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WILLIAM WEGMAN (b. 1943)

 
WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in. WILLIAM WEGMAN - Fairy Godmother - Polacolor print on paper -  26 x 20 3/4 in.
Fairy Godmother1992 26 x 20 3/4 in. Polacolor print on paper
Provenance
Private Collection, Illinois

7,500

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Alex Katz is a pivotal figure in American figurative art. His colorful, stylized, flat portraiture and paintings stand in stark contrast to the Abstract Expressionism in which he came of age. Not quite minimalist, his deadpan figures have qualities that also lends comparisons to pop culture and commercial design. This painting of a man playing the ukulele highlights the sort of gatherings of young people that would interest Katz giving both the sense of cool detachment but also cool hipness.

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Contemporary American artist George Condo coined the term “artificial realism” to characterize the figures that appear in his work – often described as a combination of European Old Master painting and American Pop art. Condo has defined the term as the “realistic representation of that which is artificial.” Known for figures that are often grotesque or fractured, Condo creates art that is both Contemporary and rooted in art historical tradition, drawing inspiration from Cubism or, in this case, reaching back to ancient Greece. In an uncommon work of sculpture, Condo imparts his distinctive style to the face of a Mycenaean archetype, the goddess figure.

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THEASTER GATES - Lathe Black Box - wood, glass and lathe - 50 1/4 x 53 x 6 7/8 in.

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CINDY SHERMAN - Untitled - color photograph - 34 x 23 1/4 in.

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HASSEL SMITH - I Dreamt I Dwelt in Marble Halls - acrylic on canvas - 68 x 68 in.

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ALEX KATZ - Untitled - oil on masonite - 11 7/8 x 15 3/4 in.

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HASSEL SMITH - In Berkeley - acrylic on canvas - 70 x 49 in.

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MABEL MAY WOODWARD - Beach Scene - watercolor on paper - 14 1/2 x 19 1/2 in.

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KENNETH NOLAND - Winds 82-08 - painted monotype on handmade paper - 86 x 32 in.

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AMY SILLMAN - Untitled #7 - gouache, chalk, and pencil on etching on paper - 31 x 28 in.

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ROBERT FRAME - Still Life on Green Table - oil on canvas - 30 x 40 in.

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PETER SHELTON - whitebeard - 41 x 7 x 6 1/2 in.

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PETER D. GERAKARIS - Daphne II (Slap That Bass) - oil on canvas - 72 x 36 in.

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WILLIAM WEGMAN - Alder - Polaroid Polacolor print, mtnd - 26 x 20 3/4 in

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ERIC JON HOLSWADE - For Forgetting - acrylic on panel - 42 3/4 x 32 5/8 x 1 in.

ERIC JON HOLSWADE

GUSTAVE HEINZE - Store Front #122 - acrylic on masonite - 40 x 40 in.

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SIDDHARTH PARASNIS - Cityscape - oil on canvas - 48 x 48 in.

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ROBERT FRAME - River Bluff - oil on canvas - 20 x 24 in.

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JAE KON PARK - Untitled - oil on canvas - 11 x 13 1/2 in.

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CHINA ADAMS - Glass Box #25 - artist's burdensome possessions - 15 x 15 1/2 x 15 1/2 in.

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KAORU MANSOUR - Iro (hana) #497 - mixed media on canvas - 30 x 40 in.

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WILLIAM WEGMAN - Dog Cabin - silver gelatin print - 7 1/4 x 6 3/4 in.

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CHRIS TRUEMAN - ZS - acrylic and acrylic spray paint on canvas - 36 x 38 3/4 in.

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ROGER THOMAS - Grenelle Arm Chairs - Black Lacquer Finish and Gold Cord on Muslin with Original Drawings; Unique - 38 x 24 x 24 in.

ROGER THOMAS

WILLIAM WEGMAN - Three Dolls - Silver gelatin print - 7 1/4 x 6 3/4 in.

WILLIAM WEGMAN

WILLIAM T. WILEY - It's Only a Pay Per Moon - lithograph and woodcut additions on chamois - 47 3/4 x 38 in.

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WILLIAM WEGMAN - Marigolds, Flying Puppy - photograph on paper - 9 x 9 in.

WILLIAM WEGMAN