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WILLIAM WEGMAN (b. 1943)

 
WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in.
Fairy Godmother1992 26 x 20 3/4 in. Polacolor print on paper
Provenance
Private Collection, Illinois

7,500

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Similar Artworks

Along with its companion work, "Untitled" (1991) was on display in the lobby of Chicago's Heller International Building at 500 West Monroe Street from the building's opening in 1992 until its renovation in 2015. This painting has remained in the same private collection since its creation.  
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<br>The November 2018 sale of Schnabel's "Large Rose Painting, (Near Van Gogh's Grave)" for $1.2 million at auction demonstrates a strong demand for the artist's work. This major sale was only the second-highest price paid for a Schnabel at auction: the record was set in November of 2017 when "Ethnic Type #14" sold for $1.4 million.  
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<br>A recent 2018 museum exhibition, "Julian Schnabel: Symbols of Actual Life" at the Legion of Honor, Fine Arts Museums of San Francisco, featured several of Schnabel's large-scale paintings.

JULIAN SCHNABEL

MATT JOHNSON - Pieta - cast bronze - 65 x 58 x 40 in.

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More than an artist, Theaster Gates also works as curator, urban planner, and project facilitator. From sculpture to painting, installation to public projects, Gates’s works are hubs in which to question labor and commodity while also bringing to the fore people and things that are often unseen and unheard. Convex Concave takes custom-made bricks that Gates had previously used for Black Vessel for a Saint at the Walker Art Center and repurposes it into a painting-like sculpture that references minimalist artist like Sol LeWitt, the labor of making bricks, and the original context of the bricks for the installation at the Walker.

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ANTHONY CARO - Figure in a Tub - bronze - 42 x 30 1/4 x 24 1/4 in.

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Ed Ruscha is one of the most distinguished American artists due in part for his explorations of the symbols of Americana and the relationship between language and art. The End is a cinematic theme that the artist used in the 1990s and 2000s, appearing in paintings, prints, and drawings – notably the 1991 large-scale painting at the Museum of Modern Art. Addressing the passage of time and obsolescence, Ruscha makes use of an antiquated typeface and an old cinematic tradition of using text in film. The concept of ephemerality is enhanced by the words themselves, The End, and the nature of the medium itself; considered futuristic when it was developed in the 1960s, the laser technology for holograms also creates a sense of impermanence as the images change with the viewer’s movement. While there is innate movement in the shifting words and images, these holograms also represent a full stop – a transitory moment frozen in time.

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TIM HAWKINSON - Forest Ear - wood and mixed media - 72 x 48 x 1 3/4 in.

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CINDY SHERMAN - Untitled - color photograph - 34 x 23 1/4 in.

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ALEX KATZ - Untitled - oil on masonite - 11 7/8 x 15 3/4 in.

ALEX KATZ

PETER SHELTON - Whitebagbone - mixed media - 86 x 22 x 18 in.

PETER SHELTON

TONY DE LOS REYES - The Needle - oil on linen - 89 x 119 x 6 in.

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KENNETH NOLAND - Winds 82-08 - painted monotype on handmade paper - 86 x 32 in.

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RUSSELL YOUNG - Wave - indigo pigment screenprint on felt in 6 panels - 74 x 120 in.

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THOMAS WILLIAM JONES - After Halloween - watercolor on paper - 10 3/4 x 10 1/4 in.

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PETER D. GERAKARIS - Caribou Mask Remix - acrylic, iridescent pigments, & mixed-media on canvas - 32 x 32 in.

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WILLIAM WEGMAN - Open Window - large-format Polacolor print - 26 x 20 3/4 in

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JAE KON PARK - Untitled - oil on canvas - 11 x 13 1/2 in.

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CHINA ADAMS - Glass Box #25 - artist's burdensome possessions - 15 x 15 1/2 x 15 1/2 in.

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KAORU MANSOUR - Iro (hana) #497 - mixed media on canvas - 30 x 40 in.

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PENELOPE GOTTLIEB - Hibiscadelphus wilderianus - ballpoint pen and graphite on paper - 59 1/4 x 39 1/4 in.

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ROGER THOMAS - Grenelle Arm Chairs - black lacquer finish and gold cord on muslin with original drawings - 38 x 24 x 24 in.

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RONALD DAVIS - Dark Tube - proprietary pixel dust on aluminum - 20 x 20 in.

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TSENG KWONG CHI - Lake Louise, Canada - silver gelatin print - 16 x 20 in.

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ED DEAN - Ninja - rusted steel on black absolute granite - 16 x 16 1/2 x 9 in.

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MARINO MARINI - Untitled (From Shakespeare I) - lithograph - 29 1/2 x 22 in.

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WILLIAM WEGMAN - Marigolds, Flying Puppy - photograph on paper - 9 x 9 in.

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