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רוברט לונגו (נולד ב-1953)

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<div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div>
<div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div> <div><font face=Lato size=3 color=black>Robert Longo’s <em>Barbara</em> and <em>Rafael</em> (1998) come from artist’s iconic <em>Men in the Cities</em> series, these works depict sharply dressed figures in contorted, suspended motion—at once elegant and tense. Originating from staged photographs of friends, Longo translated these dynamic poses into highly refined, stylized images that explore the psychological intensity of contemporary urban life. The pair are lithographs from an edition of 120, with 10 artist proofs and 18 additional proofs, and have not previously appeared at auction. Examples from the series are held in major public collections, including the Whitney Museum of American Art, the Buffalo AKG Art Museum, and the Saint Louis Art Museum.</font></div>
ברברה ורפאל 1998 ליטוגרפיה 76.2 x 116.84 ס"מ ( 30 x 46 אינץ' )
מקור ומקור
אמנות המילטון-סלווי
אוסף פרטי

50,000

ברברה ורפאל (1998) של רוברט לונגו מגיעים מסדרת "גברים בערים" האייקונית של האמן, עבודות אלה מתארות דמויות לבושות בחדות בתנועה מעוותת ומושהית - אלגנטית ומתוחה בו זמנית. לונגו, שמקורה בצילומים מבוימים של חברים, תרגם את התנוחות הדינמיות הללו לתמונות מעודנות ומסוגננות ביותר, החוקרות את העוצמה הפסיכולוגית של החיים העירוניים העכשוויים. השניים הם ליטוגרפיות ממהדורה של 120 עותקים, עם 10 הוכחות אמן ו-18 הוכחות נוספות, ולא הופיעו בעבר במכירה פומבית. דוגמאות מהסדרה מוחזקות באוספים ציבוריים גדולים, כולל מוזיאון ויטני לאמנות אמריקאית, מוזיאון האמנות באפלו AKG ומוזיאון האמנות של סנט לואיס.
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