Back

PETER SHELTON

 
PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in. PETER SHELTON - onelongsleeve - metal - 29 1/2 x 47 3/4 x 10 1/2 in.
onelongsleeve1987 - 9029 1/2 x 47 3/4 x 10 1/2 in. metal
Provenance
Private Collection, Chicago

75,000

Inquire

Similar Artworks

JULIAN SCHNABEL - Untitled - oil, resin, gesso, fabric and leather on seamed dropcloth - 96 x 120 in.

JULIAN SCHNABEL

MATT JOHNSON - Pieta - cast bronze - 65 x 58 x 40 in.

MATT JOHNSON

More than an artist, Theaster Gates also works as curator, urban planner, and project facilitator. From sculpture to painting, installation to public projects, Gates’s works are hubs in which to question labor and commodity while also bringing to the fore people and things that are often unseen and unheard. Convex Concave takes custom-made bricks that Gates had previously used for Black Vessel for a Saint at the Walker Art Center and repurposes it into a painting-like sculpture that references minimalist artist like Sol LeWitt, the labor of making bricks, and the original context of the bricks for the installation at the Walker.

THEASTER GATES

Ed Ruscha is one of the most distinguished American artists due in part for his explorations of the symbols of Americana and the relationship between language and art. The End is a cinematic theme that the artist used in the 1990s and 2000s, appearing in paintings, prints, and drawings – notably the 1991 large-scale painting at the Museum of Modern Art. Addressing the passage of time and obsolescence, Ruscha makes use of an antiquated typeface and an old cinematic tradition of using text in film. The concept of ephemerality is enhanced by the words themselves, The End, and the nature of the medium itself; considered futuristic when it was developed in the 1960s, the laser technology for holograms also creates a sense of impermanence as the images change with the viewer’s movement. While there is innate movement in the shifting words and images, these holograms also represent a full stop – a transitory moment frozen in time.

ED RUSCHA

ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in.

ANTHONY CARO

ED RUSCHA - The End - glass hologram set - 11 x 14

ED RUSCHA

WILLIAM MORRIS - Fallow Deer Situla - blown glass - 16 x 23 1/2 x 13 in.

WILLIAM MORRIS

TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in.

TIM HAWKINSON

WILLIAM MORRIS - Artifact Pouch - blown glass - 20 x 20 x 20 in.

WILLIAM MORRIS

Zhu Yi Yong - Woman with a Fan - oil on canvas - 43 x 37 1/2 in.

Zhu Yi Yong

HASSEL SMITH - Untitled - acrylic on canvas - 67 7/8 x 68 in.

HASSEL SMITH

HASSEL SMITH - Untitled - acrylic on canvas - 68 x 68 in.

HASSEL SMITH

HASSEL SMITH - Untitled - acrylic on canvas - 68 x 48 in.

HASSEL SMITH

KENNETH NOLAND - Winds 82-08 - painted monotype on handmade paper - 86 x 32 in.

KENNETH NOLAND

RUSSELL YOUNG - Wave - indigo pigment screenprint on felt in 6 panels - 74 x 120 in.

RUSSELL YOUNG

SYLVIA PLIMACK MANGOLD - Gray Winter Glaze - oil on canvas - 30 x 40 in.

SYLVIA PLIMACK MANGOLD

THOMAS WILLIAM JONES - After Halloween - watercolor - 10 3/4 x 10 1/4 in.

THOMAS WILLIAM JONES

JAE KON PARK - Untitled - oil on canvas - 11 x 13 1/2 in.

JAE KON PARK

WILLIAM WEGMAN - Open Window - large-format Polacolor print - 26 x 20 3/4 in

WILLIAM WEGMAN

F. MORTIMER LAMB - A Summer's Day - oil on board - 18 x 22 in.

F. MORTIMER LAMB

WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in.

WILLIAM WEGMAN

PENELOPE GOTTLIEB - Hibiscadelphus wilderianus - ballpoint pen and graphite on paper - 59 1/4 x 39 1/4 in.

PENELOPE GOTTLIEB

ROGER THOMAS - Grenelle Arm Chairs - Black Lacquer Finish and Gold Cord on Muslin with Original Drawings; Unique - 38 x 24 x 24 in.

ROGER THOMAS

RONALD DAVIS - Dark Tube - proprietary pixel dust on aluminum - 20 x 20 in.

RONALD DAVIS

TSENG KWONG CHI - Lake Louise, Canada - silver gelatin print - 16 x 20 in.

TSENG KWONG CHI

MARINO MARINI - Untitled (From Shakespeare I) - lithograph - 29 1/2 x 22 in.

MARINO MARINI

WILLIAM WEGMAN - Marigolds, Flying Puppy - photograph on paper - 9 x 9 in.

WILLIAM WEGMAN

JOAN NELSON - Untitled - acrylic ink and acrylic medium on paper - 2 7/8 x 2 7/8 in.

JOAN NELSON