from a group of seven Reflections prints and in each, the image is obscured by color and patterns resembling the reflected light as if behind glass. Inspired by trying to photograph a work by Robert Rauschenberg behind glass, Lichtenstein appropriated images from his past and thus brings the appropriation of Pop art full circle.

ROY LICHTENSTEIN

RICHARD DIEBENKORN - Blue Surround - spit bite aquatint & drypoint aquatint on paper - paper: 35 x 26 1/4 in.

RICHARD DIEBENKORN

American artist Robert Rauschenberg helped to revolutionize art in the 20th century through his assemblages incorporating found objects and pop culture. For the Hoarfrost series, Rauschenberg used solvent to transfer images from newspapers and magazines to unstretched fabric. Hoarfrost is a kind of lacy film made up of minute, needle-like ice crystals. Rauschenberg evoked the transience of the hoarfrost by printing newspaper and magazine pages on overlapping layers of delicate fabrics. Other pieces in this series are in the collections of The Guggenheim, MoMA, SF MOMA, the National Gallery of Art and Tate.

ROBERT RAUSCHENBERG

Stanton Macdonald-Wright was a co-founder of the Synchromism movement, which combined abstraction and intense color. He was influenced by ideas that the qualities of color were connected to the qualities of music. He stopped painting this way in the 1920s, but his work experienced a revitalization in the 1950s, following a retrospective of his work at LACMA. Inspired by the renewed interest, Wright began producing works with increased passion; these works were considered Neo-Synchromism. La Gaîté is a phenomenal example of this period in Wright’s career, showcasing the brighter colors and larger canvases he favored during his personal renaissance.

STANTON MACDONALD-WRIGHT

MANUEL NERI - Standing Male Figure - polychrome plaster and wood - 70 x 13 3/4 x 19 in.

MANUEL NERI

Norman Bluhm's Black and Red (1953), first owned by fellow artist Sam Francis, is an explosive drip painting that characterizes the artist’s style in the late 1950s. Bluhm's process and resulting work epitomizes the category of Abstract Expressionist painters that earned the moniker "action" painters. The energy and passion present in Bluhm’s work was likely fueled by his experience fighting in World War II. The intensity of his paintings from the decade following the war is one reason why Bluhm’s work from the 1950s are some of the most highly sought-after. The top ten prices for the artist at auction are held by paintings from this era.

NORMAN BLUHM

RICHARD DIEBENKORN - Untitled (Urbana Series) - ink on paper - 13 7/8 x 11

RICHARD DIEBENKORN

Carl Andre is an American artist who helped pioneer minimalist sculpture and was the husband of famed and celebrated artist Ana Mendieta. This is a classic text piece from the early 1960s and is typical of his poems which are composed by selecting individual words from source texts, and then ordering them on the page according to simple and self-evident criteria, which, in this case, is by alphabetical listing. Aviator Charles Lindbergh deep fascinated Carl Andre whom he returned to as a source for his poetry. This work with its structured repetition like his famed sculptures reflect the minimalism and post-minimalism emerging in the 1960s and the 1970s including fellow concrete poet Christopher Knowles.

CARL ANDRE

NANCY SPERO - The Modest Orgasms of the Middle Class - gouache, charcoal, and collage on paper - 25 x 20 in.

NANCY SPERO

HASSEL SMITH - Untitled - acrylic on canvas - 68 x 68 in.

HASSEL SMITH

ROLAND PETERSEN - Luncheon - oil on canvas - 24 1/4 x 26 3/8 in.

ROLAND PETERSEN

HASSEL SMITH - Cirlces Etc. #2 - acrylic on canvas - 68 x 48 in.

HASSEL SMITH

LAWRENCE SCHILLER - Marilyn Monroe - Vintage Silver Gelatin Photograph - 11 x 14 in.

LAWRENCE SCHILLER

FRED MITCHELL - Untitled - oil on canvas - 72 x 72 in.

FRED MITCHELL

ROBERT FRAME - Untitled - oil on canvas - 40 x 48 in.

ROBERT FRAME

PAUL JENKINS - Phenomena Violet Scent - oil on canvas - 14 x 18 in.

PAUL JENKINS

ROBERT NATKIN - Bern Series (#421) - acrylic on canvas - 34 x 46 in.

ROBERT NATKIN

LAWRENCE SCHILLER - Paul Newman - Vintage Silver Gelatin Photograph - 14 x 11 in.

LAWRENCE SCHILLER

RED GROOMS - Portrait of John Powers - watercolor on paper - 33 3/4 x 22 in.

RED GROOMS

ROBERT FRAME - River Bluff - oil on canvas - 20 x 24 in.

ROBERT FRAME

KENNETH NOLAND - Chevron - monotype on Japanese handmade paper mounted on board - 8 1/4 x 12 3/4 in.

KENNETH NOLAND

PROVENANCE:
<br>Acquired from artist California

ROBERT NATKIN

ELMER BISCHOFF - Untitled - ink wash collage with drawing on verso on paper - 21 7/8 x 18 7/8 in.

ELMER BISCHOFF

MASAKO TAKAHASHI - Untitled - oil on canvas - 32 x 26 in.

MASAKO TAKAHASHI

WILLIAM WEGMAN - Three Dolls - Silver gelatin print - 7 1/4 x 6 3/4 in.

WILLIAM WEGMAN

CLINTON HILL - Untitled - gouache on paper - 18 1/2 x 24 in.

CLINTON HILL