العودة

ألكسندر كالدر (1898-1976)

 
Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others. Alexander Calder was a key figure in the development of abstract sculpture and is renowned for his groundbreaking work in kinetic art; he is one of the most influential artists of the Twentieth Century. "Prelude to Man-Eater" is a delicately balanced standing sculpture that responds to air currents, creating a constantly changing and dynamic visual experience.<br><br>Calder's Standing Mobiles were a result of his continuous experimentation with materials, form, and balance. This Standing Mobile is a historically significant prelude to a larger work commissioned in 1945 by Alfred Barr, the first director of the Museum of Modern Art in New York. "Prelude to Maneater" is designed to be viewed from multiple angles, encouraging viewers to walk around and interact with it.<br><br>The present work is a formal study for Man-Eater With Pennant (1945), part of the permanent collection of the Museum of Modern Art in New York. The work is also represented in "Sketches for Mobiles: Prelude to Man-Eater; Starfish; Octopus", which is in the permanent collection of the Harvard Fogg Museum.<br><br>Calder's mobiles and stabiles can be found in esteemed private collections and the collections of major museums worldwide, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London among others.
مقدمة للرجل الآكل194559 × 42 × 18 بوصة.(149.86 × 106.68 × 45.72 سم) صفائح معدنية، أسلاك، صباغ
الاصل
تركة الفنان
م. كنويدلر وشركاه، نيويورك
غاليري إنترناسيونالي، ميلانو
أرنولد هيرستاند وشركاه ، نيويورك
ميشولام ريكليس ، نيويورك
كريستيز نيويورك ، مايو 1997 ، الكثير 127
مجموعة خاصة ، تم الحصول عليها من البيع أعلاه
كريستيز نيويورك ، يونيو 2001 ، الكثير 1103
مجموعة خاصة
معرض ميشيل روزنفيلد ، نيويورك
مجموعة خاصة
معرض
نيويورك ، معرض بوخهولز ، ألكسندر كالدر ، نوفمبر - ديسمبر ، 1945
ديترويت ، معهد ديترويت للفنون الجميلة ، أصول النحت الحديث
... اكثر...، يناير - مارس 1946
نيويورك ، م. كنويدلر وشركاه ، ألكسندر كالدر / فرناند ليجر ، أكتوبر 1979 ، ص. 9 ، رقم 5 (مصور)
نيويورك، م. كنويدلر وشركاه، ألكسندر كالدر ستاندينج موبايلز، كانون الأول/ديسمبر 1980 - كانون الثاني/يناير 1981
برشلونة، إسبانيا، مؤسسة جوان ميرو، كالدر، تشرين الثاني/نوفمبر 1997 - شباط/فبراير 1998، رقم 73
بيفرلي هيلز ، كاليفورنيا ، معرض Gagosian ، ألكسندر كالدر ، مايو - يونيو ، 2003
لوس أنجلوس ، كاليفورنيا ، L& Arts ، ألكسندر كالدر ، أبريل - يونيو ، 2012
معرض ميشيل روزنفيلد ، نيويورك ، معرض مجموعة الربيع ، مارس - مايو 2013
... اقل...
الاستفسار

"عندما يسير كل شيء على ما يرام ، فإن الهاتف المحمول هو قطعة شعرية ترقص بفرحة الحياة والمفاجأة!" - ألكسندر كالدر

التاريخ

كان ألكسندر كالدر شخصية رئيسية في تطوير النحت التجريدي ويشتهر بعمله الرائد في الفن الحركي. وهو واحد من الفنانين الأكثر نفوذا في القرن 20 . Prelude to the Man-Eater هو تمثال قائم متوازن بدقة يستجيب لتيارات الهواء ، مما يخلق تجربة بصرية متغيرة وديناميكية باستمرار.

كانت هواتف كالدر المحمولة الدائمة نتيجة لتجاربه المستمرة مع المواد والشكل والتوازن. كلف ألفريد بار ، أول مدير لمتحف الفن الحديث في نيويورك ، كالدر بإنشاء هاتف محمول جديد قائم في عام 1945. العمل الحالي هو دراسة رسمية لهذا العمل بتكليف ، رجل آكل مع رايان.تم تصميم Prelude to the Man-Eater ، مثل النحت في MoMA ، ليتم عرضه من زوايا متعددة ، مما يشجع المشاهدين على التجول والتفاعل معه. في كلتا القطعتين ، تتحرك المكونات المعدنية المختلفة حول عمود مركزي. لعبت الماكيت والدراسات دورا حيويا في ممارسة كالدر لأنها منحته الفرصة لفهم الحجم والتوازن قبل توسيع نطاق القطعة. في كثير من الأحيان ، كانت هذه القوالب موجودة في الحجم الأصغر لعقود قبل أن تتوسع أو كانت موجودة ببساطة بحجمها ولم تتحول أبدا إلى أعمال أكبر. في Prelude ، يمكننا أن نرى كالدر يفكر بشكل عمودي أكثر مقارنة بالقطعة الأخيرة في MoMA.

مقدمة للرجل الآكل ممثلة أيضا في الرسم التحضيري لكالدر ، اسكتشات للهواتف المحمولة: مقدمة للرجل الآكل. نجم البحر; الأخطبوط ، الموجود في المجموعة الدائمة لمتحف هارفارد فوج.

  • كالدر روما 1956
    ألكسندر كالدر في افتتاح معرض لهواتفه المحمولة في غاليريا ديل أوبيليسكو في روما عام 1956 (© جيتي)
  • كالدر مع الجذر
    كالدر مع الجذر (1947) معرض بوخهولز / كيرت فالنتين ، نيويورك ، 1947 © 2018 مؤسسة كالدر ، نيويورك / DACS لندن
  • كالدر ستوديو 1941
    استوديو كالدر روكسبري ، 1941 هربرت ماتر © 2018 مؤسسة كالدر ، نيويورك / DACS لندن
  • عرض التثبيت: ألكسندر كالدر: "رجل آكل مع راية" ، متحف الفن الحديث ، نيويورك
"مثلما يمكن للمرء أن يؤلف الألوان ، أو الأشكال ، كذلك يمكن للمرء أن يؤلف الحركات." - ألكسندر كالدر

رؤى السوق

  • يشتهر ألكسندر كالدر بهواتفه المحمولة ومثبتاته ، والتي نادرا ما يتم طرحها للبيع.
  • شهد سوق كالدر معدل نمو سنوي مركب بنسبة 7.6% منذ عام 1976.
  • يتزايد الاهتمام المؤسسي بأعمال كالدر، حيث تسعى المتاحف الآسيوية والشرق أوسطية الجديدة إلى امتلاك نماذج من ثلاثينيات وأربعينيات القرن الماضي.

أعلى نتائج الهاتف المحمول والجوال الدائم في المزاد

"Poisson Volant" (1957) ، صفائح معدنية مطلية ، قضيب وسلك ، 24 × 89 بوصة. بيعت في كريستيز نيويورك: 13 يوليو 2014 مقابل 25,925,000 دولار. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
"بدون عنوان" (1949) ، صفائح معدنية وأسلاك مطلية ، 128 × 168 بوصة. تم البيع في سوذبيز نيويورك: 16 نوفمبر 2021 مقابل 19,682,000 دولار. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
"زنبق القوة" (1945) ، صفائح معدنية مطلية ، قضيب وسلك ، 92 × 81 بوصة. بيعت في كريستيز نيويورك: 08 مايو 2012 مقابل 18,562,500 دولار. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك

الهواتف المحمولة المماثلة والهواتف المحمولة الدائمة التي تباع في المزاد

"بدون عنوان" (1942) ، صفائح معدنية مطلية وزجاج وسلك وخيط ، 33 × 23 بوصة. بيعت في سوذبيز نيويورك: 11 مايو 2016 مقابل 8,314,000 دولار. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
  • أصغر من مقدمة للرجل الآكل
  • تكوين وشكل مستقر مماثل
  • تاريخ التنفيذ المقارن
"Black II" (1949) ، صفائح معدنية وأسلاك مطلية ، 40 × 33 بوصة. بيعت في كريستيز نيويورك: 12 نوفمبر 2014 مقابل 4,309,000 دولار. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
  • حجم مماثل لمقدمة لرجل الآكل
  • تكوين وشكل مستقر مماثل
  • تاريخ التنفيذ المقارن
"Stabile with Mobile Element" (1940) ، صفائح معدنية مطلية وخيط ، 24 × 24 بوصة. بيعت في كريستيز نيويورك: 10 نوفمبر 2015 مقابل 4,085,000 دولار. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
  • أصغر من مقدمة للرجل الآكل
  • تكوين وشكل مستقر مماثل
  • تاريخ التنفيذ المقارن

الهواتف المحمولة والهواتف المحمولة الدائمة في مجموعات المتاحف

"رجل آكل مع الرايات" (1945) ، قضبان فولاذية مطلية وألواح حديدية ، 168 × appx. 360 بوصة. القطر ، متحف الفن الحديث ، نيويورك. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
"العنكبوت" (1939) ، صفائح الألمنيوم المطلية ، وقضيب فولاذي ، وأسلاك فولاذية ، 80 1/2 × 88 1/2 × 36 1/2 بوصة ، متحف الفن الحديث ، نيويورك. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
"بدون عنوان" (1937) ، فولاذ مطلي ، 89 3/4 × 80 × 102 بوصة ، ذا تيت ، لندن. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
"يوكا" (1941) ، صفائح معدنية وأسلاك مطلية ، 73 1/2 × 23 × 20 بوصة ، غوغنهايم ، نيويورك. © 2023 مؤسسة كالدر ، نيويورك / جمعية حقوق الفنانين (ARS) ، نيويورك
"بالنسبة لمعظم الأشخاص الذين ينظرون إلى الهاتف المحمول ، فإنه ليس أكثر من سلسلة من الأشياء المسطحة التي تتحرك. بالنسبة للقليلين ، على الرغم من ذلك ، قد يكون شعرا." - ألكسندر كالدر

موارد إضافية

الاستفسار

الاستعلام - الفن واحد

قد تحب أيضا

أعمال أخرى لألكسندر كالدر