العودة

أندي وارهول (1928-1987)

 
<div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div> <div><font face=Lato size=3>Andy Warhol’s<em> Campbell’s Soup I: Vegetable Soup </em>(1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist’s proofs. This impression, numbered 198/250, translates one of Warhol’s most famous painted subjects into the medium that would define his career.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3>The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two<em> Campbell’s Soup Cans</em> paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects.</font></div><br><br><div><font face=Lato size=3> </font></div><br><br><div><font face=Lato size=3><em>Vegetable Soup</em> was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards. Warhol’s transformation of an everyday supermarket staple into an enduring icon underscores his genius for elevating the ordinary into the realm of high art. With its crisp outlines and industrial precision, <em>Vegetable Soup </em>embodies the artist’s most radical contribution: the merging of consumer culture with fine art.</font></div>
حساء كامبل 1: حساء الخضار196835 × 23 بوصة.(88.9 × 58.42 سم) طباعة شاشة على ورق
الاصل
مجموعه خاصه
الادب
فيلدمان ، ف. وشيلمان ، ج. ، 1985 ، مطبوعات آندي وارهول: سبب كتالوج ، ر. فيلدمان للفنون الجميلة ، II.48

100,000

حساء كامبل حساء كامبل الأول: حساء الخضار (1968) للفنان أندي وارهول هو جزء من أول مجموعة طباعة على الشاشة مخصصة لعلب الحساء الشهيرة، وقد أُنتجت في إصدار من 250 نسخة مع نماذج إضافية للفنان. يترجم هذا الانطباع، المرقّم بـ198/250، أحد أشهر مواضيع وارهول المرسومة إلى الوسيط الذي سيحدد مسيرته المهنية.





كانت السرعة التي احتضن بها عالم الفن وارهول رائعة: في يوليو 1962، ظهرت لوحاته الاثنتان والثلاثون "علب حساء كامبل" لأول مرة في معرض فيروس في لوس أنجلوس، مما عزز سمعته بسرعة. بدت تلك اللوحات المبكرة، وهي من بين آخر أعماله المرسومة يدوياً، منتجة بشكل ميكانيكي تقريباً، ولكن سرعان ما تخلى وارهول عن الفرشاة لصالح الشاشة الحريرية، وهي عملية تجارية سمحت بتكرار لا نهاية له وتنويعات مذهلة لمواضيعه المختارة.





كانت حساء الخضار واحدة من اثنين وثلاثين نوعاً أصلياً ولا تزال ظاهرة ثقافة البوب التي لا تزال ظاهرة في ثقافة البوب، حيث تظهر باستمرار على كل شيء من الأطباق والأكواب إلى القمصان وربطات العنق وحتى ألواح ركوب الأمواج. يؤكد تحويل وارهول لأصناف المتاجر اليومية الأساسية إلى أيقونة دائمة على عبقريته في الارتقاء بالأشياء العادية إلى عالم الفن الراقي. يجسد حساء الخضار بخطوطه الواضحة ودقته الصناعية أكثر إسهامات الفنان جذرية: دمج الثقافة الاستهلاكية بالفن الراقي.
الاستفسار