العودة

روبرت لونغو(ولد عام 1953)

الفنان بيو الاستفسارحميل PDF
 
<div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div>
<div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div>
باربرا ورافائيل199830 × 46 بوصة.(76.2 × 116.84 سم) طباعة حجرية
الاصل
هاملتون سلواي للفنون الجميلة
مجموعة خاصة

50,000

تنتمي لوحة "باربرا ورافائيل" (1998) لروبرت لونغو إلى سلسلة "رجال في المدن" الشهيرة للفنان روبرت لونغو التي تصور شخصيات ترتدي ملابس حادة في حركة ملتوية ومعلقة - أنيقة ومتوترة في آن واحد. وقد ترجم لونغو هذه الوضعيات الديناميكية المستمدة من صور فوتوغرافية منظمة لأصدقاء، إلى صور منمقة ومنمقة للغاية تستكشف الكثافة النفسية للحياة الحضرية المعاصرة. اللوحتان عبارة عن مطبوعات حجرية من طبعة مكونة من 120 طبعة مع 10 نسخ بروفات للفنان و18 نسخة بروفات إضافية، ولم يسبق أن ظهرت في مزاد. وتوجد نماذج من هذه السلسلة في مجموعات عامة كبرى، بما في ذلك متحف ويتني للفنون الأمريكية ومتحف بافالو أكي جي للفنون ومتحف سانت لويس للفنون.
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