Back

PAUL LAURITZ (1889-1975)

 
PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in. PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in. PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in. PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in. PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in. PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in. PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in. PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in. PAUL LAURITZ - Tree Shadowed Road - oil on canvas - 40 1/8 x 50 1/4 in.
Tree Shadowed Road40 1/8 x 50 1/4 in. oil on canvas
Provenance
Private Collection, California

37,000

Inquire

Similar Artworks

"Farm House at Essex" is an exceptionally rare and important example of Edward Hopper's work.  Very few works of such significance remain in private collections, the vast majority of the artist's work in Museum collections- including the Whitney Museum of American Art, New York.  
<br>
<br>Hopper was fascinated with depicting his surroundings; it became his passion and obsession.  Hopper revisited themes and subjects in various media, usually starting with drawings and preliminary works on paper- which could (but not always) develop into oil paintings.   
<br>
<br>Edward Hopper is widely recognized as one of the greatest painters of the 20th Century; his paintings have become ensconced in American culture and folk-lore.

EDWARD HOPPER

Spring, an unusually large-scale oil painting by William Wendt, depicts a huge expanse of blue, almost cloudless California sky over a wide, flat plain of verdant grass.  The only other adornments to this landscape are stands of tall, thin trees that, in the forefront, seem to tower over the far distant snow-capped mountaintop. Wendt’s Impressionist style is evident in the detailed brushwork that makes up the sky. Using short dashes of blue upon blue, Wendt builds the varying color from dark at the top to lighter blue as it nears the mountain on the horizon. Looking closely, the sky almost appears to be a mosaic, but from further back, the colors and strokes blend seamlessly to create its soft, pastel look.

WILLIAM WENDT

HASSEL SMITH - Quilt Pattern - acrylic on canvas - 68 x 68 in.

HASSEL SMITH

EDWARD STEICHEN - Colette - silver gelatin print - 13 x 10 1/4 in.

EDWARD STEICHEN

EDWARD STEICHEN - Agnes Meyer - silver gelatin print - 9 1/4 x 7 1/4 in.

EDWARD STEICHEN